Leclair: Sonatas, Op. 9, Nos. 2 & 7 - Deuxième récréation de musique, Op. 8 The Four Nations Ensemble

• 1 I. Dolce - Andante 03:26
• 2 II. Allemanda Allegro ma non troppo 05:47
• 3 III. Sarabanda Adagio 03:04
• 4 IV. Minuetto Allegro non troppo 03:51
• 5 I. Ouverture: Gravement-Legerement 06:06
• 6 II. Forlane 05:31
• 7 III. Sarabande 02:37
• 8 IV. Menuet I-II 02:58
• 9 V. Badinage 01:36
• 10 VI. Chaconne 07:07
• 11 VII. Tambourin I-II 03:22
• 12 I. Dolce: Andante 04:10
• 13 II. Allegro ma non troppo 04:09
• 14 III. Aria Affetuoso 02:20
• 15 IV. Giga Allegro moderato 03:52
• Total Runtime 59:56

Info for Leclair: Sonatas, Op. 9, Nos. 2 & 7 - Deuxième récréation de musique, Op. 8

This album offers two sonatas and the second Récréation in tribute to Leclair as we commemorate the 250th anniversary of his death. At the age of sixty-seven, he was murdered in front of the house he had purchased in a dangerous neighborhood of Paris. There is no question that the musical world admired Leclair but there is little evidence that it loved him. He was unable to share power at court with colleagues and left. His marriage to Louise Roussel, one of France’s finest music engravers, ended in rupture, and evidence suggests that he was murdered at the hand of a disgruntled nephew. But today, two and a half centuries having set us at a safe distance from difficult aspects of his personality, we can enjoy the considerable charm that Leclair displayed in his beautifully crafted and thoroughly entertaining music.

'...One selling point of this nicely-produced album is Charles Brink’s transverse flute playing, melding flexible agility with a gorgeous range of colors. It’s not easy making a flute sound this expressive. Leclair’s output is dominated by dance music, in harpsichordist Andrew Appel’s words “bringing to life the court minuet and gavotte, as well as the barn dance performed by wooden-shoed peasants.” These performances brim with terpsichorean bounce. The players understand exactly how to use ornamentation, the solo lines frequently elaborated almost to breaking point without ever becoming wearisome.' (Graham Rickson, The Arts Desk)

The Four Nations Ensemble:
Charles Brink, traverso
Krista Bennion Feeney, violin
Loretta O’Sullivan, cello
Andrew Appel, harpsichord and director

The Four Nations Ensemble
Founded in 1986, The Four Nations Ensemble brings together soloists who are leading exponents of period instrument and vocal performance to present music from the Renaissance through the Viennese Classical works of Haydn, Mozart and Beethoven. For three decades, Four Nations has developed a leading presence on the early music scene in New York and across the USA. With a core ensemble of harpsichord or fortepiano, violin(s), flute and cello, the Ensemble explores and performs masterpieces of the 17th and 18th centuries, from trio sonata to piano trio and quartet. Four Nations has performed at major houses and series throughout the United States including The Kennedy Center and Lincoln Center. The Ensemble has participated in festivals including The Boston Early Music Festival, New York's Mostly Mozart, Amherst Festival, New Haven's International Festival of Arts & Ideas, Skaneateles Chamber Music Festival, Virginia Waterfront International Arts Festival, Chautauqua, The Indiana Early Music 4 Festival, The Redwoods Festival in Santa Rosa, California, and Brasilseguridade in Rio de Janeiro.

As Four Nations distinguishes itself with imaginative and innovative programming, it is not unusual for the Ensemble to unite the music of Purcell and Schönberg, Haydn with French Canadian and Cajun fiddling, François Couperin and Chinese Court Music. Such adventurous programming has led to invitations to perform at The Kennedy Center's Terrace Theater and in New York's WQXR's June Festival of Quartets at Lincoln Center and serve as the resident chamber music ensemble at New Haven's International Festival of Arts & Ideas. Four Nations appeared on the Great Performers Series in Lincoln Center's inaugural season of chamber music concerts at the Walter Reade Theater. The Ensemble's extraordinary programming was spotlighted by Chamber Music America at the 1996 CMA conference where Andrew Appel was asked to lead a seminar demonstrating the possibilities in the imaginative juxtaposition of music from very different cultures.

