Cover Girl Ashley Jackson

• 1 Don’t Let Me Be Misunderstood 04:06
• 2 I’m Every Woman 04:40
• 3 Udhero Na 05:35
• 4 Dreaming My Dreams 04:05
• Total Runtime 18:26

Info for Cover Girl

Critically acclaimed harpist Ashley Jackson presents an EP of artistic arrangements of music by four icons of popular music: Whitney Houston, Nina Simone, Dolores O’Riordan (the late lead singer of The Cranberries), and Pakistani singer-composer Arooj Aftab. Cover Girl celebrates the fearless women who have shaped the popular music landscape. With brand new arrangements, Ashley Jackson pays homage to those artists who defied the limitations of genre, inspiring her own sense of what’s possible with the language of music.

“Cover Girl allowed me to dig into the depths and complexities of the human voice and explore how to engage with the various types of genres that I’ve always loved. What I love about this project is that it gave me an opportunity to be my freest, most authentic self,” says Jackson.

Ashley Jackson, harp

Ashley Jackson
Praised for her “soulful” and “eloquent” playing (Musical America), harpist Ashley Jackson enjoys a multifaceted career as a highly sought-after musician and collaborator in New York and beyond.

As a soloist, she has performed at Lincoln Center, Celebrate Brooklyn! and the Schomburg Center for Research in Black Culture. She has also performed with the New York Philharmonic, Metropolis Ensemble, the Qatar Philharmonic, and is the principal harpist of NOVUS NY, the contemporary music orchestra of Trinity Wall Street led by Grammy-nominated conductor Julian Wachner. She is a member of the Harlem Chamber Players, with whom she has developed a number of projects, including her first film, In Song and Spirit and the Harlem Walking Tour Series.

Throughout her academic and professional careers, Ashley has demonstrated a commitment to diversity and inclusion within higher education and the performing arts, firmly believing that a deeper understanding of cultural and ethnic diversity is critical to intellectual and artistic development. As a recipient of the Theodore Presser Award, she pursued her doctoral research on black female composer Margaret Bonds and her collaboration with Langston Hughes, and presented her findings in lectures at the Studio Museum of Harlem, WMP Concert Hall, and the University of North Carolina. Her research culminated in the release of the album, The Ballad of the Brown King and Selected Songs (Avie Records) on which she is a featured performer, as well as the author of the liner notes. Her speaking engagements have included “1960: Margaret Bonds and a Message for Civil Rights” (Juilliard), “Affinities: Margaret Bonds and Langston Hughes,” (Studio Museum of Harlem) and “Representation as Resistance: How an Activist Orchestra Redresses the Push-out of Black Practitioners from Classical Music” (Harvard University). As a writer, her works have appeared on NewMusicBox (“The Cultural Citizen: How Classical Music Got Me Woke") as well as in the International Journal of Women in Music (“Margaret Bonds and The Ballad of the Brown King: A Historical Overview”). She is currently an Assistant Professor and the Director of Undergraduate Studies for the Music Department at Hunter College, where she teaches chamber music, harp, and courses such as the Arts in New York City.

Ashley holds a Doctor of Musical Arts degree from the Juilliard School, a Master of Music degree from the Yale School of Music, and a Bachelor of Arts degree from Yale University.

This album contains no booklet.