A Modern Songbook Thomas Enhco & Stéphane Kerecki

• 1 Rêverie (Kinderszenen Op. 15 n°7: Träumerei) (Live) 01:23
• 2 Danny Boy (Live) 06:46
• 3 (You Make Me Feel Like) A Natural Woman (Live) 06:01
• 4 Wasting My Young Years 04:02
• 5 Fields of Gold (Live) 06:51
• 6 Day Is Done 02:40
• 7 Gary (Live) 06:53
• 8 Óleo de Mujer Con Sombrero (Live) 06:34
• 9 Ya Balad (Live) 05:40
• 10 Halfway to Japan (Live) 08:50
• 11 Lean on Me 04:25
• 12 Libera Me (Live) 07:21
• 13 Epilogue (Live) 03:20
• 14 Oh Shenandoah (Live) 05:21
• Total Runtime 01:16:07

Info for A Modern Songbook

Summit meeting of two virtuosos: when the brilliant pianist Thomas Enhco and the indispensable double bass player Stéphane Kerecki interpret together timeless classics like Natural Woman by Aretha Franklin or Fields of Gold by Sting, the result is a smooth jazz jewel with unforgettable chill ballad. Thomas Enhco is a pianist and composer who experimented early on with music in its full range: classical and popular music, written and improvised. His stepfather, violinist Didier Lockwood, introduced him to the world of great jazz musicians. He immersed himself in the intensity of the clubs as a child and felt equally at home as a jazz pianist, classical soloist or composer.

The double bass player Stéphane Kerecki is known for his diverse collaborations, which have won several awards. His free style, which navigates between classical compositions and avant-garde creations, regularly earns him praise from the specialist press.

At the beginning of this project, both friends were still on the tennis court during the pandemic until they passed the ball to each other in a different way and exchanged their rackets for their instruments. Together, the friends try to slow down the frantic pace of time. The duo chooses pure harmonic grids, leaving efficiency behind in favour of weightlessness: "We felt like savouring the space between the notes," Thomas tells us, "and enjoying the silence. To play with the silence.".

The repertoire goes from gospel to folk, from Paris to Ireland, from Lebanon to Cuba, from Aretha Franklin to Nick Drake, Sting or even London Grammar, via Fauré and Schumann. United are the songs that one appreciates without knowing it, that share a "universal canvas", according to Stéphane, " that offers a lot of space for improvisation thanks to a wide horizon".

Invited by TSF Jazz, a renowned jazz radio station in France, the album was recorded live during six concerts.

With this album, the two musicians will go on tour in France for dozens of concerts. Until the summer, Thomas Enhco will continue to perform solo, in Japan (including the Tokyo Philharmonie), Belgium, Switzerland and at the Paris Philharmonie - which he will fill with Keith Jarrett's Köln Concert on four consecutive evenings.

Thomas Enhco, piano
Stephane Kerecki, double bass

Thomas Enhco
born in Paris, France in September 1988, is a French pianist and composer (jazz and classical music). He starts playing the violin and the piano at the age of 3, gives his first concerts and writes his first compositions at 6. At the age of 9, Didier Lockwood invites him to perform on stage with him at the jazz festivals of Antibes Juan-les-Pins, Vienne and Marciac. He studies jazz at CMDL and classical piano with the great master Gisèle Magnan. At 16, he enters the Paris Conservatory (CNSMDP), from which he is expelled two years later. Since then, he has released 8 albums as a leader and has been playing an average of 100 concerts per year around the world, both in classical and jazz venues and festivals.

His first album Esquisse, written and recorded at the age of 15 with his trio (and featuring drums-legend Peter Erskine) comes out in 2006. Thomas becomes then Laureate of Fonds d’Action SACEM.

In 2008 he is spotted by the great Japanese producer Itoh “88” Yasohachi, who makes him record three albums (Someday My Prince Will Come, The Window and the Rain in Japan and Jack and John with Jack Dejohnette and John Patitucci at Avatar Studios in New York) and invites him for ten tours in Japan, in solo, duo and trio.

In 2012, he moves to New York where he plays in jazz clubs and collaborates with many artists, and he releases this same year on Label Bleu his self-produced album Fireflies (winner of Victoires du Jazz 2013).


In 2014 he signs with Universal Music and records for label Verve his solo piano album Feathers (nominated for « Best album » at Victoires du Jazz 2015).

Parallel to his jazz career, Thomas Enhco develops in the classical music world. In 2016 he releases on legendary label Deutsche Grammophon the album Funambules, in duo with percussion virtuoso Vassilena Serafimova. Their explosive duet without borders tours worldwide and wins the 2nd Grand Prize at Osaka International Chamber Music Competition in 2017 (Japan).

