Cœur, airs de cour français de la fin du XVIe siècle Le Poème Harmonique & Vincent Dumestre

• Girard de Beaulieu (1540-1590)
• 1 Helas que me faut-il faire 02:36
• Pierre-Francisque Caroubel (1566-1611)
• 2 Passepieds de Bretaigne 02:43
• Jean Boyer (av. 1600-1648)
• 3 Airs à quatre parties, Livre I: Que feray-je? 06:17
• Anonyme
• 4 Allons vielle imperfaite 03:45
• Pierre Guédron (1565-1620)
• 5 Airs de cour à quatre & cinq parties, Livre I: Bien qu'un cruel martire 06:36
• Pierre-Francisque Caroubel (1566-1611)
• 6 Spagnolette 03:35
• Didier Leblanc (FL. 1579-1584)
• 7 Sus mon lut, d'un accord pitoyable 03:20
• 8 Les mariniers adorent un beau jour 04:41
• 9 Quel secours faut-il que j'atende a ma peine 05:08
• Pierre Guédron (1565-1620)
• 10 Airs de cour à quatre & cinq parties, Livre II: Tant et tant il m'ennuye tant 03:49
• Fabrice Marin Caietain (1540-1578)
• 11 Airs mis en musique... sur les poësies de P. de Ronsard & autres excelens poëtes: Mais voyez mon cher esmoy 04:19
• Francesco Lorenzini (?)
• 12 Fantaisie 03:11
• Guillaume Costeley (1530-1606)
• 13 J'ayme trop mieux souffrir la mort 02:09
• Adrian Le Roy (1520-1598)
• 14 Second livre de guiterre: Ô combien est heureuse 07:05
• Pierre Guédron (1565-1620)
• 15 Airs de cour à quatre & cinq parties, Livre II: Belle qui m'avez blessé 05:00
• Total Runtime 01:04:14

Info for Cœur, airs de cour français de la fin du XVIe siècle

In this new release, Vincent Dumestre’s Le Poème Harmonique once again immerses us in the France of the second half of the 16th century, which witnessed the emergence of new centres of artistic activity. These ‘bourgeois’ societies were initiated by patron princes concerned with building their prestige through the arts and letters just as much as by arms. At the same time, refined circles held by cultivated women enabled them to rub shoulders with the leading poets of the time, as well as musicians sensitive to humanist research, all profiting from a context propitious to the invention of new artistic forms and practices.

The new, more lyrical poetry, inspired by both antiquity and contemporary Italian models, was matched, in particular, by the courtly air, a new musical genre perfectly adapted to the humanist ideals of sobriety and intelligibility of the text. Through this music, still insufficiently known, this programme invites us to discover a refined poetic and musical universe, witness to a French Renaissance at its apogee, with works by composers such as Pierre Cléreau, Guillaume Costeley, Adrian Le Roy, and Didier Le Blanc.

As usual, Vincent Dumestre, uncontested master of these repertoires, has surrounded himself with the finest singers and instrumentalists, a loyal troupe that exhumes unusual musical treasures, letting us share in them.

Le Poème Harmonique
Vincent Dumestre, theorbe, direction

No biography found.

Booklet for Cœur, airs de cour français de la fin du XVIe siècle