RISE · Revolutionary Russian Cello Music James Kreiling & Liubov Ulybysheva

• Alexander Goedicke (1877 - 1957): Three Improvisations for Cello and Piano, Op. 27:
• 1 Goedicke: Three Improvisations for Cello and Piano, Op. 27: I. Moderato 09:20
• 2 Goedicke: Three Improvisations for Cello and Piano, Op. 27: II. Allegro giusto 04:29
• 3 Goedicke: Three Improvisations for Cello and Piano, Op. 27: III. Adagio sostenuto 04:12
• Mikhail Gnessin (1883 - 1957): 3 Melodies - Characters from Pushkin's ‘Stone Guest’, Op. 51:
• 4 Gnessin: 3 Melodies - Characters from Pushkin's ‘Stone Guest’, Op. 51: I. Don Giovanni 02:14
• 5 Gnessin: 3 Melodies - Characters from Pushkin's ‘Stone Guest’, Op. 51: II. Donna Anna 02:43
• 6 Gnessin: 3 Melodies - Characters from Pushkin's ‘Stone Guest’, Op. 51: III. Laura 01:35
• Alexander Gretchaninov (1864 - 1956): Sonata for Cello and Piano, Op. 113:
• 7 Gretchaninov: Sonata for Cello and Piano, Op. 113: I. Mesto - Allegro agitato 06:34
• 8 Gretchaninov: Sonata for Cello and Piano, Op. 113: II. Menuetto tragico. Minaccioso 05:50
• 9 Gretchaninov: Sonata for Cello and Piano, Op. 113: III. Finale. Allegro - Allegro molto 08:20
• Aram Khachaturian (1903 - 1978): Two Pieces for Cello and Piano:
• 10 Khachaturian: Two Pieces for Cello and Piano: I. Pièce 08:41
• 11 Khachaturian: Two Pieces for Cello and Piano: II. Rêve 07:41
• Alexander Tcherepnin (1899 - 1977): Sonata for Cello and Piano No. 1, Op. 29:
• 12 Tcherepnin: Sonata for Cello and Piano No. 1, Op. 29: I. Allegro 04:34
• 13 Tcherepnin: Sonata for Cello and Piano No. 1, Op. 29: II. Cadenza 04:47
• 14 Tcherepnin: Sonata for Cello and Piano No. 1, Op. 29: III. Allegretto 03:47
• Mikhail Gnessin: Theme and Variations for Cello and Piano, Op. 67:
• 15 Gnessin: Theme and Variations for Cello and Piano, Op. 67 13:34
• Alexander Tcherepnin: Four Songs and Dances for Cello and Piano, Op. 84:
• 16 Tcherepnin: Four Songs and Dances for Cello and Piano, Op. 84: I. Georgian Song 03:51
• 17 Tcherepnin: Four Songs and Dances for Cello and Piano, Op. 84: II. Tartar Dance 01:28
• 18 Tcherepnin: Four Songs and Dances for Cello and Piano, Op. 84: III. Russian Song 03:46
• 19 Tcherepnin: Four Songs and Dances for Cello and Piano, Op. 84: IV. Kazakh Dance 03:37
• Dmitri Kabalevsky (1904 - 1987): Rondo in memory of Prokofiev, Op. 79:
• 20 Kabalevsky: Rondo in memory of Prokofiev, Op. 79 10:03
• Mieczysław Weinberg (1919 - 1996): Cello Sonata No. 2, Op. 63:
• 21 Weinberg: Cello Sonata No. 2, Op. 63: I. Moderato 06:50
• 22 Weinberg: Cello Sonata No. 2, Op. 63: II. Andante 08:35
• 23 Weinberg: Cello Sonata No. 2, Op. 63: III. Allegro 06:37
• Dmitri Shostakovich (1906 - 1975): Two Pieces from the Ballet Suite No. 2:
• 24 Shostakovich: Two Pieces from the Ballet Suite No. 2: I. Adagio (Arr. by Lev Atomyan) 06:42
• 25 Shostakovich: Two Pieces from the Ballet Suite No. 2: II. Springtime Waltz (Arr. by Lev Atomyan) 01:58
• Rodion Shchedrin (b. 1932): In the Style of Albéniz:
• 26 Shchedrin: In the Style of Albéniz 03:53
• Quadrille from the opera 'Not Love Alone' (Arr. by Grigory Singer):
• 27 Shchedrin: Quadrille from the opera 'Not Love Alone' (Arr. by Grigory Singer) 06:52
• Tikhon Khrennikov (1913 - 2007): Sonata for Cello and Piano, Op. 34:
• 28 Khrennikov: Sonata for Cello and Piano, Op. 34: I. Andantino maestoso 04:52
• 29 Khrennikov: Sonata for Cello and Piano, Op. 34: II. Andante molto espressivo 04:53
• 30 Khrennikov: Sonata for Cello and Piano, Op. 34: III. Allegro con fuoco 04:20
• Total Runtime 02:46:38

Info for RISE · Revolutionary Russian Cello Music

Following the success of his solo release of the Complete Late Piano Music of Scriabin, James Kreiling returns to Odradek with cellist Liubov Ulybysheva in RISE, a recording of Russian music for cello and piano that represents revolutionary Russian voices whose music rose from the ruins of conflict to create powerful testimonies of hope and peace.

