Thriller 40 (40th Anniversary Edition - Remastered) Michael Jackson

• 1 Wanna Be Startin' Somethin' 06:03
• 2 Baby Be Mine 04:20
• 3 The Girl Is Mine 03:42
• 4 Thriller 05:58
• 5 Beat It 04:18
• 6 Billie Jean 04:53
• 7 Human Nature 04:05
• 8 P.Y.T. (Pretty Young Thing) 03:59
• 9 The Lady in My Life 04:57
• 10 Starlight 05:04
• 11 Got the Hots (Demo) 04:27
• 12 Who Do You Know (Demo) 05:22
• 13 Carousel 03:39
• 14 Behind The Mask (Mike's Mix (Demo)) 05:01
• 15 Can't Get Outta The Rain 04:06
• 16 The Toy (Demo) 03:04
• 17 Sunset Driver (Demo) 04:02
• 18 What A Lovely Way To Go (Demo) 03:55
• 19 She's Trouble (Demo) 04:12
• 20 Billie Jean (1981 Home Demo) 02:20
• 21 Billie Jean (Long Version) 06:20
• 22 Billie Jean (2008 Kanye West Mix) (Thriller 25th Anniversary Remix) 04:35
• 23 Beat It (Demo) 02:03
• 24 Beat It (2008 with Fergie Remix) (Thriller 25th Anniversary Remix) 04:11
• 25 Wanna Be Startin' Somethin' (Demo) 05:43
• 26 Wanna Be Startin' Somethin' (Tommy D's Main Mix) 07:40
• 27 Wanna Be Startin' Somethin' (2008 with Akon) (Thriller 25th Anniversary Remix) 04:14
• 28 Human Nature 7" 03:45
• 29 P.Y.T. (Pretty Young Thing) (Demo Version) 03:46
• 30 P.Y.T. (Pretty Young Thing) (2008 with will.i.am) (Thriller 25th Anniversary Remix) 04:21
• 31 The Girl Is Mine (2008 with will.i.am) (Thriller 25th Anniversary Remix) 03:10
• 32 Thriller 7" (Special Edit) 04:37
• 33 Thriller (Def Thrill Mix) 07:22
• 34 Thriller (Megamix) 09:14
• Total Runtime 02:38:28

Info for Thriller 40 (40th Anniversary Edition - Remastered)

The release of MICHAEL JACKSON THRILLER 40 celebrates the 40th anniversary of the biggest selling album of all time worldwide. Pop up events and worldwide activations are planned to honor Michael's epic creation which won a record setting 8 Grammys, smashed musical barriers and changed the frontiers of pop music and music videos forever. Michael Jackson's Thriller has spent more than 500 weeks on the Billboard album chart and has sold over 100 million albums since its release on November 30, 1982.

Thriller holds a modern-day record of 37 weeks at No. 1 on Billboard. It was the first album in history to spend each of its first 80 weeks in the album chart’s Top 10, a feat only reached by one other album in the nearly four decades since. During its 112th week on Billboard’s album chart, it became the first title ever to be certified RIAA 20X multi-Platinum (October 30, 1984) and became the first title ever to be certified more than RIAA 30X multi-Platinum in 2015 and since has been certified at 34x Multi-Platinum.

Worldwide, Thriller went to #1 in practically every country in the world, including the UK, France, Italy, Australia, Denmark, Belgium, South Africa, Spain, Ireland, New Zealand, Canada and apartheid South Africa and remains the biggest selling album of all time with sales in excess of 100 million. Seven tracks from the album became Top 10 singles, and three, “Beat It,” “Billie Jean,” and “Thriller,” went No. 1.

The music on Thriller was so singular for the time it defied any definition of rock, pop or soul that had gone before. “Beat It” was a new kind of pop-rock hybrid and demolished the longstanding segregation between black and white music with Eddie Van Halen’s incendiary guitar. On “The Girl Is Mine,” two men, one white and one Black, banter about the same girl. On the same album were songs like the African-rooted “Wanna Be Startin’ Somethin’” and the rhythm and blues-based “Billie Jean.”

Michael set out to revolutionize how to tell a story and entertain on a grand scale through film but faced roadblocks. Despite the luscious cinematography, dramatic narrative and spectacular choreography of “Billie Jean,” a fledgling MTV, which was programming white rock artists almost exclusively, refused to play it. Epic persisted. Once the wall came crashing down, MTV’s ratings soared and a door was opened for a generation of African American artists. “He was MTV’s Jackie Robinson,” said cultural critic Touré.

Next, came the unforgettable short film for “Beat It,” which featured Michael bringing two gangs together through the power of music and dance. And then there was “Thriller.” Premiered at the AVCO Theatre in Los Angeles in 1983, it sold out every night for three weeks. No other video before or since has generated such excitement and has such a hold on our attention, such that 40 years later we all share it as a collective memory and it remains the only music video to be inducted into the elite National Film Registry by the Library of Congress.

