Bröselmaschine (Remastered) Bröselmaschine

• 1 Gedanken 05:10
• 2 Lassie 05:12
• 3 Gitarrenstück 02:09
• 4 The Old Man's Song 05:29
• 5 Schmetterling 09:35
• 6 Nossa Bova 08:06
• Total Runtime 35:41

Info for Bröselmaschine (Remastered)

Bröselmaschine" recorded this beautiful little album way back in 1971 . This album is just loaded with tons of trippy flute, acoustic/ electric guitars, sitar, tabla, congas, the beautiful Mellotron and the superb female vocals of Jenni Schucker.

Debut album of this band led by skilled master-guitarist Peter Bursch, which went to record this magical piece of psychedelic folk for the Pilz label in 1971. Guitars, flute, mellotron, congas, tabla, sitar & the magical voice of Jenni Schaecker make the ingredients for a very special record, recorded & mixed by Dieter Dierks in his unique fashion. Full of Eastern promise, this is regarded by many as the best German folk-rock album ever! 'The ideal companion to Emtidi's Saat and Hoelderlin's Traum" (S. & A. Freeman, The Crack In The Cosmic Egg)

"Languorous atmospheres, lovely vocals, iridescent melodies, and shimmering solos combine on Bröselmaschine's self-titled 1971 debut album, the apotheosis of the German folk-prog scene. The quintet took their cue from England's Canterbury scene and even a traditional folk song, "Lassie," from that green and pleasant land. The band's signature sound was derived from Jenni Schucker's delicate and at times ethereal vocals in harmony with Willi Kissmer's stronger tenor, and that sound took on a Teutonic tinge when the pair switched from English to German lyrics. But it was the group's extraordinary use of acoustic and electric guitars that cemented its reputation. On "The Old Man's Song," one of four vocal cuts on the set, Kissmer's wah-wah guitar wafts and winds around Peter Bursch's acoustic strums. On "Gitarrenstück," the electric leads smolder like embers around the fiery acoustic rhythm guitar, while Schucker's wordless vocals float hauntingly above. It's the flute that soars overhead on "Gedanken," counterpointed by the moody Spanish-styled guitar, which itself is offset by the excitement of Kissmer's electric lead. Lutz Ringer's bassline adds an almost funky flair to "Lassie," and is also crucial to the album's two instrumentals, "Schmetterling" and the wittily titled "Nossa Bova." The former is a showcase for the band's percussionist, Mike Hellbach, who fills the number with tablas, instantly taking the sound into Eastern climes, a sighting enhanced by Bursch's sitar, even as a pastoral flute delicately dances above and the acoustic guitar shimmers in an ecstasy of chiming strums below. "Nossa Bova" also utilizes tablas, but its setting shivers between the Spanish plains and England's rolling rural hills. The music is gorgeous, but it's the relaxed atmospheres that truly entrance; there's not a forced note or extravagant moment within, with the music easily ebbing and flowing like water downhill. So self-confident were the bandmembers that they had no need for flashy musicianship, preferring instead to impress by the very understatement of their solos. The ambience is exquisite, casting a spell that isn't broken until the final note fades. A masterful album from start to finish." (Jo-Ann Greene, AMG)

Peter Bursch, guitar, vocals
Willi Kissmer, guitar, vocals
Jenni Schücker, vocals, flute
Lutz Ringer, bass
Michael Hellbach, drums, percussion

Recorded 1070 at Studio Dierks, Stommeln, Germany
Engineered by Dieter Dierks
Produced by Rolf-Ulrich Kaiser
Remastered by Kazuo Ogino

Digitally remastered

No biography found.

This album contains no booklet.