Both these artists have a particular affinity with Russian music: alongside Kreiling's Scriabin specialism, Ulybysheva is currently researching a PhD based around Weinberg. They also share a desire to bring overlooked composers into the public consciousness. This recording explores the connections between lesser-known composers who were a key part of the fabric of musical culture in Russia and the Soviet Union during two periods of great tension and conflict: the 1917 Revolution and the Second World War.

The Cello Sonata by Gretchaninov and Three Improvisations by Goedicke retain a strong influence of the 19th century, whereas Tcherepnin's Sonata No. 1 is neoclassical and shares the rhythmic vigour and extremes of Shostakovich and Prokofiev, as well as folk melody and dance. Folk music also pervades Gnessin's Theme and Variations, and Armenian-Soviet composer Khachaturian's Piece and Reve. Prokofiev influenced Khrennikov's Cello Sonata Op. 34 and Kabalevsky's Rondo to the memory of Sergei Prokofiev, but Spanish folk styles find their way into Shchedrin's In the Style of Albeniz. Shostakovich suffered terribly at the hands of the authorities and ballet The Limpid Stream, from which we hear the Adagio, was banned. Praise for James Kreiling on Odradek:

"Remarkably assured, beautifully shaped playing by Kreiling of Scriabin's knotty, post-Romantic soundworld. Many highlights in this double-album set, but the 'Insect' Tenth Sonata captivates." (BBC Music Magazine)

"Kreiling's recital... is well recorded and thoroughly idiomatic and deserves every success." (MusicWeb International)

"With scrupulous attention to detail and an insightful approach to the music (James's doctoral research focussed on the late piano sonatas), James captures the composer's idiosyncrasies with a compelling naturalness and an acute sensitivity to the shifting moods and colours, combining muscularity and delicacy... Recommended." (Frances Wilson, The Cross-Eyed Pianist)

James Kreiling, piano
Liubov Ulybysheva, cello

James Kreiling
Music is who I am, it is everything I live and breathe. On this site I wish to share thoughts, performances, and insights, exploring what it means to be an artist, to create and to share. On the blog you will find my own musings, ranging from detailed articles on music and performance, thoughts on more contemporary culture, and explorations on the myriad of connections between seemingly disparate art forms. My regular monthly feature ‘Ask the Artist’ explores the people behind the artwork, in which I share thoughts from composers, performers, dancers, actors, painters, photographers, pretty much anyone in the creative arts, on why they do what they do.

I think sometimes my parents wonder where my musical talent came from. No one else in my immediately family are musicians, but my grandmother played the piano, and it is to her that I owe my initial love of the instrument. Just as importantly, I grew up surrounded by music, on record, on tape, and later CD. As a baby my parents would play me Beethoven’s Sixth Symphony at bedtime, ever hopeful that I would be asleep by the storm… As a toddler I would frequently ask my parents to put on music, early favourites were Queen’s Greatest Hits and The Moody Blues.

My first musical love is the music of Alexander Scriabin and his vision of an artwork which would draw upon all artistic disciplines, act on all the senses, and in which the audience themselves would be an integral part has greatly influenced my interest in cross-arts and cross-genre collaboration. I consider growing up in an environment surrounded by music ranging from the classical masters, to heavy metal, jazz, and prog rock hugely fortunate and significant. My every day listening ranges from Mingus to Mahler, to Bob Dylan to Bach, and much more besides. It is this love of musical diversity that has led to where I am now artistically: co-founder of Multiphonic Arts, a small organisation that presents performances which encompass a wide range of musical genres, as well as drama, dance, poetry, and painting.

Liubov Ulybysheva
was born in Moscow and started playing the cello at the age of five. Having studied at the Gnessin Special Music School and the Russian Music Academy, she came to London in 2003 to continue her studies at the Guildhall School of Music and Drama with Oleg Kogan and the Royal Academy of Music with Felix Schmidt, winning the Mir Carnegie Prize for cello upon graduating.

Liubov became the only cellist to win a prestigious scholarship from the Paganini International Competition in Moscow, funded by the Investment Programme Foundation. She was also featured in Reader’s Digest magazine as one of the young stars of the Russian Hope feature.

In 2006 she won the First Prize at the Tunbridge Wells International Young Concert Artist Competition, followed by winning the MBF Music Education Award, the Muriel Taylor Young gifted Cellist Award, the Hattori Foundation, the Jellinek and the Kenneth Loveland awards. Liubov was also a recipient of the Meyer Foundation Award and the English Speaking Union Scholarship.

Liubov later became a member of the Razumovsky Academy and made her solo debut at Wigmore Hall as part of the Razumovsky Young Artists Recital Series in 2008. The same year she started teaching at the Razumovsky Academy herself.

As a concerto soloist, Liubov has performed in Russia, the UK, and Europe with the Moscow State Symphony Orchestra, Moscow Philharmonic Symphony Orchestra, Russian State Symphony Orchestra Young Russia, and more.

Liubov is also a keen chamber musician and regularly performs in the UK and abroad. She has participated in numerous music festivals such as the Manchester Cello Festival, Alderburgh Festival, Valdres and Lidkoping Music Festivals. She has played with, amongst others, Dora Schwarzberg, the Mozart Piano Trio and the Razumovsky Ensemble.

She has performed live on BBC Radio 3, BBC Radio Ulster and Classic FM. In 2018 Liubov joined the Royal Opera House orchestra and in the same year she released her debut recording, From the Shadow of the Great War, featuring works for cello and piano by English composers.

In 2019, Liubov became an artistic manager of the Brundibar Arts Festival, which aims to bring little-known music written during the Holocaust to the general public.

Booklet for RISE · Revolutionary Russian Cello Music