A Room for Travellers Magnus Öström

• 1 Safe and Sound 05:54
• 2 Flowfly 07:44
• 3 Oceans 06:57
• 4 Pacific 07:05
• 5 On the High in My Life 07:00
• 6 All Those Years 04:25
• Total Runtime 39:05

Info for A Room for Travellers

Magnus Öström and his band are finally back with a new album, his fourth to date.

The album, A Room For Travellers, is both about the traveller’s journey through the world but equally about a journey inward, the journey within. In addition, the record is about the great importance of water, the ocean, to us.

The album, which clocks in at 40 minutes on vinyl, contains only 6 tracks, but with a couple of tracks that are more like suites than a single song. With titles such as On The High In My Life and All Those Years, the album is mindful of both the present and the past. And in titles such as FlowFly, Pasific, Oceans and Safe And Sound, Magnus pays tribute to, and points towards, the most important thing we have on our planet, the water, the oceans, which unfortunately we are slowly destroying and poisoning with our excessive consumerist lifestyles.

But above all, the album is about being present in the present and seeing nature, the oceans and our surroundings as part of ourselves and thereby hopefully becoming humbler and more careful with what we have, and aware of what we can lose.

Magnus’s hope is that for the listener the album can become a space to travel to, and to travel in, an infinite space. Both a little escapism from all the terrible things happening in the world right now, but also a journey inward to understand oneself and one's surroundings on a deeper level.

On this album, Magnus has the same musicians with him as previously, namely:

Andreas Hourdakis, guitar
Daniel Karlsson, piano, keyboards
Thobias Gabrielson, bass, keyboards

Magnus Öström
was born on May 3rd, 1965 in Skultuna, Sweden as second son to local painter Arne and Siv Öström. His brother Tommy was three years older and influenced Magnus in his early years with his eclectic record collection including Jimmy Hendrix, Deep Purple, Almond Brothers and Lynyrd Skynyrd. At the age of eight Magnus built his first drumkit out of his fathers empty paintcans and only a year later he started his first band together with a kid from across the street, Esbjörn Svensson. Magnus received his first real drumkit only one year later as a christmas present. Another year later he performed his first concert. The band was called ”Beware Of The Beginners”.

In 1978 his brother took him to a concert of Billy Cobham with John McLaughlin. This experience turned his musical world upside down and got him into jazzrock. Aged 13 to 16 Magnus had several bands simultaneously together with Esbjörn Svensson playing all different styles, from dance-music to punk. From 1981 to 1983 Magnus studied at the music highschool (Gymnasium) in Västerås. During those years Esbjörn and Magnus had their first trio together. From 1983 to 1985 he then studied music at Sjöviks folk high-school.

In 1985 Magnus moved to Stockholm to study at the Royal Conservatory of Music. He immediately started to play in different bands on Stockholm´s jazz scene. Between 1987 and 1992 he was a constant member of Monica Borrfors band, a well-known Swedish jazz vocalist who played mainly jazz standards and together they toured extensively throughout Sweden and beyond. ”Playing live, especially with a singer is the best school in the world for a young drummer”, he says.

In 1989 after a break of a few years Magnus and Esbjörn hooked up again and started jamming together. They formed a band called ”Stock Street B”. The setup included - amoung other gadgets - samplers and octapads with sampled vocals. ”It was too early for that kind of thing. No one understood what we were doing, really. They thought we were playing to backing-tracks but everything we did was live…!”

In 1991 him and Esbjörn started the predecessor to e.s.t. and in 1992 Dan Berglund joined on bass. Together they recorded 12 albums and one concert DVD, toured the world several times over, sold hundreds of thousands of albums, and were titled the ”trio of the decade”. Nowadays e.s.t. are considered to have been the most influential band in jazz in the Noughties and their album ”Live in Hamburg” (ACT 6002-2) has been awarded ”Album of the Decade” by no lesser than the London Times.

The career of e.s.t. came to a sudden, tragic end when Esbjörn Svensson died in a scuba diving accident on June 14, 2008.

Three years later, on Februar 25, 2011, Magnus Öström released “Thread of Life” (ACT 9525-2) – his debut as a leader and his first (musical) sign of life after the tragedy. Its haunting, dark music, drawing inspiration from jazz, progressive rock, drum’n’bass and minimal music was Öströms attempt of coping with the huge loss. On the song “Ballad for E”, Magnus Öström and Dan Berglund played together in the studio for the first time after Svenssons death – accompanied by the great e.s.t. fan Pat Metheny.

In July 2011, the German JazzBaltica Festival is paying tribute to Esbjörn Svensson and e.s.t. . The highlight of the festival is an evening with music by and for Esbjörn Svensson, on which Magnus Öström not only performed with his “Thread of Life” band but also was hosting the programme.

In 2012, Magnus Öström received the „Echo Jazz“, Germany’s most important music award, as „best drummer international“ for „Thread of Life“. His performance of piece “Tears for Esbjörn”, together with pianist Iiro Rantala was an emotional peak of the award ceremony.

Four years after the death of Esbjörn Svensson, on March 30, 2012 with „301“ (ACT 9029-2) a new e.s.t. album was released – with previously unreleased studio material, produced by Magnus Öström and Dan Berglund. The album made it to #53 of the German popcharts and #1 of the jazzcharts. Also, since the release of “Liberetto” (ACT 9520-2) in February 2012, Magnus Öström is a permanent member of the band of bassist Lars Danielsson.

This album contains no booklet.