Considered leading exponents of original instruments, The Four Nations Ensemble often appears on 'collection' and 'historical music society' series such as those at the Smithsonian and the Midwest Historical Keyboard Society. The Ensemble's performance at the Yale University Collection of Musical Instruments included music by Couperin, Rameau, Debussy and Duparc on the collections' great instruments. In recognition of its dedication to unusual repertoire, Four Nations has also served as Ensemble-inResidence at the New York Public Library's Special Collections at Lincoln Center. Four Nations' arts-in-education programmes highlight the Ensemble's commitment to bringing the joy of chamber music to diverse audiences of all ages. Noteworthy, the Ensemble's public school programme, allows Four Nations a week-long residency, particularly in under-served communities, with elementary or middle school children to integrate the arts into the regular curriculum. With its origins in public schools in Brooklyn and the Bronx, Noteworthy has allowed Four Nations to work with children in communities throughout the USA including Hudson and Woodstock, New York; Minnesota; Colorado and Texas. In 1997 Four Nations received the Columbia County Council on the Arts' Arts-in-Education Recognition Award for its work with the Hudson City School District. Featured in Musical America's 1997 International Directory and Early Music America magazine's 'Early Music in the Classroom' (Fall 1998), Noteworthy has become a prototype for similar programmes around the USA and continues to attract support from private foundations and municipal funds in New York. In the 1998-99 academic year, Four Nations served as the Classical Music Ensemble for Lincoln Center Institute's Arts-in-Education Repertory.

In 1999, director Andrew Appel was asked to consult with the Amarillo Symphony in creating a long- term programme between the Orchestra and the Amarillo school system. Here, he worked with members of the Symphony, developing skills in communication both with teachers and students. In 1999-2000, the Ensemble held a multi-faceted residency with the Jacksonville Symphony. Along with education work in the schools, Four Nations worked with the Symphony, bringing recent ideas of early music style and performance to the musicians. Concerts included both orchestral works and chamber music.

The Ensemble has also developed special relationships with colleges and universities throughout the country giving professional workshops in performance practice and lecture demonstrations connecting classical music to the larger arena of humanities studies. Beginning with a prestigious Residency Grant from Chamber Music America, Four Nations Guest Artist Residency with King's College in Wilkes-Barre, Pennsylvania flourished into a special and unique relationship with King's College and surrounding communities. Four Nations received new support from Chamber Music America Ensemble Residency Grant for its work with Gettysburg College to further its work with the students, faculty and the surrounding community and most recently for work with the Spencertown Academy and the Chatham Central School System in New York State.

Four Nations has received funding from the National Endowment for the Arts, New York State Council for the Arts (NYSCA), New York City's Department for Youth Services and Department of Cultural Affairs. In 1998, the Ensemble received a challenge grant from NYSCA for 'institutional stabilization' which has allowed Four Nations to continue its growth and increase its performance and recording activities with an administrator. For its Handel & Venice and Haydn in London touring programmes, The Four Nations Ensemble was a participant in Chamber Music America's Music Performance Program funded by the National Endowment for the Arts, The Andrew W. Mellon Foundation and The William and Flora Hewlett Foundation.

The Four Nations Ensemble can be heard on ASV/Gaudeamus with which the complete trios of Johann Schobert have been released. Soprano Christine Brandes joined the Ensemble for Handel & Porpora: The Rivals, initiating Four Nations' 'Handel Compar'd' Project. Countertenor Matthew White joined Four Nations for the second Handel Compar'd recording Handel & Vivaldi. Haydn: The Battle of the Nile and Sonatas and Cantatas of Antonio Caldara are Four Nations' last releases with ASV/Gaudeamus. This year Andrew Appel has begun a project to record Francois Couperin's harpsichord works along with this recording of Leclair's sonatas and an upcoming recording of Francesco Geminiani's opus 5 cello sonatas on Orchid Classics.

Booklet for Leclair: Sonatas, Op. 9, Nos. 2 & 7 - Deuxième récréation de musique, Op. 8