Morton Trio Morton Trio

• Johannes Brahms (1833 - 1897): Brahms Horn Trio Op.40 M1 Andante:
• 1 Brahms: Brahms Horn Trio Op.40 M1 Andante 07:38
• Brahms Horn trio Op.40 M2 Scherzo:
• 2 Brahms: Brahms Horn trio Op.40 M2 Scherzo: Allegro 07:40
• Brahms Horn Trio Op.40 M3 Adagio:
• 3 Brahms: Brahms Horn Trio Op.40 M3 Adagio 07:01
• Brahms Horn trio Op.40 M4 Andante con brio:
• 4 Brahms: Brahms Horn trio Op.40 M4 Andante con brio 06:42
• Arna Morton: Summer - for violin, horn and piano:
• 5 Morton: Summer - for violin, horn and piano 08:26
• Johannes Brahms: Brahms Trio No1 Op8 M1 Allegro con brio:
• 6 Brahms: Brahms Trio No1 Op8 M1 Allegro con brio 15:26
• Brahms Trio No 1 Op.8 M2 Allegro Molto:
• 7 Brahms: Brahms Trio No 1 Op.8 M2 Allegro Molto 07:05
• Brahms Trio No 1 Op.8 M3 Adagio:
• 8 Brahms: Brahms Trio No 1 Op.8 M3 Adagio 08:15
• Brahms Trio No1 Op.8 M4 Allegro:
• 9 Brahms: Brahms Trio No1 Op.8 M4 Allegro 06:52
• Total Runtime 01:15:05

Info for Morton Trio

Feldman's canvas contains sparse, isolated tones and commentary in an environment of heightened concern. (Concern negates the idea that Feldman's music embodies an existential void.) Concern creates tension, energized by the composer's sense of responsibility, and desire. The music sounds familiar at times, where a motif occurs and is not forgotten, but returns in another place in another guise. Or multiple motifs (each instrument's persona! statement) are reassembled into something resembling something else, or only itself. Even Feldman's repetition is never exact, as there are slight shifts in weight, shade, density, intensity. And when, eventually, the music ends, it just ends, for no need, or reason, with no explanation, no answers. (Art Lange)

Arna Morton, violin
Alex Morton, French horn
Liam Wooding, piano

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