Lieder Fatma Said

• Franz Schubert (1797 - 1828): Schwanengesang, D. 957:
• 1 Schubert: Schwanengesang, D. 957: No. 4, Ständchen 03:45
• Der Hirt auf dem Felsen, D. 965:
• 2 Schubert: Der Hirt auf dem Felsen, D. 965 11:25
• Ständchen, D. 920 "Zögernd leise":
• 3 Schubert: Ständchen, D. 920 "Zögernd leise" 05:05
• Felix Mendelssohn (1809 - 1847): 6 Gesänge, Op. 86:
• 4 Mendelssohn: 6 Gesänge, Op. 86: No. 3, Die Liebende schreibt, MWV K66 02:56
• Franz Schubert: Auf dem Wasser zu singen, Op. 72, D. 774:
• 5 Schubert: Auf dem Wasser zu singen, Op. 72, D. 774 03:38
• Der Zwerg, D. 771:
• 6 Schubert: Der Zwerg, D. 771 05:39
• Felix Mendelssohn: 12 Gesänge, Op. 8:
• 7 Mendelssohn: 12 Gesänge, Op. 8: No. 8, Hexenlied, MWV K33 02:17
• 6 Gesänge, Op. 34:
• 8 Mendelssohn: 6 Gesänge, Op. 34: No. 4, Suleika, MWV K92 02:36
• 6 Duette, Op. 63:
• 9 Mendelssohn: 6 Duette, Op. 63: No. 1, Ich wollt', meine Lieb' ergösse sich, MWV J5 02:02
• Fanny Mendelssohn (1805 - 1847): Suleika und Hatem:
• 10 Mendelssohn: Suleika und Hatem (From Felix Mendelssohn's Op. 8) 02:51
• Johannes Brahms (1833 - 1897): 4 Lieder, Op. 70:
• 11 Brahms: 4 Lieder, Op. 70: No. 2, Lerchengesang (Version with Harp) 02:24
• 5 Lieder, Op. 105:
• 12 Brahms: 5 Lieder, Op. 105: No. 1, Wie Melodien zieht es mir (Version with Harp) 02:03
• 49 Deutsche Volkslieder, WoO 33, Vol. 1:
• 13 Brahms: 49 Deutsche Volkslieder, WoO 33, Vol. 1: No. 6, Da unten im Thale (Version with Harp) 01:45
• 5 Lieder, Op. 105:
• 14 Brahms: 5 Lieder, Op. 105: No. 2, Immer leiser wird mein Schlummer (Version with Harp) 02:52
• 5 Ophelia-Lieder, WoO 22:
• 15 Brahms: 5 Ophelia-Lieder, WoO 22: No. 1, Wie erkenn ich dein Treulieb (Arr. Reimann for Voice and String Quartet) 00:45
• 16 Brahms: 5 Ophelia-Lieder, WoO 22: No. 2, Sein Leichenhemd Weiss wie Schnee zu sehn (Arr. Reimann for Voice and String Quartet) 00:27
• 17 Brahms: 5 Ophelia-Lieder, WoO 22: No. 3, Auf morgen ist sankt Valentins Tag (Arr. Reimann for Voice and String Quartet) 00:56
• 18 Brahms: 5 Ophelia-Lieder, WoO 22: No. 4, Sie trugen ihn auf der Bahre bloss (Arr. Reimann for Voice and String Quartet) 00:52
• 19 Brahms: 5 Ophelia-Lieder, WoO 22: No. 5, Und kommt er nicht mehr zurück (Arr. Reimann for Voice and String Quartet) 01:24
• Robert Schumann (1810 - 1856): Myrthen, Op. 25:
• 20 Schumann: Myrthen, Op. 25: No. 1, Widmung 02:25
• Lieder und Gesänge aus Wilhelm Meister, Op. 98a "Lieder für Mignon":
• 21 Schumann: Lieder und Gesänge aus Wilhelm Meister, Op. 98a "Lieder für Mignon": No. 7, Singet nicht in Trauertönen 02:13
• 4 Duette, Op. 34:
• 22 Schumann: 4 Duette, Op. 34: No. 3, Wer ist vor meiner Kammertür? 01:30
• 5 Lieder, Op. 51:
• 23 Schumann: 5 Lieder, Op. 51: No. 5, Liebeslied 02:05
• Spanisches Liederspiel, Op. 74:
• 24 Schumann: Spanisches Liederspiel, Op. 74: No. 4, In der Nacht 05:07
• Total Runtime 01:09:02

Info for Lieder

A sonorous song album featuring Fatma Said & Friends: Ich brenne für Lieder, bekennt die Egyptian soprano Fatma Said. Following her albums El Nour and Kaleidoscope, which both break musical genres and cultural boundaries, the 2021 Opus Classic winner now turns to the German art song: songs by Schubert, Schumann, Brahms and Mendelssohn Bartholdy. Also on this album, Fatma Said chooses a rather unconventional form. Usually one understands a song recital a voice plus a piano. Fatma Said but it is important to combine a variety of musicians on their album songs: I always wanted to make music with friends, together we explore this wonderful, rich world. And so by her side are the pianists Malcolm Martineau, Joseph Middleton and Yonatan Cohen, the harpist Anneleen Lenaerts, the clarinetist Sabine Meet. yyer, the quatuor Arod, the baritone Huw Montague Rendall as well as Mgv Walhalla Wum Seidlwirt (vocal ensemble of HfM Hanns Eisler).

