JACO Original Soundtrack Jaco Pastorius

• 1 Come On, Come Over 03:54
• 2 Continuum 04:33
• 3 River People 04:50
• 4 Teen Town 02:52
• 5 Portrait of Tracy 02:23
• 6 The Dry Cleaner from Des Moines (Live Version) 04:32
• 7 All American Alien Boy 07:07
• 8 Liberty City 11:58
• 9 Okonkole y Trompa 04:25
• 10 Barbary Coast 03:05
• 11 Crisis 05:19
• 12 Longing 05:20
• 13 Nineteen Eighty Seven 03:12
• 14 Shine 02:52
• 15 Continuum 04:24
• 16 Come On, Come Over - Mass Mental 04:11
• Total Runtime 01:14:57

Info for JACO Original Soundtrack

A collection of music from the forthcoming documentary film, “JACO,” the JACO: Original Soundtrack premieres three brand-new recordings including two riveting interpretations of Jaco classics: “Come On Come Over” by Mass Mental (featuring Robert Trujillo, Armand Sabal-Lecco, Flea, Whit Crane, Benji Webbe, Stephen Perkins & C-Minus) and “Continuum” by Rodrigo y Gabriel; and “Shine,” the new track by Tech N9ne containing a sample of “Kuru,” as recorded by Jaco Pastorius.

Produced by Robert Trujillo and Jaco’s eldest son John Pastorius IV, JACO: Original Soundtrack brings together 16 essential recordings including Jaco Pastorius solo tracks, Weather Report masterpieces and musical collaborations with Joni Mitchell, Ian Hunter, Herbie Hancock and more. The album offers music fans the rare evocative sonic soundscape, “Longing,” featuring Jaco’s daughter Mary Pastorius (vox), Chuck Doom (bass), Robert Thomas, Jr. (hand drums/drum kit) and God (rain/thunder).

A full-length documentary film chronicling the life, music and ongoing influence of the mythic electric bass pioneer Jaco Pastorius, “JACO” is produced by Robert Trujillo (bassist: Metallica, Infectious Grooves, Mass Mental) John Pastorius IV, Bob Bobbing, and John Battsek of Passion Pictures (“Searching for Sugar Man,” “Project Nim”) and marks the directorial debut of documentary filmmaker Paul Marchand and Stephen Kijak (“Scott Walker: 30 Century Man,” “Cinemania”). “JACO” incorporates interviews with musical visionaries including Sting, Joni Mitchell, Flea, Jerry Jemmott, Bootsy Collins, Wayne Shorter, Herbie Hancock, Carlos Santana and others with never-before-seen photos and films from the Pastorius family archive. This extraordinary film reveals the story behind Jaco’s life and music, both as a solo artist and member of Weather Report, the tragic arc of his demise and early death and the enduring influence and inspiration of his artistry and genius.

Jaco Pastorius
was a meteor who blazed on to the scene in the 1970s, only to flame out tragically in the 1980s. With a brilliantly fleet technique and fertile melodic imagination, Pastorius made his fretless electric bass leap out from the depths of the rhythm section into the front line with fluid machine-gun-like passages that demanded attention. He also sported a strutting, dancing, flamboyant performing style and posed a further triple-threat as a talented composer, arranger and producer. He and Stanley Clarke were the towering influences on their instrument in the 1970s.

Born in Pennsylvania, Pastorius grew up in Fort Lauderdale, where he played with visiting R&B and pop acts while still a teenager and built a reputation as a local legend. Everything started to come together for him quickly once he started playing with another rookie fusionmeister, Pat Metheny, around 1974. By 1976, he had been invited to join Weather Report, where he remained until 1981, gradually becoming a third lead voice along with Joe Zawinul and Wayne Shorter. Outside Weather Report, he found himself in constant demand as a sessionman and producer, playing on Joni Mitchell, Blood Sweat and Tears, Paul Bley, Bireli Lagrene and Ira Sullivan albums -- and his first eponymous solo album for Epic in 1976 was hailed as a tour de force. From 1980 to 1984, he toured and recorded with his own band, the innovative Word of Mouth that fluctuated in size from a large combo to a big band.

Alas, Pastorius became overwhelmed by mental problems, exacerbated by drugs and alcohol in the mid-'80s, leading to several embarrassing public incidents (one was a violent crack-up on-stage at the Hollywood Bowl in mid-set at the 1984 Playboy Jazz Festival). Such episodes made him a pariah in the music business and toward the end of his life, he had become a street person, reportedly sighted in drug-infested inner-city hangouts. He died in 1987 from a physical beating sustained while trying to break into the Midnight Club in Fort Lauderdale. Almost totally forgotten at the time of his death, Pastorius was immediately canonized afterwards (Marcus Miller wrote a tune "Mr. Pastorius" in his honor) -- too late for him to have received therapy or help. (Richard S. Ginell, All Music Guide)

This album contains no booklet.