Shostakovich: Complete String Quartets, Vol. V Mandelring Quartett

• String Quartet No. 11 in F Minor, Op. 122:
• 1I. Introduktion. Andantino -02:24
• 2II. Scherzo. Allegretto -02:49
• 3III. Rezitativ. Adagio -01:08
• 4IV. Etüde. Allegro -01:20
• 5V. Humoreske. Allegro -01:05
• 6VI. Elegie. Adagio -03:45
• 7VII. Finale. Moderato03:41
• String Quartet No. 13 in B-Flat Minor, Op. 138:
• 8Adagio - Doppio movimento - Tempo Primo18:50
• String Quartet No. 15 in E-Flat Minor, Op. 144:
• 9I. Elegie. Adagio -10:51
• 10II. Serenade. Adagio -05:38
• 11III. Intermezzo. Adagio -01:27
• 12IV. Nocturne. Adagio -04:19
• 13V. Trauermarsch. Adagio molto -04:18
• 14VI. Epilog. Adagio06:02
• Total Runtime01:07:37

Info for Shostakovich: Complete String Quartets, Vol. V

With Vol. V the Mandelring Quartet has accomplished its complete edition of the fifteen string quartets of Dmitri Shostakovich. Highly praised in the trade press as one of the outstanding complete editions of our time the last volume presents the Quartets Nos. 11, 13 and 15. The musical language of these late chamber works becomes more jagged, the colours more pale and the tone more elegiac.

The Eleventh String Quartet of Dmitri Shostakovich received its premiere in the former Leningrad at the preliminary celebrations of the composer’s sixtieth birthday. During the very same night, the composer suffered a serious heart attack which changed his life and way of thinking. While his daily life was determined by stays in hospital and at health resorts, Shostakovich occupied himself very frequently with death in his late works. And the three works recorded here, too, are either commemorative works written for colleagues or requiem-compositions in view of the composer’s own end.

Quartet No. 11 (1966), dedicated to the late violinist of the Beethoven Quartet, an ensemble with which the composer was intimately acquainted, appears as a multi-movement suite in which character pieces such as the “Etude” and the “Humoresque” turn up – with a grim, cynical humour, of course. The 13th Quartet composed in 1970 is dedicated to the violist of the Beethoven Quartet and is a portrait, in a single monumental movement, of this instrument that Shostakovich loved so much. In the final, 15th Quartet (1974), the composer finally seizes upon a radical formal solution: six Adagio movements come together to form a large work of mourning which bears no more dedication…

With Shostakovich’s fifteen string quartets the Mandelring Quartet presents a quartet cycle, which in its entirety probably represents the most important corpus of string quartets of the twentieth century.

Mandelring Quartett

Mandelring Quartett
The Mandelring Quartet’s remarkable homogeneity of sound, intonation and phrasing has become its distinguishing characteristic; four individuals who play as one in their shared determination to always seek out the innermost core of the music and remain open to the musical truth. By grasping the spiritual dimension, exploring the emotional extremes and working on the details, these musicians probe far beneath the surface of each work, thus revealing the multiplicity of meanings inherent in each. Their approach to the music is always both emotional and personal. All this combines to make the Mandelring Quartet one of the most high-profile ensembles on the international chamber music scene.

As winners of several major international competitions – Munich (ARD), Evian and Reggio Emilia (Premio Paolo Borciani) – the Mandelring Quartet has emerged as one of the important string quartets of today, appearing at the world's great concert venues. In addition to numerous performances in Germany, the Mandelring Quartet's concert tours have taken them throughout Europe – Amsterdam, Brus­sels, London, Madrid, Paris and Vienna – annually to North America – New York, Washington D.C., Chicago, Los Angeles, Vancouver – to Japan – Osaka and Tokyo – Central and South America – Buenos Aires, Lima, Montevideo – the Middle East and Asia.

The Mandelring Quartet has enjoyed highly successful appearances at the Rheingau Festival, the Schleswig-Holstein Music Festival and other important international festivals such as Lockenhaus, Montpellier, Montreal, Ottawa, the Engadiner Konzertwochen in Switzerland and the Salzburg Festival, where they have been invited to present complete cycle of Shostakovich string quartets in summer 2011.

The Quartet's CD recordings have received numerous awards. Numbering more than two dozen, they include a Schubert string quartet cycle, piano quintets by Brahms and Franck and a series "Brahms and his Contemporaries", selected by the Strad Magazine as CD Of The Month saying: “Here the Mandelring combine the LaSalle Quartet’s intellectual vigor with the Amadeus’ unbridled passion to provide the best of both worlds.” Their recordings of the string quartets of Shostakovich have been hailed by the press as one of the outstanding complete recordings of our time. “The direct comparison I've done puts the Mandelring Quartet's cycle up with the best. If I were to shed all but two cycles, I would keep the Borodin cycle and the Mandelring Quartet.” (Fanfare). The CD with Schumann’s Piano Quartet and Piano Quintet has been praised as the new reference recording, and their recent disc of String Quartets by Leoš Janác(ek has received the German Record Critics' Prize.

The HAMBACHERMusikFEST, the quartet’s own festival, provides a meeting place each year for lovers of chamber music from all over the world. Since 2010 the Mandelring Quartet has presented a regular series of concerts at the Kammermusicsaal of the Berlin Philharmonic.

This album contains no booklet.