Beethoven-5 Vol. 4 Jonathan Biss, Swedish Radio Symphony Orchestra, Omer Meir Wellber & Malin Broman

• Ludwig van Beethoven (1770 - 1827): Piano Concerto No.4 in G Major, Op.58:
• 1 Beethoven: Piano Concerto No.4 in G Major, Op.58: Allegro moderato 20:06
• 2 Beethoven: Piano Concerto No.4 in G Major, Op.58: Andante con moto 05:04
• 3 Beethoven: Piano Concerto No.4 in G Major, Op.58: Rondo: Vivace 10:20
• Salvatore Sciarrino (b. 1947): Il Sogno di Stradella:
• 4 Sciarrino: Il Sogno di Stradella 14:33
• Total Runtime 50:03

Info for Beethoven-5 Vol. 4

Each of Beethoven's piano concertos is a world unto itself, gripping and moving in it's own way and for it's own set of reasons. But even in this company, the Concerto no. 4 stands apart. It's opening phrase, inward-facing and played by the piano alone, immediately establishes that it is a work without precedent or parallel. It is full of contradiction - poetic and grand in equal measure - and makes an indelible impression on the listener. Many pianists will say it is the Beethoven concerto they love most; I am among them. It is fitting that this work inspired the strangest, most surreal companion piece of the Beethoven/5 project: Salvatore Sciarrino's Il Sogno di Stradella. Described by the composer as a concerto "not only of sounds but of resonances, near and distant," the work toggles back and forth between the composer's own spectral language, and one which evokes the 19th century. It is impossible to describe and utterly compelling. Recording these works live but without audience with the Swedish Radio Symphony Orchestra in the midst of the Covid-19 pandemic was an intensely intimate experience. It is extremely gratifying to finally share these performances with music-lovers not just in Stockholm, but throughout the world. (Jonathan Biss)

Jonathan Biss, piano
Swedish Radio Symphony Orchestra
Malin Broman, leader (Beethoven)
Omer Meir Wellber, conductor (Sciarrino)

Jonathan Biss
Pianist Jonathan Biss is recognized globally for his “impeccable taste and a formidable technique” (The New Yorker). Praised by The Boston Globe as “an eloquent and insightful music writer,” Biss published his fourth book, Unquiet: My Life with Beethoven, in 2020. The book was the first Audible Original by a classical musician and one of Audible’s top audiobooks of the year.

Biss has appeared as a soloist with some of the world’s foremost orchestras, including the Los Angeles and New York Philharmonics, the Boston Symphony, the Royal Concertgebouw, the London Symphony and more. He has served as the Co-Artistic Director of the Marlboro Music School and Festival alongside pianist Mitsuko Uchida since 2018. He served on the faculty of the Curtis Institute of Music for ten years, and has been a guest professor at schools such as the Guildhall SOMAD and the New England Conservatory of Music. Biss is also the author of Unquiet: My Life with Beethoven, in which he examines music and his own life’s journey through the lens of Beethoven’s last piano sonatas.

Coinciding with the 250th anniversary of Beethoven’s birth in 2020, Biss recorded the composer’s complete piano sonatas, and offered insights to all 32-landmark works via his free, online Coursera lecture series Exploring Beethoven’s Piano Sonatas. In March 2020, Biss gave a virtual recital presented by 92NY, wherein he performed Beethoven’s last three piano sonatas for an online audience of more than 280,000 people. In 2024, Biss participated in Princeton University Concert’s Healing Through Music Series, appearing alongside author Adam Haslett for a panel discussion on anxiety, depression, and creativity. Biss is the recipient of numerous honors, including the Leonard Bernstein Award, the Andrew Wolf Memorial Chamber Music Award, an Avery Fisher Career Grant, the Borletti-Buitoni Trust Award, and a Gilmore Young Artist Award. His albums for EMI won the Diapason d’Or de l’Année and Edison awards. He was an artist-in-residence on American Public Media’s Performance Today and was the first American chosen to participate in the BBC’s New Generation Artist program.

Biss is a third-generation professional musician; his grandmother is Raya Garbousova, one of the first famous female cellists (for whom Samuel Barber composed his Cello Concerto), and his parents are violinist Miriam Fried and violist/violinist Paul Biss. Growing up surrounded by music, Biss began his piano studies at age six, with his first musical collaborations alongside his mother and father. He studied with Evelyne Brancart at Indiana University and Leon Fleisher at the Curtis Institute of Music.

Swedish Radio Symphony Orchestra
More than 100 exceptional musicians make up the Swedish Radio Symphony Orchestra, a multiple-award-winning ensemble renowned for its high artistic standard and stylistic breadth. The first radio orchestra was founded in 1925, coinciding with Sweden’s first national radio broadcasts.

Daniel Harding has been Music Director of the SRSO since 2007, with 2019 seeing him appointed as the orchestra’s first ever Artistic Director. His extensive tenure will last throughout the 2024/25 season. “It is increasingly rare for the relationship between a conductor and an orchestra not only to last for more than a decade, but to keep growing,” Harding says about working with the orchestra, “it is also rare for an orchestra of the highest musical standard to also very obviously want to keep on growing.”

The orchestra tours regularly, receiving invitations from all over Europe and the world. Recent highlights include two programmes at the Musikverein in Vienna, with programmes including Robert Schumann’s Manfred performed with the Wiener Singverein and actor Cornelius Obonya, and Schumann’s Violin Concerto with Christian Tetzlaff. Additionally, Harding and the SRSO performed an all-Sibelius programme at the Sibelius Festival in Lahti, Finland, featuring María Dueñas in Sibelius’ Violin Concerto.

Upcoming projects include playing major works by Mahler, Strauss, Alfvén and Mozart together with Christian Gerhaher and Maria João Pires, both regular musical partners of Harding and the orchestra. Venues include the Elbphilharmonie, Concertgebouw, KKL Luzern, Philharmonie de Paris and Müpa Budapest.

The SRSO remains a cornerstone of Swedish public service broadcasting, its concerts heard weekly on the classical radio P2 and regularly on Swedish national public television SVT. During the pandemic, its much appreciated on-demand streamed concerts on Berwaldhallen Play brought further worldwide attention to the orchestra.

The Swedish Radio Symphony Orchestra has an extensive and acclaimed recording catalogue. Recent releases include Jesper Nordin’s triptych Röster for orchestra, works by Britten featuring Andrew Staples and the orchestra’s own solo hornist Chris Parkes, and Eduard Tubin’s Double Bass Concerto with the orchestra’s solo bassist Rick Stotijn. Music Director Daniel Harding’s other recent, noteworthy recordings with the SRSO include Schönberg’s Verklärte Nacht and Violin Concerto with Isabelle Faust, Brahms’ Ein deutsches Requiem featuring Christiane Karg and Matthias Goerne, and Mahler’s Symphony No. 5.

Two of the SRSO’s former chief conductors, Herbert Blomstedt and Esa-Pekka Salonen, have since been named Conductors Laureate and make regular appearances with the orchestra.

This album contains no booklet.