Joanna Harries & Sholto Kynoch
Biography Joanna Harries & Sholto Kynoch
Joanna Harries
Born in New Zealand and raised in Wales, mezzo soprano Joanna Harries was a choral scholar at the University of Cambridge before training at the Royal Northern College of Music, Royal Conservatoire of Scotland and the National Opera Studio. She is a former Opera Prelude Young Artist, Britten Pears Young Artist and Handel House Talent Artist.
In the current season she performs Prince/Stepmother in a revival of Mini Cinderella for Opera North; Letters from Scandinavia with Sholto Kynoch at the Oxford International Song Festival; a Salon Series recital with Anna Tilbrook for Opera Rara; and Beethoven Missa solemnis with Bristol Choral Society.
Among her recent highlights are Finocchini La Princesse de Trébizonde (Opera Rara); Countess Ceprano Rigoletto (Opera Holland Park); Lucinda La forza dell’amor paterno (Barber Opera); Medoro Orlando (Liberata Collective); Tweedledee Alice’s Advenutres in Wonderland (If Opera); and Paul Rissmann’s Alice in Wonderland Suites (London Symphony Orchestra).
Her operatic roles stretch from baroque to contemporary and include the title role Sāvitri (Hampstead Garden Opera); Dido Dido and Aeneas (Dartington Arts Festival); Zerlina Don Giovanni (Merry Opera Company); Karolka Jenůfa and Varava Kát’a Kabanová (Fulham Opera); Drummer The Emperor of Atlantis in Polly Graham’s production (Loud Crowd and CHROMA); Nun The Fiery Angel (Scottish Opera); and Ottone Agrippina and Jenny Hildebrand Street Scene (Royal Conservatoire of Scotland).
In contemporary music she has premiered roles in new operas including Tartine in David Blake & Keith Warner’s Scoring a Century (British Youth Opera); Awen (cover) Pwyll ap Sion’s Gair ar Gnawd (Welsh National Opera); and Prometheus in Tim Benjamin’s The Fire of Olympus, Girl/Psychiatrist in Scott Stroman and Tamsin Collison’s Fever Pitch, an adaptation of the iconic Nick Hornby book, and Diana in Scott Stroman’s The Weekend based on Michael Palin’s play.
As concert soloist Joanna has performed Bach Christmas Oratorio (Snape Maltings); Macmillan Seven Last Words From The Cross (BBC Philharmonic); Bach Easter Oratorio (Bach Festival Świdnica, Poland); Bach St. Matthew Passion (Skipton Camerata); Handel Messiah (Lincoln Cathedral); Haydn Theresienmesse (Chester Cathedral); and Beethoven’s Symphony No.9 (Sheffield Cathedral). A keen recitalist, Joanna was awarded the Edith Brass Prize for Lieder at the RCS and has performed song and Lieder at St. Martin-in-the-Fields, the Britten Studio at Snape Maltings, Pushkin House and the National Portrait Gallery.
Joanna runs SongPath with co-founder Jess Dandy, a mental health initiative bringing together music, nature and mental health in specially curated outdoor events, alongside free workshops for local branches of mental health charity Mind. Since 2019 they have taken SongPath to Cumbria, Yorkshire and Oxfordshire. In 2021 Joanna was awarded Royal Philharmonic Society Enterprise Award for her new podcast Songs of the River.
Sholto Kynoch
s a sought-after pianist who specialises in song and chamber music. He is the founder and Artistic Director of the Oxford International Song Festival (formerly Oxford Lieder), which won a prestigious Royal Philharmonic Society Award in 2015, cited for its ‘breadth, depth and audacity’ of programming. In July 2018, Sholto was elected a Fellow of the Royal Academy of Music in the RAM Honours.
Working with many of today’s leading singers, recent recitals have taken him to Wigmore Hall, Heidelberger Frühling, Beethovenfest Bonn, the Zeist International Lied Festival in the Netherlands, the LIFE Victoria festival and Palau de la Música in Barcelona, the Fundación Juan March in Madrid, the Opéra de Lille, Opernhaus Zürich, Maison Symphonique de Montréal, Queensland Art Song Festival in Australia, and many other leading venues and festivals nationally and internationally.
His extensive discography includes the first complete edition of the songs of Hugo Wolf, recorded live at the Oxford International Song Festival, the final volume of which was released in January 2023. He has also recorded the complete songs of John Ireland and Havergal Brian, as well as recital discs of Schubert and Schumann songs.
