Breakfast at Tiffany's (Remastered) Henry Mancini

• 1 Moon River (2024 Remaster) 02:41
• 2 Something for the Cat (2024 Remaster) 03:07
• 3 Sally's Tomato (2024 Remaster) 03:05
• 4 Mr. Yunioshi (2024 Remaster) 02:29
• 5 The Big Blow Out (2024 Remaster) 02:26
• 6 Hub Caps And Tail Lights (2024 Remaster) 02:24
• 7 Breakfast At Tiffany's (2024 Remaster) 02:46
• 8 Latin Golightly (2024 Remaster) 02:57
• 9 Holly (2024 Remaster) 03:18
• 10 Loose Caboose (2024 Remaster) 03:08
• 11 The Big Heist (2024 Remaster) 03:07
• 12 Moon River Cha Cha (2024 Remaster) 02:35
• Total Runtime 34:03

Info for Breakfast at Tiffany's (Remastered)

At long last! Henry Mancini's all-time most famous score becomes available in its original Academy Award-winning soundtrack performance, in stereo, complete with all knock-out big band numbers and dramatic orchestral cues intact. And achoring all, big surprise, is Mancini & Mercer's also Academy Award-winning masterpiece "Moon River" sung by Audrey Hepburn. They don't get any more famous. When 1961 Blake Edwards feature, from novel by Truman Capote, first hit screen, movie history was made. Hepburn in her signature role, along with George Peppard, Patricia Neal and Mickey Rooney, bring warmth, romance, fun, tenderness, sorrow, drama all to beautiful tale, with bittersweet Buddy Ebsen earning particular praise. And then there is Cat. Mix Hepburn, Peppard, Cat and Mancini's note-perfect swell of strings and horns soaring with a powerful full orchestral reading of "Moon River" in that legendary finale... not a viewer in the audience avoids the tears. And none of it has ever been released before, until now! RCA issued multi award-winning and best-selling LP in 1961, offering just 30 minutes of completely re-arranged music in dance fashion. Album was admittedly a masterful selection of Mancini's all-time greatest big band numbers. "Something For Cat" is an absolute gem! But, incredibly, that same album omitted "Moon River" save the instrumental opening titles and a cha-cha arrangement. Now enjoy all of those moving variants heard throughout actual soundtrack. But there is more! Note also the dramatic scoring as Ebsen's "Doc" reveals himself, the complete original version of the heist sequence and the haunting, saddened parting scene at the bus station. Also savor those fabulous big band numbers in their full length, original versions complete with dazzling solo passages, blazing final codas. Henry Mancini conducts, delivers his greatest masterpiece!

Henry Mancini & His Orchestra

Recorded at RCA Victor's Music Center of the World in Hollywood, California, 1961
Engineered by Al Schmitt
Produced by Dick Peirce

Digitally remastered

Henry Mancini (1924-1994)
(Enrico Nicola Mancini) was born on 16 April 1924 in Cleveland, Ohio, but he grew up in Pennsylvania. His father, an Italian immigrant, taught him to play the flute and piccolo. As a young boy, he played the flute in a youth band for several years. After graduating from high school he received musical training from Max Adkins, the musical director of the Stanley Theater in Pittsburgh, who encouraged Henry to pursue further musical studies. Mancini decided to attend the Carnegie Institute of Technology in Pittsburgh (now Carnegie Mellon University). Adkins introduced Henry to Benny Goodman, who encouraged Henry to move to New York. Mancini took Goodmans advice and left Philadelphia. Soon after his move to New York, he was accepted into the Julliard School of Music.

After only a year in New York, Mancini was drafted in into the Air Force in 1943 during WWII. After his service ended, he moved to Los Angeles with his new wife, Ginny OConnor and began working as a freelance musician. He received a wonderful opportunity in 1952 when he was hired for a temporary assignment at Universal studios, working on an Abbott and Costello film. His talent earned him a permanent position at Universal Studios where he remained for 6 years, building his reputation as a skilled film composer and arranger. One of his earlier projects, The Glenn Miller Story, earned him an Oscar in 1954 (Best Adaptation of a Score). Mancini went on to receive eighteen Academy Award nominations, winning two Oscars for Breakfast at Tiffanys, one for The Days of Wine and Roses, and one for Victor/Victoria. Mancini was also nominated for 72 Grammys. Among the twenty Grammys that he was awarded are five for Breakfast at Tiffanys and three for The Pink Panther. He also received two Emmy nominations and was given a Golden Globe Award for his work in Darling Lili in 1970 (Best Song).

In addition to his motion-picture work, Mancini did work for television films (including The Thorn Birds), wrote the themes of many popular television shows (including Newhart, Peter Gunn, and Remington Steele) and recorded more than ninety albums. Through the nineteen-eighties, Mancini continued his work on film scores, while also working as a conductor and performer.

After a long battle with Cancer, Henry Mancini passed away in Beverly Hills, CA on 14 June 1994.

This album contains no booklet.