Album info

Album-Release:
2023

HRA-Release:
06.10.2023

Label: Modern Recordings

Genre: Jazz

Subgenre: Crossover Jazz

Artist: Nils Petter Molvær & Norwegian Radio Orchestra

Composer: Nils Petter Molvær (1960)

Album including Album cover

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  • 1 Maja 05:26
  • 2 Sabkah 05:37
  • 3 Icy Altitude 05:08
  • 4 On Stream 05:25
  • 5 Simply So 06:25
  • 6 Kakonita 04:49
  • Total Runtime 32:50

Info for Certainty of Tides



The music for Certainty of Tides was initially recorded with the Norwegian Broadcasting Orchestra with Nils Petter Molvaer as a soloist in 2020. He had asked several wonderful Norwegian composers to arrange a set of music from his back catalogue. “Have a listen to the recordings I did with the orchestra and tell me what you think” he told Norwegian composer, musician, and producer Jan Bang. Since the original recording was close mic’ed for broadcasting purposes, Bang saw an unfulfilled potential in the material due to lack of space in the initial recordings. Bang came up with the idea of re-amping the mixes playing the music through speakers in a concert house followed by re-recording of the result through distant microphones. With 76 speakers (one per instrument) carefully placed exactly like the orchestra would have been seated onstage, Certainty of Tides was recorded from microphones strategically placed in the large hall of Kilden Concert House with phenomenal acoustics. The re-amping and re-recording produced astonishing results. Some of the pieces needed additional color. Bang invited two of his highly talented electronic music students at the University of Agder (Kristian Isachsen and Even Sefenias Sigurdsen Frodesønn Røsstad). Both given freedoms to create their own sound based on their own personal taste. The final mixes were put together by Øyvind Kurszus at Kilden Studios supervised by both students, Molvaer and Bang. Helge Steen has mastered the recording. Knut Sævik has re-sampled the drum track (played by Peter Baden) on “Simply so” and mixed the Song as well.

"If the first album is current, and the second looks both back and forwards, then the third album to complete the set, partly a mystery with only a few of the decisions fully made, will be looking outward: Molvær has embraced a series of different collaborations. The whole roster has not been published, but from what has been said so far, there are partnerships with a Japanese koto player, a song sextet, the German musician Carsten Nicolai (aka Alva Noto), and The Improbables. Molvær has said that part of his motivation is to “get rid of the genre thing”. Yes, Nils Petter Molvær is still innovating. His pioneering spirit is undimmed." (londonjazznews.com)

Nils Petter Molvær
Norwegian Radio Orchestra



Nils Petter Molvær
Norwegian trumpet player, composer and producer, who takes multiple music styles – jazz, ambient, house, electronic and break beats, as well as elements from hip hop, rock and pop music – and effortlessly reshapes them into unique and dramatic soundscapes of deep intensity.

His remarkable ease in handling the often-contrary conventions of pop, rock, funk, and modern jazz ensured a strong interest in both acoustic and electric music. This chameleon-like ability soon established him as a much sought-after musician in Oslo, which ultimately led to his a colourful and diverse curriculum vitae as a sideman. During his time with acclaimed jazz combo, Masqualero, NPM was introduced to Manfred Eicher, who welcomed him into his prestigious and much-lauded roster. Alongside the three ECM Masqualero releases, NPM recorded many classic studio sessions for ECM with artists such as Robyn Schulkowsky, Marilyn Mazur, Jon Balke’s Oslo 13, and Sidsel Endresen. However, NPM wanted to do something different, both in terms of composition, and trumpet technique.

A trumpet that knows how to capture both the polar ice caps and the burning desert sand, that can portray surging crowds just as well as total solitude, that loses itself but always finds the way back again. Molvaer has his own very individual sound, influenced as much by the poetry of Scandinavian nature as by electronic calculation, and last but not least by colleagues like Miles Davis and Jon Hassell. But more than anything else, Molvaer has himself. Listening to him play, it’s easy to forget that his instrument is a trumpet.

This album contains no booklet.

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