Nicola Porpora: Music for the Venetian Ospedaletto Jose Maria Lo Monaco, Stile Galante & Stefano Aresi

• Nicola Antonio Porpora (1686 - 1768): Placida surge, Aurora, S232:
• 1 Porpora: Placida surge, Aurora, S232: I. Aria Placida surge, Aurora 05:38
• 2 Porpora: Placida surge, Aurora, S232: II. Recitativo In tanta horroris nocte 01:40
• 3 Porpora: Placida surge, Aurora, S232: III. Aria Facis splendor consolator 07:53
• 4 Porpora: Placida surge, Aurora, S232: IV. Alleluia 01:20
• I. Salve Regina:
• 5 Porpora: I. Salve Regina 04:38
• Salve Regina, S308:
• 6 Porpora: Salve Regina, S308: II. Ad te clamamus 01:19
• 7 Porpora: Salve Regina, S308: III. Ad te suspiramus 02:41
• 8 Porpora: Salve Regina, S308: IV. Eia ergo 01:27
• 9 Porpora: Salve Regina, S308: V. Ellos tuos 02:45
• 10 Porpora: Salve Regina, S308: VI. O clemens 02:48
• Cello Concerto in G Major:
• 11 Porpora: Cello Concerto in G Major: I. Adagio 04:37
• 12 Porpora: Cello Concerto in G Major: II. Allegro 05:31
• 13 Porpora: Cello Concerto in G Major: III. Adagio 03:26
• 14 Porpora: Cello Concerto in G Major: IV. Allegro - Presto 04:43
• Qualis avis cui perempta, S234:
• 15 Porpora: Qualis avis cui perempta, S234: I. Aria Qualis avis cui perempta 07:43
• 16 Porpora: Qualis avis cui perempta, S234: II. Recitativo Tu, animarum Venator 01:29
• 17 Porpora: Qualis avis cui perempta, S234: III. Aria Da per Te, Virgo Regina 06:03
• 18 Porpora: Qualis avis cui perempta, S234: IV. Alleluia 01:46
• Total Runtime 01:07:27

Info for Nicola Porpora: Music for the Venetian Ospedaletto

Venice's four famous "Ospedali" houses for orphans with a fundamental musical education and outstanding music ensembles andsoloists were among the city's most important cultural institutions for a long time. Many prominent musicians worked at the Ospedali,including the famous singer, singing teacher and opera composer Nicola Porpora. He worked at three of the four Ospedali between 1729 and 1747. At the so-called "Ospedaletto", he taught singing to several female students and also met the highly talented singerAngiola Moro, known as "Anzoletta". Porpora created some of the most demanding solo roles for her during his time at the Ospedaletto.

The mezzo-soprano Jose Maria Lo Monaco, who has performed as an opera soloist (not only in baroque operas) on the world's greatstages, has taken on "Anzoletta's" parts and presents two cantatas and a Salve Regina on this recording. She is accompanied by the Ensemble Stile Galante under the direction of Stefano Aresi, which completes the program with Porpora's cello concerto, interpreted by Agnieszka Oszanca.

Jose Maria Lo Monaco, mezzo-soprano
Agnieszka Oszanca, cello
Stile Galante
Stefano Aresi, conductor

Jose Maria Lo Monaco
One of the most promising mezzo-sopranos of her generation, Josè Maria Lo Monaco made her debut at the Rossini Opera Festival Academy in Pesaro in 2005 as Melibea in Rossini’s Viaggio a Reims and has returned there to perform L’Italiana in Algeri, La Scala di Seta and La Gazzetta.

After graduating from the Conservatory Vincenzo Bellini as a pianist, Lo Monaco studied singing with mezzo-soprano Bianca Maria Casoni in Milan.

She debuted at La Scala in 2006 in Rossini’s Petite Messe Solennelle and in Purcell’s Dido and Aeneas and has since returned to perform La Donna del Lago, Oberto, Conte di San Bonifacio and Isolier in Le Comte Ory alongside Juan Diego Flórez in a Laurent Pelly production conducted by Donato Renzetti.

Josè Maria made her debut at the Opéra de Paris and the Salzburger Festspiele as Timante in Jommelli’s Demofoonte under the baton of Riccardo Muti.

She took on the title role in Carmen conducted by Stefano Montanari and staged by Olivier Py for the Opéra National de Lyon; this was awarded “production of the year” by Mezzo Television. She returned to the role for the Sydney Opera House.

Josè Maria has distinguished herself as an interpreter of the Bel Canto repertoire, starring as Adalgisa in Bellini’s Norma at the Opéra Royal de Wallonie-Liège, Giovanna Seymour in Donizetti’s Anna Bolena and Elisabetta in Maria Stuarda at the Bergamo Donizetti Festival alongside Mariella Devia.

Her debut as Angelina (La Cenerentola) at the Bari Teatro Petruzzelli with Evelino Pidò/Daniele Abbado was followed by performances of the role in Rome, Florence, Santiago de Chile and in Jérôme Savary’s staging of La Cenerentola in Rennes and Toulon. She was Rosina in Il Barbiere di Siviglia at Teatro Regio Torino under Diego Fasolis and at La Fenice with Federico Maria Sardelli, and could be seen on stage as Isolier in Le Comte Ory in Liège and Milan. Josè performed in Rossini’s Turco in Italia alongside Cecilia Bartoli in the new Gianluca Capuano/Jean-Louis Grinda production at both the Opéra de Monte-Carlo and the Wiener Staatsoper.

Recognized as a fine Monteverdi interpreter, Josè Maria Lo Monaco starred as Musica and Messagera (L’Orfeo) in an Ottavio Dantone/Robert Carsen production for the Lausanne Opera, and as Messagera and Speranza in the same opera under Andrea Marcon and Jordi Savall. She appeared as Ottavia in L’Incornazione di Poppea with Alan Curtis/Pier Luigi Pizzi in Florence and under Jean-Christophe Spinosi at the Buenos Aires Teatro Colón. She has recorded the Monteverdi trilogy with La Venexiana for the Glossa label (Gramophone Award).

Among her career highlights are Dorabella (Così fan tutte) at La Fenice and in Ravenna in the highly acclaimed Mozart/Da Ponte Trilogy conceived by Marc Minkowski and Ivan Alexandre, Donna Elvira (Don Giovanni) under Christophe Rousset at Opéra de Wallonie-Liège, Charlotte (Massenet, Werther) alongside Michele Mariotti in Bologna, Giulietta (Les Contes d’Hoffmann) at the Naples Teatro San Carlo, and Fenena in Verdi’s Nabucco at the Arena di Verona.

More recently, Josè Maria made her debut at Wigmore Hall with the complicity of Andrea De Carlo and has released her first solo album “All’amore immenso” with Massimo Mazzeo and Il Divino Sospiro.

In the 2023/2024 season, Josè Maria Lo Monaco will star as Ottavia in Pier Luigi Pizzi’s staging of L’incoronazione di Poppea in Cremona, Como, Pavia, Pisa, Ravenna and will interpret the roles of La Musica/La Messaggera/Eco in the new Ottavio Dantone/Evgeny Titov production of Monteverdi’s Orfeo at Opernhaus Zurich.

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