Kenny Burrell (Mono Remastered) Kenny Burrell

• 1 Get Happy 04:01
• 2 But Not For Me 03:47
• 3 Mexico City (Live At Cafe Bohemia, New York City / 1956 / Alternate Take) 06:44
• 4 Moten Swing 06:08
• 5 Cheetah 04:40
• 6 Now See How You Are (Remastered 1995) 05:52
• 7 Phinupi (Remastered 2000) 04:41
• 8 How About You? (Remastered 1995) 05:12
• Total Runtime 41:05

Info for Kenny Burrell (Mono Remastered)

The first thing that strikes you about Kenny Burrell’s second Blue Note album, simply titled Kenny Burrell (BLP 1543) and released as part of Blue Note’s fabled 1500 series, is the cover, which features an illustration by Andy Warhol, the first of three Blue Note covers the soon-to-be famed artist collaborated on with designer Reid Miles. The second is the striking music, which is drawn from four different sessions recorded in 1956 with the great guitarist featured in a variety of different configurations. The opener, a brisk romp through Harold Arlen’s “Get Happy,” features Tommy Flanagan on piano, Paul Chambers on bass, Kenny Clarke on drums, and Candido on congas. That leads into a stunning solo guitar rendition of the Gershwin tune “But Not For Me,” which is followed by the live track “Mexico City,” a piece by Kenny Dorham and recorded with the trumpeter’s sextet at the Café Bohemia. Burrell and Flanagan are joined by bassist Oscar Pettiford and drummer Shadow Wilson on the Basie band number “Moten Swing” and Burrell’s “Cheeta,” and tenor saxophonist Frank Foster makes it a quintet for remainder of Side 2 on Pettiford’s “Now See How You Are,” Burrell’s “Phinupi,” and the Burton Lane standard “How About You.”

Kenny Burrell, guitar
Kenny Dorham, trumpet (track 3)
Frank Foster, tenor saxophone (tracks 6-8)
J. R. Monterose, tenor saxophone (track 3)
Tommy Flanagan, piano (except 2
Paul Chambers, double bass (track 1)
Sam Jones, double bass (track 3)
Oscar Pettiford, double bass (tracks 4-8)
Kenny Clarke, drums (track 1)
Arthur Edgehill, drums (track 3)
Shadow Wilson, drums (tracks 4-8)
Candido, conga (track 1)

Digitally remastered

Kenny Burrell
After 40 years as a jazz professional, appearing on several hundred albums as leader and sideman, Kenny Burrell is among the handful of guitar greats who have forever changed the role of their instrument.

Staunch musical integrity and discriminate taste coupled with matchless technique have made the guitarist nonpareil among his peers. "My goal is to play with good tone, good phrasing and to swing," says Burrell, "I strive for honesty in playing what I feel."

"Master instrumentalist and composer," "virtuoso," "historic figure of American guitar." "Ellington's favorite guitar player" - this is a typical sampling of the critical praise routinely bestowed on Burrell, who pioneered the guitar-led trio with bass and drums in the late Fifties. Although he has since worked in countless other formats, from big band to three guitars plus rhythm to solo, he has remained constant in his quest to get the most out of a natural, low-volume, acoustic sound. "My audience has developed so that they come to listen and are quiet," he explains. "Thus I can work in a limited volume range and explore all the subtleties that can happen, which is my favorite part of the music." Aside from his performing and recording schedule, Kenny has been a teacher at the University of California at Los Angeles (UCLA) for many years. Included in his teaching schedule is a special course that he developed on the music and life of Duke Ellington called "Ellingtonia". Started in 1978, it was the first regualr college course on Ellington taught in the United States. In addition he is also the founder and director of the Jazz Studies Program at UCLA where he is a professor of music and ethnomusicology. He is also a lecturer and director of workshops on guitar and Jazz studies, founder and President Emeritus, of the Jzz Heritage Foundation, and all around crusader for the recognition of jazz as a classical art form.

