Johannes Brahms Organ Works Anders Eidsten Dahl

Album info

Album-Release:
2011

HRA-Release:
18.01.2019

Label: Lawo Classics

Genre: Classical

Subgenre: Instrumental

Artist: Anders Eidsten Dahl

Composer: Johannes Brahms (1833-1897)

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  • Johannes Brahms (1833 - 1897): Präludium und Fuge in a-moll WoO 9:
  • 1 Präludium und Fuge in a-moll WoO 9 - Präludium 01:58
  • 2 Präludium und Fuge in a-moll WoO 9 - Fuge 04:09
  • Präludium und Fuge in g-moll WoO 10:
  • 3 Präludium und Fuge in g-moll WoO 10 - Präludium 03:14
  • 4 Präludium und Fuge in g-moll WoO 10 - Fuge 04:16
  • Fuge in as-moll WoO 8:
  • 5 Fuge in as-moll WoO 8 07:16
  • Clara Schumann (1819 - 1896): Choralvorspiel und Fuge über "O Traurigkeit, o Herzeleid" WoO 7:
  • 6 Choralvorspiel und Fuge über "O Traurigkeit, o Herzeleid" WoO 7 Choralvorspiel 01:56
  • 7 Choralvorspiel und Fuge über "O Traurigkeit, o Herzeleid" WoO 7 Fuge 04:51
  • Johannes Brahms (1833 - 1897): Prelude and Fugue for Organ, Op. 16, No. 3:
  • 8 Prelude and Fugue for Organ, Op. 16, No. 3 - Prelude 02:35
  • 9 Prelude and Fugue for Organ, Op. 16, No. 3 - Fugue 03:32
  • Elf Choralvorspiele, Op. 122:
  • 10 Nr. 1 Mein Jesu, der du mich 04:17
  • 11 Nr. 2 Herzliebster Jesu 02:40
  • 12 Nr. 3 O Welt, ich muB dich lassen 02:33
  • 13 Nr. 4 Herzlich tut mich erfreuen 01:57
  • 14 Nr. 5 Schmücke dich, o liebe Seele 03:00
  • 15 Nr. 6 O wie selig seid ihr doch, ihr Frommen 01:35
  • 16 Nr. 7 O Gott, du frommer Gott 03:30
  • 17 Nr. 8 Es ist ein Ros' entsprungen 02:26
  • 18 Nr. 9 Herzlich tut mich verlangen 02:07
  • 19 Nr. 10 Herzlich tut mich verlangen 03:00
  • 20 Nr. 11 O Welt, ich muB dich lassen 03:14
  • Total Runtime 01:04:06

Info for Johannes Brahms Organ Works



That some of the pieces recorded here by the young organist Anders Eidsten Dahl (b. 1976) are among the finest in organ literature is not a controversial claim. We hear the magnificent masterpiece Prelude and Fugue in A Minor, Wo0 10, which Dahl performs with precise articulation, adapting it well to the moderate acoustics of the church nave. But the recording includes as well heartfelt chorale preludes, for example, one based on Lo How A Rose E'er Blooming. It is as though the Brahmsian chromatic language enshrouds the melody in thin harmonic silk, and only the most assiduous listener will glimpse the hymn through the veil.

Anders Eidsten Dahl, organ

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