Extasis Daniel Rowland & Marcelo Nisinman

• Marcelo Nisinman (b. 1970):
• 1 Nisinman: Hombre tango 04:15
• Astor Piazzolla (1921 - 1992):
• 2 Piazzolla: Milonga del angel 06:15
• Marcelo Nisinman:
• 3 Nisinman: Pourquoi tu te lèves 07:50
• Astor Piazzolla:
• 4 Piazzolla: Le grand tango 11:51
• 5 Piazzolla: Extasis 04:59
• Marcelo Nisinman:
• 6 Nisinman: Daniel's tango (dedicated to Daniel) 10:49
• Astor Piazzolla:
• 7 Piazzolla: Romance del diablo 06:40
• 8 Piazzolla: C'est fini 03:01
• 9 Piazzolla: Oblivion 05:38
• 10 Piazzolla: Kicho 07:49
• 11 Piazzolla: Adios Nonino 06:49
• 12 Piazzolla: Violintango 03:15
• Total Runtime 01:19:11

Info for Extasis

Daniel Rowland: I remember so well the moment I first heard Marcelo play, in the beautiful and historic Holywell Music Room in Oxford, in the autumn of 2009. Marcelo's version of a magical Piazzolla touched me deeply and I was utterly captivated and fascinated by it: by the depth, the honesty, the raw emotions, the almost unbearable tenderness, the sense of longing, of loss, the fiery passion... That day I decided to dive deeply into the world of tango, and to learn this language from Marcelo. We started playing together, and very soon became a quintet, with superb artists, brilliant musicians, virtuosos, friends, and like minded, inquisitive, musical spirits.

Marcelo grew up in Buenos Aires and met Piazzolla as a child, when Astor's legendary quintet would rehearse at his parents home. Piazzolla would tell Marcelo: 'Marcelito, come and stand behind me as we rehearse and follow my printed score, and listen to what I actually play' - often these two things where very different! This is surely the most direct, and incredible insight into the master's interpretation of his music that one could possible dream of! We in the quintet very strongly feel this unique connection between Piazzolla and Marcelo, it is a great inspiration. I'm sure that Piazzolla like the young Marcelito so much because he saw not only a serious, of course very talented your artists with a huge tango-heart, but also someone who would push the boundaries of tango, keep innovating and daring to experiment, while respecting the tradition.

Marcelo Nisinman, bandoneon
Daniel Rowland, violin
Maja Bogdanovic, cello
Natacha Kudritskaya, piano
Alberto Mesirca, guitar
Zoran Markovic, double bass
Tim Brackman, violin
Floor Le Coultre, viola
Nicky Schwartz, cello

Daniel Rowland
Rowland’s playing has been acclaimed as “wonderful, ravishing in its finesse” by The Guardian, as „both naked and highly virtuosic“ by NRC Handelsblad, while The Herald praised his “astonishing sound and uniquely single-minded intensity”.

Daniel has established himself on the international scene as a highly versatile, communicative, charismatic and adventurous performer, with a broad repertoire from Biber to Berio and Vivaldi to Ferneyhough. In recent seasons Daniel has performed with orchestras from Tromso in the north of Norway to Cape Town, in concertos from Beethoven and Brahms to Elgar, Berg, Korngold, Weinberg, Prokoffief and Schnittke and has worked with leading conductors such as Heinz Holliger, Jaap van Zweden, Francois Xavier Roth, Lawrence Foster, Anthony Hermus, Rossen Milanov and Andrey Boreiko. He loves championing contemporary composers and is a passionate advocate of concertos such as those by Vasks, Lindberg, Glass, Saariaho and Van der Aa. In 2017 he premiered Isidora Zebeljan‘s Violin Concerto „Three curious loves“ and this autumn sees the premiere of Roxana Panufnik‘s „Songs of Love and Friendship“ with the Dutch Radio Choir at the Concertgebouw. September 2020 saw the release of Daniel’s newest CD ‘Distant light’, for Challenge Records with Violin Concertos by Peteris Vasks, recorded live at the Stiftfestival 2019 with the composer present. (“A beautiful ode to Vasks – rich in tension and magic“ – NRC Handelsblad)

