Lost (Instrumental Version) Trentemøller

• 1 The Dream (Instrumental) 06:52
• 2 Gravity (Instrumental) 05:49
• 3 Still on Fire 05:28
• 4 Candy Tongue (Instrumental) 04:36
• 5 Trails 07:12
• 6 Never Stop Running (Instrumental) 03:38
• 7 River of Life (Instrumental) 04:54
• 8 Morphine 06:13
• 9 Come Undone (Instrumental) 04:38
• 10 Deceive (Instrumental) 04:39
• 11 Constantinople 04:01
• 12 Hazed 08:42
• Total Runtime 01:06:42

Info for Lost (Instrumental Version)

While the "Lost" album assembles vocal collaborators like Low, Jana Hunter of Lower Dens, Marie Fisker, Jonny Pierce of The Drums, Ghost Society, Kazu Makino of Blonde Redhead and Sune Rose Wagner of The Raveonettes this is the Instrumental Version of the album.

"Trentemøller’s masterful touch and creative smarts make "Lost" a fascinating and intoxicating record with a wonderfully creepy - and occasionally beautiful - narrative running through it. If Tim Burton was still making good films then ‘Lost’ would make a splendidly spooky soundtrack." (Time Out London)

"Lost is likely to be the most cohesive album by a solo music producer you'll hear this year." (Drowned In Sound)

"There is nothing better than hearing an artist reaching the apex of his power. Trentemøller arrives at that point with this album taking its rightful place amongst the best albums released this year with comparative ease. Really rather beautiful" (The Line Of Best Fit)

Just released via In My Room, the brilliant new Trentemøller album 'Lost' enjoys popularity amongst his fans and media accross the board and also quickly makes new friends among music lovers all around. While the album assembles vocal collaborators like Low, Jana Hunter of Lower Dens, Marie Fisker, Jonny Pierce of The Drums, Ghost Society, Kazu Makino of Blonde Redhead and Sune Rose Wagner of The Raveonettes we are now releasing the Instrumental Version of the album on white vinyl and as digital download - for those who want to explore the sound of 'Lost' even farther.

Trentemøller

Trentemøller
Copenhagen based musician Anders Trentemøller´s talent for heart wrenching melodic moments and exceptional productions, fused with his trademark sound somewhere between indie and electronic, has established him as one of the most respected and admired artists and remixers of this century. In 2006, following a line of 12” electronic EPs, Trentemøller released his groundbreaking debut album ‘The Last Resort’. High placements in several polls for best album of the year followed and established his name to a much broader audience.

In 2007 Trentemøller assembled his first full live band and since then played almost 300 shows around the world.

After two more studio albums, ‘Into The Great Wide Yonder’ (2010) and ‘Lost’ (2013), artist-compilations (‘The Trentemøller Chronicles’ (2007), ‘Reworked/Remixed’ (2011)) and more releases like ‘Harbour Boat Trips’ (2009) or ‘Late Night Tales’ (2011)

Trentemøller is about to release his fourth album ‘Fixion’ on his own label imprint In My Room in September 2016.

With ‘Fixion’, Anders has crafted a logical successor to 2013’s ‘Lost’ - a record that in many ways managed to truly capture the visceral live experience of Trentemøller as a full-band. In much the same manner that ‘Lost’ built on from the somber cinematic classic that was ‘Into The Great Wide Yonder’, ‘Fixion’ has embraced the Danish artist’s trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.

Rather than attempting to completely reinvent himself, Anders has used his latest outing as an opportunity to highlight certain granular aspects of his signature sound and refine them into a much more organic - and at times perhaps more song-driven body of work. It’s a record that on first listen may seem less detailed but, as you’ll know by now, with Trentemøller, one should never be fooled by initial impressions. It’s the kind of record that will over time repeatedly unlock new intricacies and offer the listener an opportunity to understand the work differently upon each listen.

The album is still notably driven by the producer and multi-artist’s passion for experimentation and effortlessly succeeds in transcending a swathe of influences and unassuming genres­­ - yet all the while holding true to Trentemøller’s unique, and sometimes challenging vernacular. From the cascading minimalist synth-scapes to driving electropunk, each and every track on ‘Fixion’ is bound together with a contemplative melodic complexity.

This album contains no booklet.