L'apothéose De Corelli - Triosonatas Eun-Shik Kim, Ryo Terakado, Kaori Uemura, François Guerrier

• Jean Marie Leclair (1697 - 1764): Ouvertures and Trio Sonatas, Op. 13, No. 5 in A Major:
• 1 Leclair: Ouvertures and Trio Sonatas, Op. 13, No. 5 in A Major: I. Grave - Allegro 04:16
• 2 Leclair: Ouvertures and Trio Sonatas, Op. 13, No. 5 in A Major: II. Largo 02:15
• 3 Leclair: Ouvertures and Trio Sonatas, Op. 13, No. 5 in A Major: III. Allegro Assai 03:19
• Arcangelo Corelli (1653 - 1713): 12 Trio Sonatas, Op. 3, No. 8 in C Major:
• 4 Corelli: 12 Trio Sonatas, Op. 3, No. 8 in C Major: I. Largo 01:56
• 5 Corelli: 12 Trio Sonatas, Op. 3, No. 8 in C Major: II. Allegro 01:36
• 6 Corelli: 12 Trio Sonatas, Op. 3, No. 8 in C Major: III. Largo 01:33
• 7 Corelli: 12 Trio Sonatas, Op. 3, No. 8 in C Major: IV. Allegro 01:36
• François Couperin (1668 - 1733): Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio:
• 8 Couperin: Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: I. Corelli au piéd du Parnasse prie les muses de le recevoir parmi elles. Gravement 02:13
• 9 Couperin: Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: II. Corelli Charmé de la bonne réception qu'on lui fait au Parnasse en marque sa joye. Il continuë avec ceux qui L'accompagnent. Gayment 02:27
• 10 Couperin: Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: III. Corelli buvant à la source d'hypocrêne sa troupe continue 02:09
• 11 Couperin: Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: IV. Entouziasme de Corelli causé par les eaux d'hypocrêne. Vivement 01:16
• 12 Couperin: Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: V. Corelli aprés son entouziasme s'endort; et sa troupe jouë le sommeil suivat. (tres doux) 02:25
• 13 Couperin: Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: VI. Les muses reveillent Corelli, et le placent auprês D'Apollon. Vivement 00:48
• 14 Couperin: Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: VII. Remerciment de Corelli. Gayment 02:23
• Arcangelo Corelli: 12 Trio Sonatas, Op. 2, No. 12 in G Major:
• 15 Corelli: 12 Trio Sonatas, Op. 2, No. 12 in G Major: I. Ciaccona. Largo - Allegro 03:39
• Jean Marie Leclair: Deuxième Récréation de Musique Op. 8 in G Minor:
• 16 Leclair: Deuxième Récréation de Musique Op. 8 in G Minor: I. Ouverture. Gravement - Légèrement - Lentement 04:07
• 17 Leclair: Deuxième Récréation de Musique Op. 8 in G Minor: II. Forlane en rondeau. Point trop vite 05:30
• 18 Leclair: Deuxième Récréation de Musique Op. 8 in G Minor: III. Sarabande. Lentement 03:09
• 19 Leclair: Deuxième Récréation de Musique Op. 8 in G Minor: IV. Menuet - Autre - Menuet 03:09
• 20 Leclair: Deuxième Récréation de Musique Op. 8 in G Minor: V. Badinage 01:59
• 21 Leclair: Deuxième Récréation de Musique Op. 8 in G Minor: VI. Chaconne 07:32
• 22 Leclair: Deuxième Récréation de Musique Op. 8 in G Minor: VII. Tambourin. Vite - Autre - Tambourin 02:56
• Ouvertures and Trio Sonatas, Op. 13, No. 6 in G Minor:
• 23 Leclair: Ouvertures and Trio Sonatas, Op. 13, No. 6 in G Minor: III. Aria (Gratioso) - Altro 03:28
• Total Runtime 01:05:41

Info for L'apothéose De Corelli - Triosonatas

There are moments in music when time seems to pause, and with Arcangelo Corelli’s music, I have experienced that enchanted stillness—where each note is not just heard but felt deeply. His music, elegant and radiant, is the gentle whisper of a bygone era, yet it breathes timeless warmth and light.

