La passione Christina Landshamer, Akademie für Alte Musik Berlin & Bernhard Forck

• Franz Joseph Haydn (1732 - 1809): Overture in D Major, Hob.Ia:
• 1 Haydn: Overture in D Major, Hob.Ia:4 03:33
• Berenice, che fai, Hob.XXIVa:10 "Scena di Berenice":
• 2 Haydn: Berenice, che fai, Hob.XXIVa:10 "Scena di Berenice": I. Berenice, che fai? 03:29
• 3 Haydn: Berenice, che fai, Hob.XXIVa:10 "Scena di Berenice": II. Non partir, bell'idol mio 03:22
• 4 Haydn: Berenice, che fai, Hob.XXIVa:10 "Scena di Berenice": III. Perché, se tanti siete 04:52
• Ludwig van Beethoven (1770 - 1827): No, non turbati... Ma tu tremi, o mio tesoro?, WoO 92a:
• 5 Beethoven: No, non turbati... Ma tu tremi, o mio tesoro?, WoO 92a: No, non turbati 02:00
• 6 Beethoven: No, non turbati... Ma tu tremi, o mio tesoro?, WoO 92a: Ma tu tremi, o mio tesoro? 03:07
• Wolfgang Amadeus Mozart (1756 - 1791): Non più! Tutto ascoltai, K. 490:
• 7 Mozart: Non più! Tutto ascoltai, K. 490: I. Non più! Tutto ascoltai 02:43
• 8 Mozart: Non più! Tutto ascoltai, K. 490: II. Non temer, amato bene 06:55
• Franz Joseph Haydn (1732 - 1809): Symphony No. 49 in F Minor, Hob.I:49 "La passione":
• 9 Haydn: Symphony No. 49 in F Minor, Hob.I:49 "La passione": I. Adagio 09:35
• 10 Haydn: Symphony No. 49 in F Minor, Hob.I:49 "La passione": II. Allegro di molto 06:18
• 11 Haydn: Symphony No. 49 in F Minor, Hob.I:49 "La passione": III. Minuet - Trio 04:43
• 12 Haydn: Symphony No. 49 in F Minor, Hob.I:49 "La passione": IV. Finale. Presto 03:09
• Solo e pensoso, Hob.XXIVb:
• 13 Haydn: Solo e pensoso, Hob.XXIVb:20 06:18
• Ludwig van Beethoven: Ah! Perfido, Op. 65:
• 14 Beethoven: Ah! Perfido, Op. 65: I. Ah! Perfido, spergiuro 03:14
• 15 Beethoven: Ah! Perfido, Op. 65: II. Per pietà, non dirmi addio 04:28
• 16 Beethoven: Ah! Perfido, Op. 65: III. Ah crudel! 03:57
• Total Runtime 01:11:43

Info for La passione

Akademie für Alte Musik Berlin returns to Pentatone together with soprano Christina Landshamer, presenting La Passione, a collection of dazzling concert arias on love, longing and loss by Mozart, Beethoven and Haydn, paired with the latter’s “La Passione” Symphony. Ranging from pastoral simplicity to exuberant outrage, the programme offers some of the finest vocal writing around 1800, including some of Beethoven’s rare and little-known excursions to Italian bravura opera, as well as one of the most dramatic and expressive symphonies of the eighteenth-century.

The Akademie für Alte Musik is generally seen as one of the best period-instruments ensembles of today, and has a substantial Pentatone discography, including CANTATA with Bejun Mehta (2018), Handel’s Concerti grossi op. 6 (released in 2019 and 2020). Telemann’s Miriways (2020), Handel’s Messiah (2020) and Haydn’s L’isola disabitata (2021). Christina Landshamer featured as Marzelline on Beethoven’s Fidelio (2021).

Christina Landshamer, soprano
Akademie für Alte Musik Berlin
Bernhard Forck, direction

No biography found.

Booklet for La passione