I’m Jimmy Reed (Mono Remastered 2024) Jimmy Reed

• 1 Honest, I Do (Remastered 2024) 02:43
• 2 Go On To School (Remastered 2024) 02:48
• 3 My First Plea (Remastered 2024) 02:46
• 4 Boogie In The Dark (Remastered 2024) 02:35
• 5 You Got Me Crying (Remastered 2024) 02:35
• 6 Ain't That Lovin' You Baby (Remastered 2024) 02:25
• 7 You Got Me Dizzy (Remastered 2024) 02:54
• 8 Little Rain (Remastered 2024) 03:03
• 9 Can't Stand To See You Go (Remastered 2024) 02:51
• 10 Roll & Rhumba (Remastered 2024) 02:46
• 11 You're Something Else (Remastered 2024) 02:46
• 12 You Don't Have To Go (Remastered 2024) 03:04
• Total Runtime 33:16

Info for I’m Jimmy Reed (Mono Remastered 2024)

A compilation of singles released from 1953 and 1958, I’m Jimmy Reed is Jimmy Reed’s debut full length album. Initially released in 1958 on Vee-Jay Records, this album features “Ain’t That Lovin’ You Baby,” which hit #8 on the Billboard R&B chart. Record Collector Magazine hails the album as “Arguably the first great blues album” and “testament to the thrilling talent of one of the form’s most influential figures.”

Jimmy Reed

Digitally remastered

Please Note: We offer this album in its native sampling rate of 96 kHz, 24-bit. The provided 192 kHz version was up-sampled and offers no audible value!

Jimmy Reed The blues was born in the deep South, a wild outcry against segregation, poverty and hard, back-breaking work. Sadly most of the great musicians who created this vibrant, influential music have passed on, leaving only their recordings to testify to their genius. However, one man, whose career stretches back to the time when rhythm ‘n’ blues was just bursting onto the popular music scene, is still with us and playing better than ever.

Leon Atkins, better known as Lil’ Jimmy Reed, is the real deal, as will be attested to by anyone who has been privileged to hear his stinging guitar work, gritty vocals and haunting harmonica. A tall charismatic figure, Lil’ Jimmy epitomises the classic Louisiana down-home blues tradition. Born in the late nineteen-thirties in a shot-gun shack in Hardwood, LA, a small cotton and sawmill town on the Mississippi River, Leon grew up near a club where every night he absorbed the wail of the blues from across the street. At six he had his own guitar, made from a cigar box, and by the time he was a teenager he was proficient on both guitar and harmonica, playing local clubs around Baton Rouge. Filling-in one night for blues star Jimmy Reed earned him the sobriquet Lil’ Jimmy Reed and started him on the long path to success.

After years of playing small clubs and taverns, Lil’ Jimmy took time out to serve his country in the military. Since his return to civilian life his career has blossomed. He has shared the stage with B. B. King and Bobby “ Blue” Bland and head-lined festivals in the UK, Ireland, Belgium, Holland, Germany, Denmark, Sweden and Switzerland. In recent years, he’s added Italy, Spain, Israel and Russia to his tally. His many fans recognise that Lil’ Jimmy’s performances are almost the last chance to hear the raw, unadulterated sound of authentic Louisiana blues.

In the sixties, the blues came to Britain and inspired a generation of teenagers who in turn took the music to international success. Prominent amongst these young men was the critically-acclaimed pianist Bob Hall, whose distinctive blues and boogie style on hundreds of recordings has influenced a host of others. Bob and his wife, the dynamic singer and rock-steady bassist Hilary Blythe, have joined forces with Lil’ Jimmy to form The Lil’ Jimmy Reed Band. Over the past five years this tight little outfit has given a series of show-stopping performances all over Europe.

This album contains no booklet.