So Quiet Vincent Peirani & Serena Fisseau

• 1 Bengawan Solo 02:44
• 2 La Javanaise 03:55
• 3 What a Wonderful World 01:57
• 4 Close to You 03:03
• 5 La Tendresse 03:34
• 6 La Bourdique 02:31
• 7 Bintang Kecil 04:43
• 8 Malandrinha 04:05
• 9 Luiza 04:17
• 10 Alguem Cantando 03:56
• 11 Small Song 03:05
• 12 And I Love Her 04:01
• 13 3 Petites Notes De Musique 03:09
• 14 Over the Rainbow 03:15
• Total Runtime 48:15

Info for So Quiet

Quiet. It is such a precious commodity, and more so today than ever before. In this music from accordionist Vincent Peirani and singer Serena Fisseau, you can actually hear it. It’s right there in the gaps between the notes, perhaps almost more important than the notes themselves. This music is irresistibly light and limpid, and often very cheerful too. It draws its intimate feel from the fact that Peirani and Fisseau are not just a couple artistically, but also in real life. They recorded the tracks of "So Quiet" for their children. And for all other children. And also for any adults out there who'd like to take themselves back in their dreams to a temporary state of childlike innocence – for the time it takes to listen to an album.

And what is it that makes this irresistibly light and delicate music quite so appealing? It has to be the astonishing expertise and judgment of both musicians. Serena Fisseau has always been spurred on by a particularly inquisitive spirit: she has sung classical as well as gospel, blues, latin, rock and jazz, and she has worked a lot with spoken word, poetry in particular. Furthermore she has become well-known in France and abroad for songs, albums and projects conceived for children: "D'une île à l'autre" (from one island to another), "Nouchka et la grande question" (Nushka and the big question) or "L'échappée belle" (the beautiful escapee/close call). For his part, Vincent Peirani is certainly the greatest innovator of the accordion of our day, voted "Artist of the Year 2018" by the leading French publication Jazz Magazine. And both of them are cosmopolitan and eclectic by nature: Fisseau is French with Indonesian heritage and has a fascination for languages; Peirani is from the South of France, with a musical career has taken him from classical to Mediterranean music to jazz.

But all of this virtuosity, wealth of experience and versatility are in the background of "So Quiet"; what matters is that the tracks of this album are so touching, clear and expressive. It’s simply about the beauty of the music. It might come from chanson genius Serge Gainsbourg ("La Javanaise"), from easy listening deity Burt Bacharach ("Close to You") or from the alchemists of pop, The Beatles ("And I Love Her"); whether the source is Indonesian folk music ("Bintang Kecil" - small star), Musica Populeira Brasileira in Caetano Veloso’s "Alguem Cantado", Antonio Carlos Jobim ("Luiza") or a standard from the Great American Songbook like "What a Wonderful World"; whether in French or Indonesian (Fisseau’s two native languages), English or Portuguese; whether with accordion, accordina, Wurlitzer e-piano, body percussion or a plastic bag(!), Fisseau and Peirani reveal the essence of these timeless masterpieces, and in the most natural way possible. All it takes is a voice, an instrument and a lot of quiet – listen out for the ending, a totally enchanting version of “Over The Rainbow" from "The Wizard of Oz".

This album has a prevailing spirit that everyone is going to want to hum or to dream along with, no matter their age, or what music they normally prefer. "So Quiet" is a feast for the senses, an irresistible invitation to take some time, to cuddle up in the living room maybe, and to let the singing and the accordion carry you off somewhere. So Quiet-ly.

Serena Fisseau, vocals & body percussion
Vincent Peirani, accordion, accordina, Wurlitzer, piano, plastic bags, music box & voice

Recorded by Nicolas Djemane at Studio Soult, Maisons-Alfort (Paris), in December 2018
Produced by the artists
Mixed by Boris Darley
Mastered by Klaus Scheuermann

Vincent Peirani
Like all popular music, jazz is associated with strong personalities. International recognition of accordionist Vincent Peirani rests on that essential, fundamental quality. His musical charisma, his very distinctive creative skills, his unique approach to his art – all of which are the fruit of a very open, unblinkered attitude – strike the listener immediately.

After brilliant studies in classical music (many international awards), his dive into the world of jazz received the seal of success from the start and was crowned at the Victoires du Jazz in 2014 (“Revelation”) and 2015 (“Artist of the Year”). Vincent Peirani has the ability to turn everything he touches into gold: in jazz, of course (his own projects, but also collaborations with Daniel Humair, Michel Portal, and others), but also in chanson (Sanseverino, Les Yeux Noirs), film music (composer for Mathieu Almaric’s Barbara in 2017), and so on. Whatever the style, the public follows: in his performances, he creates a balance between the relatively straightforward (inventive revivals of well-known themes) and a blessed unexpectedness, with art music and popular music very close to each other, a sign of great artistry.

The man who, ten years ago, completely renewed the language of the accordion (and continues to do so) has become a major artist, whose uninhibited, cosmopolitan view of music and sense of instrumental combination and colour, enable him to bring that rare and precious magical touch to everything he does.

Booklet for So Quiet