Schubert Trio Opus 99 & Forellenquintett Busch Trio, Daniel Palmizio and Naomi Shaham

• Franz Schubert (1797 - 1828): Piano Trio in B-Flat Major, Op. 99, D. 898:
• 1 Schubert: Piano Trio in B-Flat Major, Op. 99, D. 898: I. Allegro moderato 14:22
• 2 Schubert: Piano Trio in B-Flat Major, Op. 99, D. 898: II. Andante un poco mosso 09:57
• 3 Schubert: Piano Trio in B-Flat Major, Op. 99, D. 898: III. Scherzo. Allegro - Trio 06:16
• 4 Schubert: Piano Trio in B-Flat Major, Op. 99, D. 898: IV. Rondo. Allegro vivace 09:03
• Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle":
• 5 Schubert: Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": I. Allegro vivace 13:18
• 6 Schubert: Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": II. Andante 06:55
• 7 Schubert: Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": III. Scherzo. Presto 03:52
• 8 Schubert: Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": IV. Tema con variazione. Andantino 07:12
• 9 Schubert: Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": V. Finale. Allegro giusto 09:30
• Total Runtime 01:20:25

Info for Schubert Trio Opus 99 & Forellenquintett

The Busch Trio continues its Schubertian explorations in two works brimming with melodic invention and nostalgia: the Trio in B flat and the famous ‘Trout’ Quintet in A major. But to those who see Schubert as the embodiment of the gemütlich (cosy) face of Vienna, his output, and especially his chamber music, responds with a spirituality, an intensity and sometimes even a fury that are far removed from the atmosphere of the ‘Schubertiad’.

Daniel Palmizio, viola
Naomi Shaham,double bass
Busch Trio

Daniel Palmizio
began his studies at the S. Cecilia Conservatory in Rome where he has been a professor of viola since 2012. In 2000 he won a scholarship to study at the Purcell School of Music in London. He has performed in chamber groups in Italy and South America and as a soloist in Great Britain, the U. S. and Italy. He has won many prizes and in 2008 was the youngest winner of the viola post at the San Carlo Theater in Naples. Next season he performs in Scotland and will give a recital in London. He plays an 1800 viola loaned by Accademia Chigiana.

Naomi Shaham
is currently studying with Olivier Thiery, member of the Royal Concertgebouw Orchestra, in the Conservatory of Amstrerdam. Since 2018, she is principal bass of the West Eastern Divan Orchestra and since 2019, an academist in the Apprenticeship Scheme of the Budapest Festival Orchestra. She studied for 5 years with Nir Comforty, member of the Israel Philharmonic Orchestra, in the Buchmann- Mehta School of Music at the Tel Aviv University.

Naomi is was a member of the Verbier Festival Orchestra and the Schleswig-Holstein Music Festival Orchestra. She was a participant in the Practicum Program of the Israel Philharmonic Orchestra. In addition to orchestral playing, Naomi performs as a chamber musician in series of the Tel Aviv Museum and of the Pierre Boulez Saal in Berlin. She is a scholarship holder of the Villa Musica Rheinland-Pfälzische Landesstiftung for chamber music.

In 2017, Naomi won the 1st prizes in three solo competitions – the Strings Competition and Contemporary Music competition of The Buchman-Mehta School and The Viennese Bass Competition at the Amsterdam Conservatory. In addition, she won 2nd prize of the Buchmann-Mehta School of Music Chamber Music Competition. Naomi served in the IDF as an honorary musician.

Naomi has been an AICF Excellence Scholarship recipient since 2013. In 2015, she received a certificate of excellence from Maestro Mehta. She has received scholarships from the ‘Mafte’ach’ Program of the Israel Philharmonic Orchestra and the Perlman Music Program.

Naomi has participated in masterclasses with Edicson Ruiz, Ekkehard Beringer, Dominik Grerger, Petru Iuga, Rachel Calin, Jurek Dybal, Gunars Upatnieks , Matteo Liuzzi, Guy Tuneh and members of the Fine Arts Quartet.

Busch Trio
After attending a string quartet performance, Johann Wolfgang von Goethe wrote: (….), one hears four intelligent people exchanging views (…). Indeed, the essence of chamber music is communication. We have known this for a long time; even from before the time Goethe wrote that lofty phrase. Small wonder, then, that encounters in the world of chamber music often develop into friendships. The reverse is far more unusual: when, from among a group of school friends with a range of everyday hobbies, a chamber music ensemble emerges that reaches the highest level on the international stage in very little time.

This is how the Busch Trio came into existence, an ensemble which in recent years has developed into a leading piano trio. Mathieu van Bellen (violin), Ori Epstein (cello) and Omri Epstein (piano) met in London during their studies at the Royal College of Music. They became friends and, before long, were inseparable. They played football, listened to music together – and played music together. Right from the start, all their conversations revolved around music.

Mathieu, Ori and Omri won several prizes in international competitions as soloists and graduated from renowned academies of music in Britain. Their shared passion for music however remained their strongest bond. ‘This trio is the fruit of a friendship that has existed for years’, is how Omri Epstein describes the essentially spontaneous process by which the trio came into being from 2012.

Its name, ‘Busch Trio’, is derived first and foremost from Mathieu’s violin, an ‘ex- Adolf Busch’ G.B. Guadagnini (Turin, 1783), but also from Adolf Busch, the shining example for the young trio. We should also note that in 1935, violinist Adolf Busch, together with Rudolf Serkin (piano) and Hermann Busch (cello), made a legendary recording of Schubert’s Piano Trio in E-flat major – one of the most important works in the literature for trios, and a core piece in the Busch Trio’s repertoire.

Great names such as the teacher of chamber music Eberhard Feltz, pianist Sir András Schiff and het Artemis Quartet have also contributed to the development of the Busch Trio, as has the Queen Elisabeth Music Chapel in Brussels. The Busch Trio members have now reached a stage in which they primarily learn from each other, during joint rehearsals that largely consist of sharing thoughts and views about music.

Despite the ‘effortless musicianship’ (The Times) and great emotional sensitivity ascribed to the Busch Trio by the press and their loyal fans, these three musicians are guided by the head as much as the heart when playing music, being very much aware of what they are doing. ‘The more you know, the more freedom you feel’ is one of the key maxims of the ensemble.

What is also unusual is that the Busch Trio, while not strictly part of the historically informed performance movement, do play on instruments with gut strings. They decided to do so because gut strings provide a different type of articulation and a better sound, which cannot be achieved using modern metal strings due to the greater pressure they require.

Today the Busch Trio members live in Amsterdam; their extremely intensive rehearsal practice would simply be impossible otherwise. ‘We live like monks in a monastery ‘, they confess. ‘We don’t do this for ourselves, really, but for our best friends’ – comments such as these reflect both their serious attitude and their sense of togetherness. That should be taken quite literally: the Busch Trio also go on holiday together and spend a lot of time together when they are not playing music.

Since its formation in 2012, the Busch Trio has regularly appeared on major stages and festivals throughout Europe. They have been recognised for their work and received important awards in the Netherlands and Germany: The Kersjes Award and the Ensemble Prize at the Mecklenburg-Vorpommern Festival. Their many years of fruitful collaboration with the record label Alpha Classics have delivered notable recordings of the complete works of Dvorák and Schubert.

With the return of concerts, the Busch Trio can look forward to concerts at Amsterdam’s Concertgebouw, Wigmore Hall, Théâtre des Champs-Elysées as well as numerous tours of the US.

Booklet for Schubert Trio Opus 99 & Forellenquintett