De la Rue: Requiem - Elegies and Occasional Motets (Remastered) Capella Antiqua München & Konrad Ruhland

• Pierre de La Rue (1452 - 1518): Missa pro defunctis:
• 1 De La Rue: Missa pro defunctis: Introitus. Requiem aeternam 02:32
• 2 De La Rue: Missa pro defunctis: Kyrie eleison 01:54
• 3 De La Rue: Missa pro defunctis: Psalmus. Sicut cervus desiderat 02:33
• 4 De La Rue: Missa pro defunctis: Offertorium. Domine Jesu Christe 04:55
• 5 De La Rue: Missa pro defunctis: Sanctus 03:43
• 6 De La Rue: Missa pro defunctis: Introitus. Requiem aeternam 02:14
• 7 De La Rue: Missa pro defunctis: Communio. Lux aeterna 01:53
• Antoine Brumel (1460 - 1512):
• 8 Brumel: O domine Jesu Christe 03:22
• Hieronymus Vinders (1500 - 1560):
• 9 Vinders: O mors inevitabilis "Epithaphium Josquini" 02:19
• Benedictus Appenzeller (1485 - 1558):
• 10 Appenzeller: Musae jovis ter maximi 05:24
• Jacobus Vaet (1529 - 1567):
• 11 Vaet: Continuo lacrimas, in mortem Clementis non Papa 02:58
• Ludwig Senfl (1489 - 1543):
• 12 Senfl: Quis dabit oculis nostris 04:23
• 13 Senfl: Non moriar sed vivam 03:07
• Total Runtime 41:17

Info for De la Rue: Requiem - Elegies and Occasional Motets (Remastered)

Pierre de la Rue was a contemporary of Josquin, and spent most of his career in the service of the Dukes of Burgundy. Here is the earliest recording of his Requiem, the third known musical setting of the mass for the dead in music history after those by Dufay (lost) and Ockeghem. Performed by a precursory ensemble of the Capella Antiqua München, it is accompanied by elegiac motets of the same period, such as Vinders’ O mors inevitabilis mourning the death of Josquin, or Vaet’s Continuo lacrimas, a lament on the death of Clemens non Papa.

Capella Antiqua München
Konrad Ruhland, conductor

Recorded 19-21 March 1965 in the AEG Studio, Munich, Germany

Digitally remastered

No biography found.

This album contains no booklet.