Let It Happen (Remastered) The Jazz Piano Quartet

• 1 Lover Come Back To Me 02:22
• 2 Maiden Voyage 03:55
• 3 Let It Happen 04:21
• 4 Watch It! 03:03
• 5 Here's That Rainy Day 04:43
• 6 Variations On Scott Joplin's "Solace" 03:38
• 7 You Are The Sunshine Of My Life 03:45
• 8 Improvviso (Based On A Fragment By Erik Satie) 06:48
• 9 Warm Valley 03:38
• 10 How High The Moon 03:00
• Total Runtime 39:13

Info for Let It Happen (Remastered)

The Jazz Piano Quartet was a one-off collaboration between renowned pianists Dick Hyman, Roland Hanna, Marian McPartland, and Hank Jones.

"The Jazz Piano Quartet, with pianists Dick Hyman, Roland Hanna, Marian McPartland, and Hank Jones, was a one-time project, with the partial aim by RCA to introduce jazz fans to the wonders of quadraphonic sound, although the LP was also released in stereo simultaneously. While many folks think that piano duets often result in train wrecks, the recipe for disaster was even greater with four pianists recorded simultaneously without overdubbing. Other than some very basic charts written by Hyman to serve as a simple guide, all ten performances are improvised without the benefit of a single rehearsal; an even more stunning fact is that everything was nailed on the first take! Fortunately, each of the four players, all of whom played with Benny Goodman at one time or another, have excellent ears and can go with the ebb and flow of the rest of the group. The results are fascinating, including a wild romp through "Lover, Come Back to Me," a lyrical treatment of "Here's That Rainy Day," and a stunning "Warm Valley," with Jones duplicating Johnny Hodges' famous alto sax solo on the keyboard. But the most marvelous accomplishment of the sessions which produced this record is the group improvisation "Improvviso," which is expanded from a musical fragment by Erik Satie. Sadly, quadraphonic sound never really got off the ground, and RCA's promotion of this unusual LP was rather limited, so it didn't remain in the catalog for long. But although all four pianists have made many great recordings individually since this 1974 release, they should be very proud of their considerable accomplishments on this very collectable record. Highly recommended!" (Ken Dryden, AMG)

Dick Hyman, piano
Roland Hanna, piano
Hank Jones, piano
Marian McPartland, piano

Digitally remastered

Dick Hyman
Throughout a busy musical career that got underway in the early '50s, Dick Hyman has functioned as pianist, organist, arranger, music director, and composer. His versatility in all of these areas has resulted in a long career involving film scores, orchestral compositions, concert appearances and well over 100 albums recorded under his own name. While developing a masterful facility for improvisation in his own piano style, Mr. Hyman has also investigated ragtime and the earliest periods of jazz and has researched and recorded the piano music of Scott Joplin, Jelly Roll Morton, James P. Johnson, Zez Confrey, Eubie Blake and Fats Waller, which he often features in his frequent recitals. Other solo recordings include the music of Irving Berlin, Harold Arlen, Cole Porter, George Gershwin, Richard Rodgers and Duke Ellington. Some of his past recordings with combos are From The Age Of Swing, Swing Is Here, Cheek To Cheek, and If Bix Played Gershwin, plus numerous duet albums with cornetist Ruby Braff, and fellow pianists including Ralph Sutton, Shelly Berg, Derek Smith. In a very different vein, Mr. Hyman was one of the first to record on the Moog synthesizer, and his Minotaur landed on the Billboard charts.

Mr. Hyman's concert compositions for piano and orchestra include a concerto and his Ragtime Fantasy. Other works include a clarinet concerto (for Ken Peplowski), a cantata based on the autobiography of Mark Twain and Bottle It Up for voices and chamber orchestra. A growing catalog of chamber music compositions include Dances and Diversions, Danzas Tropicales, a violin/piano sonata, and miscellaneous pieces for trio, quartet, quintet, etc. Mr. Hyman has been heard in “Three-Piano Crossover” with the late Marian McPartland and Ruth Laredo, and in numerous pops concerts. After serving as artistic director for the acclaimed Jazz in July series at New York's 92nd Street Y for twenty years, he stepped down, but continues to perform individual concerts.

In addition to his activities in the jazz and concert worlds, Mr. Hyman has had a prolific career in New York as a studio musician and won seven Most Valuable Player Awards from the National Academy of Recording Arts and Sciences. He acted as music director for such television programs as Benny Goodman's final appearance (on PBS) and for In Performance at the White House. He received an Emmy for his original score for Sunshine's on the Way, a daytime drama, and another for musical direction of a PBS special on Eubie Blake. He is a member of the Jazz Hall of Fame of the Rutgers Institute of Jazz Studies and the New Jersey Jazz Society. In 2017, Mr. Hyman received the Jazz Master Award from the National Endowment for the Arts, as well as an honorary doctorate from the Julliard School of Music.

In years past, Dick Hyman was music director for Arthur Godfrey as well as orchestrator of the hit musical Sugar Babies. He has served as composer/arranger/conductor/pianist for the Woody Allen films Zelig, The Purple Rose of Cairo, Broadway Danny Rose, Stardust Memories, Hannah and Her Sisters, Radio Days, Bullets Over Broadway, Mighty Aphrodite, Everyone Says "I Love You", Sweet and Lowdown, The Curse Of The Jade Scorpion and Melinda and Melinda. Other scores have included Moonstruck, Scott Joplin, The Lemon Sisters, and Alan and Naomi.

In the dance field, Mr. Hyman composed and performed the score for the Cleveland/San Jose Ballet Company's Piano Man, and for several dances for Twyla Tharp.

Dick Hyman's Century Of Jazz Piano, an encyclopedic series of solo performances, has been released on Arbors Records, while a transcription is published by Hal Leonard Music. Other newer recordings are with clarinetist Ken Peplowski, singer Heather Masse, and Mr. Hyman's daughter, violinist Judy Hyman.

This album contains no booklet.