Corelli’s art is a delicate conversation between violin and continuo, a living breath of harmony and counterpoint that dances with noble grace. Each phrase unfolds like a tender story, where voices seek, answer, and embrace one another—like cherished friends sharing secrets across the ages. It was through my mentor, Ryo Terakado, and his luminous recording of the Violin Sonatas, Op. 5 that I first stepped into this radiant world. Since then, Corelli’s melodies have been a constant companion—like a soft glow in the twilight, a source of inspiration and solace.

Corelli’s influence extends far beyond my own story. His style shaped the musical language of generations—admired openly by François Couperin, absorbed deeply into the work of Jean-Marie Leclair, and echoed, even centuries later, by virtuosi such as Pablo Sarasate and Niccolò Paganini.

His music is both spiritual and earthly—a beacon of simplicity and profound beauty.

"I am deeply grateful to Ryo Terakado for guiding me to this wellspring of grace, to Kaori Uemura and François Guerrier for their artistry, and to our magical producer Guido Tichelman and the Byucksan Corporation for nurturing this project." (Eun-Shik Kim)

Ryo Terakado, violin
Eun-Shik Kim, violin
Kaori Uemura, viola da gamba
François Guerrier, harpsichord

Ryo Terakado
was born in 1961 in Santa Cruz, Bolivia. He started to play violin at the age of 4, and won 2nd prize in the All Japan Youth Musical Competition when he was 14. Ryo studied violin, chamber music and conducting at the Toho Gakuen School of Music. In 1983, he took third prize in the All Japan Music Competition. Upon graduating from Toho Gakuen, he was invited to become concertmaster of the Tokyo Philharmonic Orchestra, a position he held for two years.

Meanwhile, Ryo’s interest in Baroque music had been developing for some time: at the age of 19, he started to teach himself Baroque violin, and in 1985, he moved to the Netherlands to study the instrument at the Royal Conservatory in The Hague under the guidance of Sigiswald Kuijken, receiving a soloist diploma in 1989.

Since 1987, he has performed as concertmaster with Baroque orchestras in Europe and Japan including La Petite Bande, Les Arts Florissants, La Chapelle Royale, Collegium Vocale Gent, and Tokyo Bach Mozart Orchestra; he made regular appearances with these orchestras to perform the concertos of composers including Bach, Vivaldi and Mozart. Ryo is also the current concertmaster of Bach Collegium Japan, and is invited frequently to Italy, Poland, France and Australia as a soloist. Since 1994, he has been one of the featured artists in the Hokutopia International Music Festival in Tokyo, where he made his debut as a conductor. His repertoire as a conductor includes operas by Monteverdi, Purcell, Rameau, Gluck, Haydn and Mozart.

Ryo is a faculty member of the Hague Royal Conservatory (Holland), The Royal Conservatory in Brussels and his alma mater, Toho Gakuen School of Music (Japan). He teaches regularly at Yonsei University in Seoul and makes concert appearances in Korea.

His discography can be found on the Ricercar (Belgium), Accent (Germany) BIS (Sweden) and Denon (Japan) labels.

Eun-Shik Kim
is a distinguished baroque violinist and artistic director, deeply inspired by faith and the transcendent power of music. Believing that music is a divine gift, she seeks to bring spiritual depth and historical authenticity to her performances. Her journey in historically informed performance (HIP) has led her to renowned stages, where she collaborates with leading musicians and ensembles worldwide, striving to bridge the past and present through the timeless beauty of baroque music.

Eun-Shik Kim performs actively across Europe and Asia. A graduate of Seoul National University (B.M.) and Yale University (M.M. in Modern Violin), she pursued her passion for early music at the Royal Conservatoire The Hague and earned her Artist Diploma under the guidance of Ryo Terakado. She has performed across Europe with leading figures in Baroque music including Christophe Coin, Jan de Winne, Lorenzo Ghielmi, Olga Pashchenko and as a soloist with Orchestra Barocca FIMA (Italy), Hibiki String Orchestra (Japan), the Korean Symphony Orchestra, and the complete Vivaldi’s Four Seasons at the Seoul Arts Centre. Eun-Shik actively performs throughout Europe at festivals such as the Early music festival in Utrecht, Urbino, Bruges, Beaune, La Chaise - Dieu and in Japan, China, and Hong Kong. In Korea, Eun-Shik is the director of Woolim & Peojim, leader of Alte Musik Seoul, and serves as the Artistic Director of the Early Music Series at Seocho Cultural Foundation.

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