Monty Alexander
In a career spanning five decades, pianist Monty Alexander has built a reputation exploring the worlds of American jazz, popular song, and the music of his native Jamaica, finding in each a sincere spirit of musical expression. In the process, he has performed and recorded with artists from every corner of the musical universe: Frank Sinatra, Ray Brown, Dizzy Gillespie, Sonny Rollins, Clark Terry, Quincy Jones, Ernest Ranglin, Barbara Hendricks, Sly Dunbar, and Robbie Shakespeare, among many others. Born on D-Day (June 6, 1944) and raised in Kingston, Jamaica, he took his first piano lessons at age six but was largely self-taught. As a teenager, he witnessed concerts by Louis Armstrong and Nat "King" Cole at Kingston's Carib Theater. These artists had a profound effect on Alexander's own style. He formed Monty and the Cyclones in the late 60s and also recorded on sessions with musicians who would later form The Skatali tes.

Alexander and his family came to the United States at the end of 1961. Less than two years later, while playing in Las Vegas with Art Mooney's orchestra, he caught the eye of New York City club owner Jilly Rizzo and his friend, Frank Sinatra. Rizzo hired the young pianist to work in his club, Jilly's, where he accompanied Sinatra and others. There he met Modern Jazz Quartet vibraphonist Milt Jackson, who hired him and eventually introduced him to former Charlie Parker collaborator and legendary bassist Ray Brown. Alexander recorded and performed with the two jazz giants on many occasions.

His musical collaborations span multiple genres and styles. His projects have been as varied as assisting Natalie Cole in her tribute album to her father, Nat "King" Cole in 1991 (that album, Unforgettable, won seven Grammy awards), performing George Gershwin's "Rhapsody in Blue" under the direction of Bobby McFerrin at the Verbier Festival in Switzerland, and recording the piano track for the film score of Clint Eastwood's Bird, a movie about the life of jazz titan Charlie Parker. In 2008, Alexander conceived and directed the acclaimed program Ljords of the West Indies at Jazz at Lincoln Center. Alexander maintains a rigorous touring schedule worldwide, from jazz clubs to concert halls and at Jazz Festivals from South Africa to Montreux (Switzerland), and Australia.

In August 2000 Monty Alexander was awarded the tide of Commander in the Order of Distinction by the Jamaican government for outstanding services to Jamaica in his capacity as worldwide music ambassador. To date Monty Alexander has recorded over 70 albums as a leader. His recent albums on the Telarc label include trio sessions, such as Impressions in Blue, and live concert recordings, such as Gain' Yard. In the late summer of 2005, Alexander traveled to Bob Marley's Tuff Gong Studio in Kingston, Jamaica, and teamed up with Jamaican top session players to record Concrete Jungle, a set of twelve compositions penned by Bob Marley and reinterpreted via Alexander's jazz piano-oriented arrangements. The resulting union of musical perspectives digs deep into the Marley legend and brings together the two worlds that Alexander most treasures, building the musical bridges that are the very essence of his craft. As a testament to his versatility, The Good Ljfe, on Chesky Records is a collection of songs written and popularized by one of his all-time favorite artists and good friends, Tony Bennett. His latest release also on Chesky is Calypso Blues, a tribute to his hero Nat "King" Cole.

Three releases are in the works for 2011-2012: a trio album on JLP records, an album featuring Monty Alexander's presentation, Harlem-Kingston Express, on the Motema label, in addition to a piano solo album comprised of Monty Alexander's own compositions on Arbors records.

John Clayton
is a natural born multitasker. The multiple roles in which he excels -- composer, arranger, conductor, producer, educator, and yes, extraordinary bassist -- garner him a number of challenging assignments and commissions. With a Grammy on his shelf and eight additional nominations, artists such as Diana Krall, Paul McCartney, Regina Carter, Dee Dee Bridgewater, Gladys Knight, Queen Latifah, and Charles Aznavour vie for a spot on his crowded calendar.

He began his bass career in elementary school playing in strings class, junior orchestra, high school jazz band, orchestra, and soul/R&B groups. In 1969, at the age of 16, he enrolled in bassist Ray Brown's jazz class at UCLA, beginning a close relationship that lasted more than three decades. After graduating from Indiana University's School of Music with a degree in bass performance in 1975, he toured with the Monty Alexander Trio (1975-77), the Count Basie Orchestra (1977-79), and settled in as principal bassist with the Amsterdam Philharmonic Orchestra in Amsterdam, Netherlands (1980-85). He was also a bass instructor at The Royal Conservatory, The Hague, Holland from 1980-83.

In 1985 he returned to California, co-founded the Clayton-Hamilton Jazz Orchestra in 1986, rekindled the The Clayton Brothers quintet, and taught part-time bass at Cal State Long Beach, UCLA and USC. In 1988 he joined the faculty of the University of Southern California Thornton School of Music, where he taught until 2009. Now, in addition to individual clinics, workshops, and private students as schedule permits, John also directs the educational components associated with the Lionel Hampton Jazz Festival, Centrum Festival, and Vail Jazz Party.

Career highlights include arranging the 'Star Spangled Banner" for Whitney Houston's performance at Super Bowl 1990 (the recording went platinum), playing bass on Paul McCartney's CD “Kisses On The Bottom,” arranging and playing bass with Yo-Yo Ma and Friends on "Songs of Joy and Peace," and arranging playing and conducting the 2009 CD "Charles Aznavour With the Clayton-Hamilton Jazz Orchestra," and numerous recordings with Diana Krall, the Clayton Brothers, the Clayton-Hamilton Jazz Orchestra, Milt Jackson, Monty Alexander and many others.