Kenny Burrell is also a prolific composer whose work is more and more in demand. Kenny is composer of the 1998 Grammy Award winning song "Dear Ella", performed by Dee Dee Bridgewater. His compositions have been recorded by many other great artists such as Ray Brown, Jimmy Smith, Grover Washington Jr., John Coltrane, June Christy, Frank Wes and Stevie Ray Vaughn. More recently, he recieved a commission grant from Meet the Composer, Inc. to write an original, extended composition for the Boys Choir of Harlem which premiered at New York's Lincoln Center, and in 1997 was recorded for Concord Records.

Kenny is a man who has garnered the respect of the entire jazz world. "He's one of jazz's most gracious gentlemen," says pianist Mike Wofford, "an educator and spokesperson for the entire tradition of American Jazz, Kenny is truly a goodwill ambassador for our music, and more importantly, a representative of the best in our society."

Born in Detroit, Kenny Burrell was raised in a musical family. His mother, who sang in the Second Baptist Church choir, also played the piano around the house. His father was fond of the banjo and the ukulele. "He was just the kind of guy who could pick up string instruments and do something with 'em." Kenny recalls, - "It kinda rubbed off on us." Kenny, who credits Charlie Christian, Oscar Moore, and Django Reinhardt as influences, as well as such bluesmen as T-Bone Walker and Muddy Waters, played on his first major recording session in Detroit in 1951 with a Dizzy Gillespie combo that included John Coltrane, Milt Jackson, and Percy Heath. Even though the young guitarist was keeping heavy company, including that of such other up-and-coming Detroiters as Tommy Flanagan, Yusef Lateef, Pepper Adams, and Elvin Jones, he remained in Detroit to study at Wayne State University, from which he earned a B.A. in music composition and theory in 1955. He also studied classical guitar with Joseph Fava during that period and continues to employ finger-style and other techniques.

A six-month tour in 1955 with the Oscar Peterson Trio helped to set Burrell's sight on the Big Apple. The following year, he and Flanagan drove to New York City and were promptly drafted into the major league of jazz. Burrell not only became the city's most indemand Jazz guitarist, recording with his own groups and with Coltrane, Billie Holiday, Thad Jones, Kenny Dorham, Paul Chambers, Jimmy Smith, Gene Ammons - and many others, but played on pop sessions with the likes of Tony Bennett, James Brown and Lena Horn and worked in the pit bands of such Broadway shows as Bye Bye Birdie and How to Succeed in Business without Really Trying.

In all, Burrell has recorded more than ninety albums as a leader. This body of work has received much critical acclaim. Since the mid-Sixties, the guitarist has been leading his own group plus working in "All-Star" settings and has performed with college bands and orchestras. He has also performed with professional orchestras such as the Detroit Symphony and the Buffalo Philharmonic.

Though his combos vary in personnel, size and instrumentation, integrity and invention have constantly guided his music. "My inspiration comes from the message Duke gave - you are unique, be yourself, put out that thing that is you, then use your work ethic and produce great music."

Kenny Burrell has been the recipient of many awards and has been voted "Best Guitarist" numerous times by music fans and critics worldwide. Recently he recieved this honor for the second time from the Jazz Times International Readers Poll.

His music and recordings have recieved much international recognition including the "Prix de Disc" from Switzerland. He has also received many academic honors including a Doctorate of Human Letters, and the 1997 Ellington Fellowship awarded by Yale Universtiy. He was voted "favorite Jazz Musician" by listeners of KLON Jazz Station in Los Angeles in 1996 and was inducted into the KLON Jazz Hall of Fame. He served on the awards panel for the National Endowment for the Arts and was the National Chairperson for guitars for the National Association of Jazz Educators. He has been dubbed America's "guitar laureate" by the Detroit Free Press.

Some quotes of fellow musicians on Kenny Burrell:
"Kenny Burrell is overall the greatest guitarist in the world and he's my favorite." - B.B. King
"Burrell is the grand master of jazz guitar." - Dizzy Gillespie
"There is no finer guitarist than Kenny Burrell" - George Benson
"Kenny Burrell that's the sound I'm looking for." - Jimi Hendrix
"Kenny Burrell is a great musician and his music has helped to make me what I am today." - Stevie Wonder
"Kenny Burrell is one of my Favorite guitarists" - Pat Metheny

This album contains no booklet.