In Cairo, Fatma Said attended a German-language school, later she studied in Berlin. Well-familiar with the German language, Fatma Said attaches great importance to interpretation and expression of the poetic texts. For Schuberts Der Herirt auf dem Felsen, sie einen wohlklingenden Legato Stil, der auch im Echo der Klarinet nachschwingt. With Mendelssohn's witch song, on the other hand, she went to her own limits: It is crucial to conjure up the demonic character and macabre colours of this witch song in speech singing. In the higher registers of this song, it was sometimes dangerous for the throat to do that - but I was willing to take the risk. For the expression and atmosphere of the scene.

Fatma Said, soprano
Huw Montague Rendall, baritone
Malcolm Martineau, piano
Joseph Middleton, piano
Yonatan Cohen, piano
Sabine Meyer, clarinet
Anneleen Lenaerts, Harp
Quatuor Arod
MGV Walhalla to Seidlwirt

Fatma Said
At the age of 14 Fatma Said embarked on a musical journey that would take her from her home in Cairo to the Academy of Milan’s Teatro alla Scala, the BBC Radio 3 New Generation Artists and ultimately to the world’s most prestigious concert and opera stages. Fatma is an exclusive Warner Recording Artist and has won numerous awards including the Gramophone Classical Music Award, the BBC Music Magazine’s Vocal Award as well as Germany’s Opus Klassik.

Fatma took her first singing lessons in Cairo with soprano Neveen Allouba and later studied Opera Singing at Hochschule für Musik Hanns Eisler with Professor Renate Faltin. Fatma subsequently was awarded a scholarship to study at the Accademia del Teatro alla Scala in Milan, becoming the first Egyptian soprano to perform on this iconic stage. In Milan she sang - among numerous other roles - Pamina in a new Peter Stein production of Mozart’s Die Zauberflöte, after which Frankfurter Allgemeine Zeitung heralded, “The flawless, radiant Fatma Said as Pamina is a discovery.”

Fatma is thrilled to embark on an exciting 2024/25 season. Highlights include her debut with the Berliner Philharmoniker, Luzerner Sinfonieorchester, and WDR Sinfonieorchester and she will ring in the New Year 2025 with a gala performance for the ZDF also marking her debut with Staatskapelle Dresden. Continuing her successful partnership with Malcom Martineau and Sabine Meyer, Fatma will perform as part of a trio at Wigmore Hall and Schloss Elmau, and present solo recitals at the Schubertiade festival in Austria and Casino Basel. A passionate Lied singer, Fatma eagerly anticipates the release of a German song album “Lieder” with Warner Classics in February 2025.

Recent highlights from previous seasons include acting as Artist in Residence at the Wiener Konzerthaus, touring her second album Kaleidoscope released on Warner Classics in 2022 and a dynamic residency with the Konzerthaus Berlin where she presented a range of colourful programs. She has also appeared on prestigious stages worldwide, including a gala concert at the Grand Egyptian Museum in Cairo and two appearances at the annual Concert de Paris in 2020 and 2024.

Throughout the past years she has also appeared on the stages of Teatro San Carlo in Naples, Staatsoper Hamburg, Royal Opera House in Muscat, Wexford Opera in Ireland, Gewandhaus in Leipzig, Philharmonie Cologne, Konzerthaus Berlin, Royal Albert Hall in London, Mozarteum in Salzburg, Vienna Konzerthaus, Tonhalle Düsseldorf, Pembroke Music Festival, Schubertiade Festival of Valdegovia, Lockenhaus Festival, Schumann Festival in Bonn, Mozart-Woche in Salzburg, Beethoven Festival in Bonn, and the Music Festival of Bad Kissingen amongst others.

Fatma’s operatic roles on stage include Pamina (Die Zauberflöte), Nannetta (Falstaff), Clorinda (La Cenerentola), and the role of L’Amour (Orphée et Eurydice) at the Teatro alla Scala among others. She sang Genovieffa (Suor Angelica) with the Boston Symphony Orchestra and Andris Nelsons in a concert performance and the main role Tharsis in the new production of Mozart’s T.H.A.M.O.S. during the Mozart-Woche Festival 2019 in Salzburg staged by Fura Dels Baus.

Fatma Said is a strong advocate for causes that are close to her heart: In September 2021, Fatma performed at Global Citizen Live – a worldwide 24-hour livestreamed charity event which sees artists from around the world campaign to end the hunger crisis, protect the planet and plan its recovery from the COVID-19 pandemic. The artists lineup included musicians such as Elton John and Ed Sheeran. She represented Egypt on Human Right’s Day in 2014, 2017 and 2018 at the United Nations in Geneva as well as at the Luxor Temple and sang for children's right to education and dignity through music. In 2016, she received an honorary award from Egypt’s National Council for Women. In the same year she became the first Egyptian opera singer ever to be awarded the state’s Creativity Award, one of Egypt’s highest accolades, for her outstanding artistic achievement on an international level.

In 2023 Fatma received the Rafik Hariri Award from the Atlantic Council in Washington for her artistic excellence and in 2024 she was awarded the European Cultural Price in Luxembourg.

Fatma continues working with Professor Renate Faltin and has had distinguished professors and coaches, such as Julia Varady, Claar Ter Horst, Anita Keller, Wolfram Rieger and Tom Krause, who have strongly influenced her musical development and helped her hone her musical interpretation.

Fatma won several major singing competitions including the 8th Veronica Dunne International Singing Competition (Dublin, 2016), the 7th Leyla Gencer International Opera Competition (Istanbul, 2012), 2nd prize at the 16th International Robert Schumann Lied Competition (Zwickau, 2012) and the Grand Prix at the 1st Giulio Perotti International Opera Competition (Germany, 2011).

Booklet for Lieder