In 2017, he makes his debut as a soloist with symphony orchestras in Gershwin's Concerto in F and Rhapsody in Blue, Mozart's Piano Concerto K.491 (no. 24), Ravel's Concerto in G, John Adam's Eros Piano, Bach's Concerto for Four Keyboards (BWV 1065), Beethoven's Triple Concerto and his own first Concerto for Piano and Orchestra, with Orchestre de l'Opéra National de Lorraine, Orchestre de Pau Pays de Béarn, Orchestre Régional Avignon Provence, Ensemble Appassionato, Geneva Camerata, Orchestre de Cannes, Kyoto Symphony Orchestra, Orchestre National de France and Orchestre National de Bordeaux Aquitaine, under the baton of conductors Julien Masmondet, Pierre Dumoussaud, Samuel Jean, Mathieu Herzog, Jean-Claude Casadesus, David Greilsammer, Junichi Hirokami, Benjamin Lévy, James Gaffigan and Fayçal Karoui. He is also invited as a soloist by Radio France Choir (dir. Sofi Jeannin) and Spirito Choir (dir. Nicole Corti) in programs around Brahms and his own compositions.

As a composer, Thomas Enhco has written more than 100 works and regularly gets commissions from orchestras, chamber music ensembles, soloists, choirs and festivals.


He has notably composed a Concerto for Piano and Orchestra and a Double Concerto for Piano, Marimba and Orchestra (premiere in February 2019) for the OPPB Orchestra, four pieces for pianist Lise de la Salle (album Bach Unlimited, Naïve 2017), a suite for Brass Quintet and Piano (for Local Brass Quintet — album Stay Tuned, Klarthe 2019), a piece for Choir and Piano (for Spirito Choir)... He has also composed the credits of radio shows "La Récréation" and "Le Grand Atelier" on France Inter, and two film scores: Aux Arts Citoyens by Daniel Schick (2010) and Les Cinq Parties du Monde by Gérard Mordillat (for which he wins the 2012 FIPA d'Or for Best Original Score).

Just before turning thirty, Thomas Enhco records for Sony Music the album Thirty, which comprises seven new solo pieces and his Concerto for Piano and Orchestra. (Release: February 2019 on Sony Classical, Paris concert on April 17, 2019 at La Cigale).

For the past ten years, he has been playing an average of 100 concerts per year around the world. Among the jazz venues that have invited him, are jazz festivals of Tokyo, Montreal, Vienne, Montreux, Istanbul, Gent, Middelheim, North Sea, La Villette, l'Olympia... and among the classical venues, are festivals of La Roque d'Anthéron, Piano aux Jacobins, Philharmonie de Paris, Opéra de Bordeaux, Flagey in Brussels, French May in Hong Kong, Shanghai Grand Theater, Folle Journée de Nantes, Tokyo, Warsaw, New York, Mozarteum in Salzburg, Théâtre du Châtelet, Théâtre des Bouffes du Nord, Beijing Concert Hall...

The Philharmonie de Paris features him regularly, equally as a jazz and as a classical artist, and offers him a "carte blanche" at the 2017 Jazz à la Villette festival, features him at its weekend around Bach and as a soloist in his own Concerto and in Ravel's Concerto in G in 2018. In 2019, he will participate in the performances of the complete Piano Etudes by Philip Glass, with the composer.

He is invited by the main French television and radio shows (C à Vous - France 5, Quotidien - TMC, Le Grand Échiquier, Fauteuils d'Orchestre - France 2...) and his recordings and concerts are praised by the national and foreign press. As an educator, he gives masterclasses on improvisation, teaches jazz (piano and violin) at CMDL and since 2018 writes the jazz section of bi-monthly magazine Pianiste.

Thomas Enhco has won numerous prizes and awards, among which the 3rd Grand Prize at the 2010 Martial Solal International Jazz Piano Competition, the 2010 Django d'Or « New Talent », the 2012 FIPA d'Or for Best Film Score, the 2013 Victoire du Jazz « Révélation » (also nominated at the 2015 Victoires du Jazz), the 2nd Grand Prize at the 2017 Osaka International Chamber Music Competition, the 2017 Sacem ACEG Prize.

Collaborations with other artists include (Jazz): Didier Lockwood, Mike Stern, Kurt Rosenwinkel, Jack DeJohnette, Gilad Hekselman, José James, Baptiste Trotignon, Ari Hoenig, Patrick Zimmerli, Dan Tepfer, Ibrahim Maalouf, Emile Parisien, Vincent Peirani, David Enhco, Biréli Lagrène, Anne Paceo, Hugh Coltman, Peter Erskine, Daniel Humair, André Ceccarelli, Victor Lewis, John Patitucci, Hein Van de Geyn, Lew Soloff, Sylvain Luc, François & Louis Moutin, Joel Frahm, Cyrille Aimée...


(Classical): Vassilena Serafimova, Henri Demarquette, Renaud Capuçon, Natalie Dessay, Laurent Naouri, Jean- François Zygel, Michel Dalberto, Anne-Sofie Von Otter, the Arod, Hanson, Modigliani and Voce string quartets, Beatrice Rana, Jérôme Pernoo, Caroline Casadesus, Lise de la Salle, Déborah Nemtanu, Xavier Philips...


As well as pop singers Jane Birkin, Christophe, Oxmo Puccino, dancer and choreographer Marie-Claude Pietragalla, director Alain Sachs, cartoonist Aurélia Aurita...

Booklet for A Modern Songbook