The Balled Artistry of Clark Terry (Remastered) Clark Terry with Orchester Peter Herbolzheimer

• 1 Misty 05:30
• 2 Nature Boy 04:23
• 3 Georgia On My Mind 05:23
• 4 November Song 05:06
• 5 Clark After Dark 06:16
• 6 Willow Weep for Me 05:51
• 7 Yesterdays 04:24
• 8 Emily 04:31
• 9 Angel Eyes 05:34
• 10 Girl Talk 05:07
• Total Runtime 52:05

Info for The Balled Artistry of Clark Terry (Remastered)

Clark After Dark was recorded in London in September, 1977 and, as the title suggests, features Terry playing flugelhorn over orchestral arrangements of mostly familiar ballads. The program includes 'Misty,' 'Nature Boy,' 'Georgia On My Mind,' 'November Song,' 'Clark After Dark,' 'Willow Weep For Me,' 'Yesterdays,' 'Emily,' 'Angel Eyes' and 'Girl Talk.' Besides Terry, the only other musician identified individually is conductor Nat Peck, who's also credited with playing piano, despite being best known as a trombonist.

Clark Terry, flugelhorn
Gordon Beck, piano
Martin Kershaw, guitar
Chris Laurence, bass
Tristan Fry, percussion

Violin:
Tony Gilbert (leader)
Desmond Bradley
Paul Sherman
Jim Archer
Homi Kagnga
Bela Dekany
Peter Benson
Dennis McConnell
Bill Reid
John Wilson
Hans Geiger
Bill Armon
Michael Jones
Max Salpeter
Diana Cummings
Charles Vorzanger
Fred Parrington
Derek Solomon


Viola:
Ken Essex
Luciano Jorio
Margaret Major
Rusein Gunes

Cello:
Derek Simpson
Bram Martin
Alan Datziel
Vivien Joseph

Double Bass:
Rodney Strafford
Arthur Watts

Trumpet:
Derek Watkins
Tony Fisher
Dave Hancock
Kenny Wheeler
Eddie Blair

Trombone:
Cliff Hardy
Dave Horler
Nat Peck
Ray Premru

French Horn:
Terry Johns

Reeds:
Roy Willox, alto sax, flute, clarinet
Al Newman, alto sax, bass clarinet
Stan Sulzman, tenor sax, flute, alto flute
Tony Coe, tenor sax, flute, clarinet
Ronnie Ross, baritone sax

Orchestra assembled by Nat Peck

Recorded at the Olymp Sound Studio London, Sept. 9-12 1977
Engineered by Keith Grant
Produced by Will Fruth

Digitally remastered

Clark Terry
Clark Terry’s career in jazz spans more than seventy years. He is a world-class trumpeter, flugelhornist, educator, composer, writer, trumpet/flugelhorn designer, teacher and NEA Jazz Master. He has performed for eight U.S. Presidents, and was a Jazz Ambassador for State Department tours in the Middle East and Africa. More than fifty jazz festivals have featured him at sea and on land in all seven continents. Many have been named in his honor.

He is one of the most recorded musicians in the history of jazz, with more than nine-hundred recordings. Clark’s discography reads like a “Who’s Who In Jazz,” with personnel that includes greats such as Quincy Jones, Ella Fitzgerald, Oscar Peterson, Dizzy Gillespie, Dinah Washington, Ben Webster, Aretha Franklin, Charlie Barnet, Doc Severinsen, Ray Charles, Billy Strayhorn, Dexter Gordon, Thelonious Monk, Billie Holiday, Gerry Mulligan, Sarah Vaughan, Coleman Hawkins, Zoot Sims, Milt Jackson, Bob Brookmeyer, and Dianne Reeves.

Among his numerous recordings, he has been featured with the Duke Ellington Orchestra, Count Basie Orchestra, Dutch Metropole Orchestra, Chicago Jazz Orchestra, Woody Herman Orchestra, Herbie Mann Orchestra, Donald Byrd Orchestra, and many other large ensembles – high school and college ensembles, his own duos, trios, quartets, quintets, sextets, octets, and two big bands – Clark Terry’s Big Bad Band and Clark Terry’s Young Titans of Jazz.

His Grammy and NARAS Awards include: 2010 Grammy Lifetime Achievement Award, NARAS President’s Merit Award, three Grammy nominations, and two Grammy certificates. His original compositions include more than two hundred jazz songs, and he co-authored books such as Let’s Talk Trumpet: From Legit to Jazz, Interpretation of the Jazz Language and Clark Terry’s System of Circular Breathing for Woodwind and Brass Instruments with Phil Rizzo. Writer Chuck Berg said, “Clark Terry is one of contemporary music’s great innovators, and justly celebrated for his great technical virtuosity, swinging lyricism, and impeccable good taste. Combining these with the gifts of a great dramatist, Clark is a master storyteller whose spellbinding musical ‘tales’ leave audiences thrilled and always awaiting more.” After serving in the navy from 1942-1945 during the historic “Great Lakes Experience,” Clark’s musical star rose rapidly with successful stints in the bands of George Hudson, Charlie Barnet, Charlie Ventura, Eddie Vinson, and then in 1948 – the great Count Basie. In addition to his outstanding musical contribution to these bands, Mr. Terry exerted a positive influence on musicians such as Miles Davis and Quincy Jones, both of whom credit Clark as a formidable influence during the early stages of their careers. In 1951 Clark was asked to join Maestro Duke Ellington’s renowned orchestra where he stayed for eight years as a featured soloist.

Following a tour in the “Free and Easy” musical in 1959 with music director, Quincy Jones, Clark’s international recognition soared when he broke the color barrier by accepting an offer in 1960 from the National Broadcasting Company to become its first African American staff musician. He was with NBC for twelve years as one of the spotlighted musicians in the Tonight Show band. During that time, he scored a smash hit as a singer with his irrepressible “Mumbles.”

After his stint at NBC, between his performances and recording dates at concerts, clubs, cruises and jazz festivals, Clark became more dedicated to his greatest passion – jazz education. He organized a Harlem youth band which became the seed for Jazz Mobile in New York City.

Billy Taylor then asked him to teach in educational institutions. This motivated Clark to organize other youth bands and influence many other jazz legends to teach with him at jazz camps, clinics and festivals at colleges and universities, while still maintaining a hectic performance and recording schedule for the next thirty years.

On December 14, 2010, he celebrated his ninetieth birthday, and his students continue to fly from Australia, Israel, Austria, Canada, the United States, and many other locations to Clark’s home for jazz lessons. Clark says, “Teaching jazz allows me to play a part in making dreams come true for aspiring musicians.”

To celebrate his contributions to jazz education, he has been honored with fifteen honorary doctorates, and three adjunct professorships. He has also received numerous awards from high schools, junior high schools and elementary schools where he has shared his knowledge of jazz.

Among his many awards, he has received honors from his hometown in St. Louis, Missouri which include a Hall of Fame Award from Vashon High School; a Walk of Fame Award and Star on Blueberry Hill in St. Louis, and a life-sized wax figure and memorabilia display at the Griot Museum.

Clark has received dozens of other Hall and Wall of Fame Awards, Jazz Master Awards, keys to cities, lifetime achievement awards (four were presented to him in 2010), trophies, plaques and other prestigious awards. The French and Austrian Governments presented him with their esteemed Arts and Letters Awards, and he was knighted in Germany.

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