Radio Songs Dave Rowntree

• 1 Devil's Island 03:13
• 2 Downtown 03:36
• 3 London Bridge 03:18
• 4 1000 Miles 04:30
• 5 Hk 03:59
• 6 Tape Measure 02:58
• 7 Machines Like Me 04:03
• 8 Black Sheep 02:56
• 9 Volcano 05:07
• 10 Who's Asking 03:50
• Total Runtime 37:30

Info for Radio Songs

Blur drummer Dave Rowntree releases his debut album Radio Songs on Cooking Vinyl. Standout track London Bridge was produced with Leo Abrahams (Wild Beasts / Brian Eno / Ghostpoet). It heralds the start of an exciting new project for Rowntree, over three decades since Blur formed back in 1989. London Bridge is an enticing opening statement.

Deceptively bright and upbeat, with its staccato ‘la-la-la-la’ hook line, the music belies a lyrical sense of dread. As proficient with a synth or guitar as he is behind the drum-kit, Rowntree’s innate ear for a melody is given free-reign on this scuzzy but impactful, lo-fi number.

Dave Rowntree

Dave Rowntree
Born in Colchester, Essex, Rowntree was born to musical parents – Susan, a viola player, and John, a sound engineer at the British Broadcasting Corporation (BBC). He attended the Gilberd School, Colchester during the week, and the Landermere Music School, Thorpe-le-Soken, at weekends, where he studied percussion. He played percussion with his father in the Colchester Silver Band, a brass band.

Rowntree had played in bands with Blur guitarist Graham Coxon while the two were growing up in Colchester and knew Coxon's father who taught jazz classes at Landermere. In 1989 Coxon introduced Rowntree to Damon Albarn, who was forming a band around Goldsmiths, University of London. Rowntree was asked to join, and left his job and moved to London. With the addition of Alex James, and after many name changes, the band settled on and “Blur” and was quickly signed to EMI.

Blur's debut album Leisure (1991) incorporated the sounds of Madchester and shoegazing. Following a stylistic change influenced by English guitar pop groups such as The Kinks, The Beatles and XTC, Blur released Modern Life Is Rubbish (1993), Parklife (1994) and The Great Escape (1995). As a result, the band helped to popularise the Britpop genre and achieved mass popularity in the UK, aided by a chart battle with rival band Oasis in 1995 dubbed "The Battle of Britpop".

In recording their follow-up, Blur (1997), the band underwent another reinvention, showing influence from the lo-fi style of American indie rock groups. "Song 2", one of the album's singles, brought Blur mainstream success in the United States. Their next album, 13 (1999) saw the band members experimenting with electronic and gospel music, and featured more personal lyrics from Albarn. After a 2003 tour without Coxon, Blur did no studio work or touring as a band, as members engaged in other projects. In 2009 Blur reunited, with Coxon back in the fold, for a series of concerts and have continued to release several singles and retrospective releases.

In 2012, Blur received a Brit Award for Outstanding Contribution to Music and made special appearance s at the 2012 Brit Awards as well as the Olympic games in London.

This album contains no booklet.