A passionate chamber musician, Daniel has performed with artists as diverse as Ivry Gitlis, Heinz Holliger, Gilles Apap, Anna Fedorova, Alexander Lonquich, Nino Gvetadze, Michael Collins, Nicolas Daniel, Vladimir Mendelssohn, Lars Vogt, Alberto Mesirca, Willard White and Elvis Costello. He is a frequent guest at foremost international chamber music festivals such as Kuhmo, Stellenbosch, Risor, Sonoro, Rio de Janeiro, Chiemgau and Osnabrück. Daniel is part of acclaimed duo partnerships with pianist Natacha Kudritskaya, “a perfect partnership“ according to BBC Music Magazine, and with cellist Maja Bogdanovic, who‘s recent duo CD „Pas de deux“ (Challenge Records) included 5 world premieres and was described as „a magical meeting between violin and cello“ by Dutch daily NRC Handelsblad. He is also a founding member of a cutting edge Tango Quintet with bandoneon virtuoso/composer Marcelo Nisinman (as ensemble with the power of dynamite – Süddeutsche Zeitung) and frequently chamber music partners include Anna Fedorova, Nino Gvetadze and Alberto Mesirca.

In 2005 Daniel founded the Stift International Music Festival in the bucolic region of Twente in the eastern Netherlands, where he grew up, with the 15th century Stiftkerk as the main venue. The festival has garnered acclaim as one of great intimacy, adventure and atmosphere. Daniel was for twelve years the leader of the Brodsky Quartet, performing all over the world, and making numerous recordings, including the celebrated Shostakowitch Cycle. He teaches at the Royal College of Music in London.

Daniel was born in London, and started his violin lessons in Enschede after his parents moved to Twente in the eastern Netherlands. He studied with Jan Repko, Davina van Wely, Herman Krebbers, Viktor Liberman and Igor Oistrakh. Meeting Ivry Gitlis in 1995 was of great significance, leading to lessons in Paris and, later, to musical collaborations. Daniel’s competition successes include first prize at the 1995 Oskar Back competition at the Concertgebouw in Amsterdam and the Brahms Prize in Baden-Baden. His violin is by Lorenzo Storioni (Cremona 1796), and his bow is a Maline, kindly loaned by the Dutch Instrument Foundation.

Marcelo Nisinman
Born in Buenos Aires, Argentina, Nisinman is an international composer and master performer of bandoneon. He currently resides in Basel, Switzerland.

He studied bandoneon with Julio Pane and composition with Guillermo Graetzer in Buenos Aires and Detlev Müller-Siemens in Basel Musik Akademie, Switzerland.

Marcelo Nisinman, as renown bandoneon soloist, performed with Martha Argerich, Gidon Kremer, Gary Burton, Fernando Suarez Paz, Assad Brothers, the WDR Big Band, the Philharmonic Orchestra of Belgrad, the Philadelphia Orchestra conducted by Charles Dutoit & the Luzerner Simfoniorchester among others.

Composer in Residence in different Music Festivals as the Oxford Chamber Music Festival in 2008 and has been invited as Composer and Performer in the Kuhmo Chamber Music Festival Finland, the Boswil Festival in Switzerland, the Stift Festival in Holland, the Obertöne Kammermusik Festival in Austria, Festival du Jura in Switzerland, the Zeitkunst Festival in Berlin and in Paris as in Sonoro Festival in Bucarest, Romania.

Nisinman has also composed a number of Orchestral works that includes the Bandoneon as «Dark Blue Tango» (Ricordi Editions) premiered in its small chamber version by Orchestra Musiques des Lumieres and in its full orchestra version by Orquesta Sinfonica Nacional Argentina, both premieres conducted by Facundo Agudin.

He collaborates constantly both as composer & performer in different musical projects and recordings with Daniel Rowland, Diana Ketler, Alberto Mesirca, Julia Schroeder, Anna Fedorova, Natacha Kudritskaya, Chen Halevi, Maja Bogdanovic, Felix Froschahmmer, Gareth Lubbe, Philippe Graffin, Helena Winkelman, Rui Lopes, Zoran Markovic, Alfredo Perl & the Baltic Neopolis Orchestra among others.

Booklet for Extasis