Fin de siècle SWR Vokalensemble & Marcus Creed

• Franz Schreker (1878 - 1934): Im Lenz:
• 1 Schreker: Im Lenz 02:25
• Umsonst:
• 2 Schreker: Umsonst 01:08
• Und wie mag die Liebe:
• 3 Schreker: Und wie mag die Liebe 01:49
• Hugo Wolf (1860 - 1903): Und willst du deinen Liebsten sterben sehen:
• 4 Wolf: Und willst du deinen Liebsten sterben sehen 01:58
• Das verlassene Mägdlein:
• 5 Wolf: Das verlassene Mägdlein 03:29
• Auf ein altes Bild:
• 6 Wolf: Auf ein altes Bild 02:18
• Der Gärtner:
• 7 Wolf: Der Gärtner 01:33
• Richard Strauss (1864 - 1949): Die Nacht Op. 10 No. 3:
• 8 Strauss: Die Nacht Op. 10 No. 3 03:11
• Traum durch die Dämmerung Op. 29 No. 1:
• 9 Strauss: Traum durch die Dämmerung Op. 29 No. 1 03:12
• Allerseelen Op. 10 No. 8:
• 10 Strauss: Allerseelen Op. 10 No. 8 04:09
• Waldseligkeit Op. 49 No. 1:
• 11 Strauss: Waldseligkeit Op. 49 No. 1 02:26
• Gustav Mahler (1860 - 1911): Die zwei blauen Augen:
• 12 Mahler: Die zwei blauen Augen 06:05
• Urlicht:
• 13 Mahler: Urlicht 06:19
• Scheiden und Meiden:
• 14 Mahler: Scheiden und Meiden 02:51
• Um Mitternacht:
• 15 Mahler: Um Mitternacht 06:10
• Im Abendrot (Adagietto from Symphony No. 5):
• 16 Mahler: Im Abendrot (Adagietto from Symphony No. 5) 10:44
• Alma Mahler (1879 - 1964): Die stille Stadt:
• 17 Mahler: Die stille Stadt 03:29
• Laue Sommernacht:
• 18 Mahler: Laue Sommernacht 02:30
• Bei dir ist es traut:
• 19 Mahler: Bei dir ist es traut 03:49
• Total Runtime 01:09:35

Info for Fin de siècle

This album brings together transcriptions that open up an unusual chapter in music history: fin-de-siècle lieder, adapted for an unaccompanied choir. Clytus Gottwald thus turns his attention to a repertoire that was virtually non-existent in the late Romantic period. His arrangements open up new possibilities for these lieder without altering their structure or harmony.

The wide-ranging vocal textures present the music of Hugo Wolf, Franz Schreker, Richard Strauss, and Alma and Gustav Mahler in a different light. The distinction between the singing voice and the piano recedes; instead, a unified vocal sound emerges that brings out the subtle harmonic nuances of the originals with particular clarity. In this way, familiar works are not reinvented, but transposed into an instrumental arrangement that brings their colours and lines into focus in a different way.

The selection ranges from folk-inspired miniatures to late-Romantic soundscapes and also includes rarely heard pieces. The album thus offers a focused insight into a repertoire that straddles tradition and modernity, whilst at the same time highlighting a gap in the choral musical heritage of the turn of the century.

SWR Vocal Ensemble Stuttgart
Marcus Creed, conductor

SWR Vokalensemble
A spirit of musical research, a passion for experimentation, a wide range of style and perfect singing – these are the hallmarks of the SWR Vokalensemble Stuttgart. For many years now, it has been counted among the top international ensembles for contemporary music, and in the course of its seventy-year history has sung more premieres than any other chorus. Conductors, composers and organisers hold the musical intelligence of the chorus members in high esteem, as well as their professional treatment of the difficulties of contemporary scores, and their constructive open-minded attitude toward today’s utopias. Apart from new music, the SWR Vokalensemble Stuttgart also devotes itself to the more demand¬ing choral works of earlier periods – their concert programs often set the old and the new into an evocative contrast. Musical directors Marinus Voorberg, Klaus Martin Ziegler and Rupert Huber have each put their mark on the SWR Vokalensemble in the past. Voorberg and especially Huber molded the sound typical of the SWR Vokalensemble, characterised by slender, straight-edged vocalisation, and an equally great perfection as regards intonation and articulation. Many of the more than 250 performances noted in the chronological history of the SWR Vokalensemble were conducted by Rupert Huber. Marcus Creed has been artistic director since 2003. His interpretations combine a sure sense of style, a beautiful sound, technical expertise and musical dynamism, and have met with great admiration from audiences and professional journals alike. The SWR Vokalensemble is a welcome and well-liked guest on international concert stages and at renowned music festivals at home and abroad. Its concert programs are recorded for radio and many are then released on CD. International record prizes confirm the quality of these recordings, including the German Music Critics’ Award, the Echo Klassik Prize, the Diapason’dor and the Grand Prix du Disque.

Marcus Creed
was born and raised on the south coast of England. He began his studies at King’s College, Cambridge, where he had the opportunity to sing in the famous Chapel Choir. Further studies took him to Christ Church, Oxford and the Guildhall School of Music and Drama in London.

Marcus Creed has been living in Berlin since 1977. In the city, he has worked at the Deutsche Oper as an operatic coach and chorus director and at the University of the Arts as lecturer on Lieder, as well as with the Gruppe Neue Musik and with the Scharoun Ensemble as a pianist and conductor. From 1987 to 2001 Marcus Creed was artistic director of the RIAS Chamber Choir. In 1998 he accepted the position of professor of conducting at the University of Music in Cologne.

Since 2003 Marcus Creed has been artistic director of the SWR Vocal Ensemble in Stuttgart. His particular mission with the ensemble is to revive outstanding compositions from recent history, including works by Luigi Nono, György Kurtág, Wolfgang Rihm and Heinz Holliger. Marcus Creed regularly makes guest appearances at international festivals, giving performances of both old and new music. Since 2014 he has been music director of the Danish Radio Vocal Ensemble in Copenhagen.

His work is documented on numerous CD recordings with the SWR Vocal Ensemble, which have received many international awards, including the German Music Critics’ Award of the Year, the Edison Classic Award, the Diapason d’Or, the Echo Klassik Award and the Cannes Classical Award.

Booklet for Fin de siècle