Music from Thriller and Michael’s other hit albums is featured in the hit Las Vegas show Michael Jackson ONE, at the Michael Jackson ONE Theater in Mandalay Bay Resorts and Casino and in the acclaimed Broadway musical MJ The Musical at the Neil Simon Theatre in New York. Michael has sold more than 1 billion records and remains one of the top streaming artists in the world.

Michael Jackson

Digitally remastered

Michael Jackson
born August 29, 1958 in Gary, Indiana, spent nearly his entire life as a public performer. At age four he was singing with the family group; a charismatic bundle of energy who was musically wise beyond his years, he soon became their lead vocalist and front man. Onstage, using every ounce of his old-school training, he modeled his dance moves and singing on James Brown and Jackie Wilson, and portrayed a self-confidence that belied his shy, private personality.

The Jackson Five-Michael, Jermaine, Jackie, Marlon and Tito-signed to Motown Records at the end of 1968, and were immediately groomed for stardom: “They’ll have three No. 1 records in a row,” Motown founder Berry Gordy famously announced before any records were released. In fall 1969 they exploded with “I Want You Back,” one of the greatest singles in pop history, and it was the first of four consecutive no. 1 pop hits, as “ABC,” “The Love You Save” and “I’ll Be There” followed. Flip sides such as “Who’s Lovin’ You,” a knockout performance by Michael with all the hallmarks of a great soul artist, illustrated his remarkable maturity.

It seemed inevitable that young MJ would spin off as a solo artist. The aching ballad “Got To Be There” was his first solo single, released October 7, 1971, and it shot to no. 4 on both the pop and R&B charts. His debut solo album Got To Be There was released in January 1972 and reached the pop Top 20. The LP also spun off “Rockin’ Robin,” a cover of a fifties smash that hit no. 2 pop and R&B, and “I Wanna Be Where You Are” (top 20 pop/no. 2 R&B).

In July 1972 Michael sang “Ben,” the title song from a movie about a trained rat, and it became his first solo pop no. 1. Michael’s emotional, sincere performance helped the song win a Golden Globe Award, and it was nominated for an Oscar®. The stylistically rich Ben album showcased Michael’s interpretive skills: the tracks included a moody cover of the Stylistics’ moody “People Make The World Go Round,” which in later years became a favorite of hip-hoppers; the happy, funky “We’ve Got A Good Thing Going;” and a nod to the great jazz singer Jimmy Scott, a man-child of another era, with a cover of Scott’s signature song “Everybody’s Somebody’s Fool.”

MJ was still only 14 years old.

Music & Me, released April 13, 1973, was Michael’s next album-a push towards more adult contemporary pop like “Ben,” which backfired commercially, although it contains fine performances, including “With A Child’s Heart,” originally cut by Stevie Wonder, Motown’s sixties teen superstar, and a vocal version of “Happy,” the love theme from Lady Sings The Blues, the Gordy-produced film on the life of Billie Holiday released the previous that starred Jackson mentor Diana Ross.

Forever, Michael, released in January 1975, got things back on the R&B track. A more danced-oriented project that featured the return of Brian and Edward Holland to Motown, the LP hit the Black Album chart top 10, while its tracks “We’re Almost There” and “Just A Little Bit Of You” both peaked inside the R&B Singles top 10. In the two years prior, the Jackson 5, after a commercial lull, had been successful with dance tracks, particularly the smash no. 1 “Dancing Machine.”

Those four albums might have been the end of the story for Michael and Motown, as he and the group, sans Jermaine, left to go to Epic Records. Michael was 17 years old. While the group-now the Jacksons-kept the groove going, MJ set aside his solo career. He took up acting, memorably appearing as the Scarecrow in The Wiz with Diana Ross in 1978. He struck up a friendship with the film’s music producer, Quincy Jones and, in 1979, at age 21, MJ re-ignited his solo career, collaborating with Jones on Off The Wall. In the aftermath of its huge success, Motown issued the compilation One Day In Your Life, on March 25, 1981. Its title song-lifted from Forever, Michael-turned into a no. 1 hit in the U.K. and top 40 AC in the U.S.

Then came Thriller. The hits. The videos. The moonwalk on Motown 25. In May 1984 Motown released the LP Farewell My Summer Love, a batch of songs from the vault with contemporary overdubs; the title song went top 10 R&B. Two years later Motown issued Looking Back To Yesterday, a collection of more vault masters-some with the J5-that contained further unexpected gems.

Michael and his brothers were inducted into the Rock and Roll Hall of Fame in 1997. Michael went in as a solo artist in 2001. “He has transfixed the world like few entertainers before or since,” it says in his inductee biography. “As a solo performer, he has enjoyed a level of superstardom previously known only to Elvis Presley, the Beatles and Frank Sinatra.”

It was at Motown where MJ first bared his young soul and was set on his path to becoming the biggest pop star of our time. He died at age 50, much too young, on June 25, 2009. He is loved, he is missed. He is Forever, Michael. (Source: Universal Music)

This album contains no booklet.