Ennanga Ashley Jackson

• 1 Coltrane, Jackson: Prema (Arr. by Ashley Jackson) 09:13
• 2 Coleridge-Taylor, Jackson: I'm Troubled in Mind (Arr. by Ashley Jackson) 05:48
• 3 Younger, Jackson: Essence of Ruby 05:36
• 4 Still, Jackson: Ennanga: I 07:12
• 5 Still, Jackson: Ennanga: II 05:19
• 6 Still, Jackson: Ennanga: III 05:01
• 7 Coleridge-Taylor, Jackson: The Angels Changed My Name (Arr. by Ashley Jackson) 04:54
• Total Runtime 43:03

Info for Ennanga

Harpist Ashley Jackson explores the musical and spiritual connections between various forms of American musical expression in her new album, Ennanga. Through the works of notable Black composers who have redefined musical landscapes, the album celebrates the centrality of the African American spiritual to the history of American music. Ennanga features The Harlem Chamber Players and Jackson's harp transcriptions of works by Samuel Coleridge-Taylor and Alice Coltrane, as well as original compositions by William Grant Still and Brandee Younger.

Praised for her “soulful” and “eloquent” playing (Musical America), harpist Ashley Jackson enjoys a multifaceted career as a highly sought-after musician and collaborator in New York and beyond.

The Harlem Chamber Players:
Sandra Billingslea, violin
Claire Chan, violin
Chala Yancy, violin
Amadi Azikwe, viola
Aundrey Mitchell, viola
Robert Burjhart, cello
Wayne Smith, cello
Anthony Morris, cello
Kyle Walker, piano
Ashley Jackson, harp

Ashley Jackson
Praised for her “soulful” and “eloquent” playing (Musical America), harpist Ashley Jackson enjoys a multifaceted career as a highly sought-after musician and collaborator in New York and beyond.

As a soloist, she has performed at Lincoln Center, Celebrate Brooklyn! and the Schomburg Center for Research in Black Culture. She has also performed with the New York Philharmonic, Metropolis Ensemble, the Qatar Philharmonic, and is the principal harpist of NOVUS NY, the contemporary music orchestra of Trinity Wall Street led by Grammy-nominated conductor Julian Wachner. She is a member of the Harlem Chamber Players, with whom she has developed a number of projects, including her first film, In Song and Spirit and the Harlem Walking Tour Series.

Throughout her academic and professional careers, Ashley has demonstrated a commitment to diversity and inclusion within higher education and the performing arts, firmly believing that a deeper understanding of cultural and ethnic diversity is critical to intellectual and artistic development. As a recipient of the Theodore Presser Award, she pursued her doctoral research on black female composer Margaret Bonds and her collaboration with Langston Hughes, and presented her findings in lectures at the Studio Museum of Harlem, WMP Concert Hall, and the University of North Carolina. Her research culminated in the release of the album, The Ballad of the Brown King and Selected Songs (Avie Records) on which she is a featured performer, as well as the author of the liner notes. Her speaking engagements have included “1960: Margaret Bonds and a Message for Civil Rights” (Juilliard), “Affinities: Margaret Bonds and Langston Hughes,” (Studio Museum of Harlem) and “Representation as Resistance: How an Activist Orchestra Redresses the Push-out of Black Practitioners from Classical Music” (Harvard University). As a writer, her works have appeared on NewMusicBox (“The Cultural Citizen: How Classical Music Got Me Woke") as well as in the International Journal of Women in Music (“Margaret Bonds and The Ballad of the Brown King: A Historical Overview”). She is currently an Assistant Professor and the Director of Undergraduate Studies for the Music Department at Hunter College, where she teaches chamber music, harp, and courses such as the Arts in New York City.

Ashley holds a Doctor of Musical Arts degree from the Juilliard School, a Master of Music degree from the Yale School of Music, and a Bachelor of Arts degree from Yale University.

This album contains no booklet.