Corentin Boissier: 2 Piano Concertos & a Sonata Valentina Seferinova, Ukrainian Festival Orchestra & John McLaughlin Williams

• Corentin Boissier (b. 1995): Glamour Concerto, Op. 7 (Version for Piano & Orchestra):
• 1Boissier: Glamour Concerto, Op. 7 (Version for Piano & Orchestra): I. Glamour appassionato09:50
• 2Boissier: Glamour Concerto, Op. 7 (Version for Piano & Orchestra): II. Manhattan Waltz-Romance07:28
• 3Boissier: Glamour Concerto, Op. 7 (Version for Piano & Orchestra): III. Spanish Lovers in Brooklyn07:34
• Piano Sonata No. 2, Op. 18 "Appassionata":
• 4Boissier: Piano Sonata No. 2, Op. 18 "Appassionata": I. Allegro impetuoso11:31
• 5Boissier: Piano Sonata No. 2, Op. 18 "Appassionata": II. Intermezzo. Andante espressivo05:21
• 6Boissier: Piano Sonata No. 2, Op. 18 "Appassionata": III. Finale. Allegro appassionato07:32
• Philip Marlowe Concerto, Op. 8:
• 7Boissier: Philip Marlowe Concerto, Op. 8: I. Allegro drammatico07:52
• 8Boissier: Philip Marlowe Concerto, Op. 8: II. Lento07:31
• 9Boissier: Philip Marlowe Concerto, Op. 8: III. Allegro feroce, tempo di toccata04:30
• Total Runtime01:09:09

Info for Corentin Boissier: 2 Piano Concertos & a Sonata

The phrase ‘unashamed Romantic’ might not have been coined for the French composer Corentin Boissier, born in the Paris suburbs in 1995, but it certainly fits him well. As the titles of his Glamour Concerto and Philip Marlowe Concerto suggest, he revels in the full-textured sound of 1940s and ’50s Hollywood, the golden age of Addinsell’s Warsaw Concerto, Rota’s Legend of the Glass Mountain and other such high-calorie classics. The Second Piano Sonata, the Sonata Appassionata, is no less Neo-Romantic, but has flecks of Russian colour, locating it downstream from Rachmaninov.

Valentina Seferinova, piano
Ukrainian Festival Orchestra (Tracks 1-3, 7-9)
John McLaughlin Williams, conductor (Tracks 1-3, 7-9)

John McLaughlin Williams
“John McLaughlin Williams delivers absolutely masterful and deeply engrossing readings... In fact, Williams, a child prodigy who is also an accomplished violinist and is here making his recording debut, is a genuine find.” – Paul A. Snook (Fanfare) reviewing Williams conducting works by George Frederick McKay on Naxos

GRAMMY®Award-winning conductor John McLaughlin Williams (the first African-American conductor to win a GRAMMY®) has been critically acclaimed for his outstanding interpretive abilities and engaging podium presence. Equally at home with the standard literature and the great romantic and early modern music written by American composers, it was with the release of his acclaimed recordings on the Naxos label, that his conducting became familiar to listeners on both sides of the Atlantic. With the National Symphony and Radio Orchestras of Ukraine Williams has made world-première recordings of orchestral works by American composers both well-known and neglected for the Naxos label’s celebrated “American Classics” series. He has been critically hailed in international publications, among them Fanfare, Gramophone, Classic FM, International Record Review, American Record Guide, and the French recording journal Diapason. His recordings appear on the Naxos, TNC, Artek, Cambria, and Afka labels. His most recent release, Quincy Porter: Complete Viola Works, recorded with Eliesha Nelson, appears on the Sono Luminus (formerly Dorian) label, as will his forthcoming recording of the complete violin works of Karl Weigl.

Additional recognition came from the National Academy of Recording Arts and Sciences in 2009 and 2011 when he was awarded further GRAMMY® nominations for his conducting in recordings of concerti by Ernest Bloch and Benjamin Lees with violinist Elmar Oliveira, and for Quincy Porter: Complete Viola Works. In 1999 Williams received the Geraldine C. & Emory M. Ford Award for American Conductors.

Williams’s conducting experience includes appearances with the Detroit Symphony Orchestra, Chicago Sinfonietta, Colorado Symphony, Cleveland Chamber Symphony, National Symphony Orchestra of Ukraine, National Radio Symphony Orchestra of Ukraine, Classic FM Symphony Orchestra (Sofia, Bulgaria), Kiev Philharmonic, Boston Lyric Opera/Opera New England, Boulder Philharmonic, the Cayman Arts Festival, Greenville Symphony, East Texas Symphony and the Britt Festival, where he served as assistant conductor. Williams holds a Master of Music degree in orchestral conducting from the Cleveland Institute of Music. There he studied conducting with Carl Topilow, music director of the National Repertory Orchestra and the Cleveland Pops Orchestra, and composition with Donald Erb and Margaret Brouwer.

Musically, Williams is as comfortable with popular material as he is with the classics. He’s conducted for R&B superstars Al Jarreau, Brian McKnight, and The Winans in “Christmas Glory”, a gospel Christmas concert production for the FOX and UPN television networks, and most recently he returned to the Detroit Symphony Orchestra to conduct them in classical repertoire as well as in original arrangements for Blues legend Thornetta Davis.

Williams is an active violin soloist, pianist, and chamber musician. He began violin studies at age 10 in a Washington, DC public school. At age 14 he appeared as soloist with the National Symphony Orchestra. He studied with Dorothy Delay (teacher of Itzhak Perlman, Gil Shaham, Nigel Kennedy, and Midori, among others) at the New England Conservatory. As violin soloist, Williams has appeared with many orchestras, including the Boston Pops Esplanade Orchestra, South Carolina Philharmonic, Pro Arte Chamber Orchestra, and the Portland Symphony Orchestra.

He served as concertmaster of the Virginia Symphony and was a member of the Houston Symphony. As guest concertmaster he has appeared with the Bolshoi Ballet, Kirov Ballet, American Ballet Theatre, Pennsylvania Ballet, Youngstown Symphony, the Opera Company of North Carolina, and the Portland Symphony Orchestra. He also has performed with the Boston Symphony Orchestra and the Boston Pops Orchestra, and was assistant concertmaster of the Boston Pops Esplanade Orchestra.

Williams has recorded chamber music for the Afka label and jazz with the Max Roach Double Quartet. His composition credits include work with Michael Kamen (Lethal Weapon, Die Hard) for the soundtrack to Mr. Dreyfuss Goes to Washington, a documentary for the History Channel.

Booklet for Corentin Boissier: 2 Piano Concertos & a Sonata