Solidum William Ryan Fritch

• William Ryan Fritch:
• 1 Movement I 01:42
• 2 Movement II 05:26
• 3 Movement III 03:29
• 4 Movement IV 03:31
• 5 Movement V 02:48
• 6 Movement VI 04:13
• 7 Movement VII 02:37
• 8 Movement VIII 02:11
• 9 Movement IX 03:37
• 10 Movement X 01:26
• 11 Movement XI 03:15
• 12 Movement XII 03:29
• 13 Movement XIII 02:42
• 14 Movement XIV 02:02
• 15 Movement XV 02:12
• 16 Movement XVI 03:46
• 17 Movement XVII 04:17
• 18 Movement XVIII 04:23
• 19 Movement XIX 04:18
• 20 Movement XX 03:06
• 21 Movement XXI 02:13
• Total Runtime 01:06:43

Info for Solidum

Solidum, is an album of unexpected stillness and negative space from William Ryan Fritch, a composer most known for his lush, dense arrangements that teem with a raw kinetic sense of energy.

Typical Fritch records are chock-full of hyper-textural sound, where mechanical noise and small idiosyncrasies of each instrument become an integral part of the music’s character. By contrast, Solidum uses a colder and more rounded sound palette that relies on PZM and boundary mics to capture the upright piano, cello, violin, and harp bowed with rosined fishing line and blend them with digital piano and A Roland JX-3p. This gives the muted acoustics an unnatural smoothness and a pitchy quaver that makes the listener question what is synthesized and what is not. The creative impetus was to see what sense of emotionality and sincerity could be achieved without relying on Fritch’s familiar aesthetic of tactile and vulnerable sounds.

The title Solidum comes from the Latin phrase “in Solidum,” meaning “for the whole.” It’s a mentality that must somehow prevail, at a time when there is less of a sense of closeness than there has been at any point in recent memory.

Many works of art have been made amidst this pandemic and it’s been fascinating seeing how artists have translated the experiences of heightened uncertainty, loneliness and longing for connection. Solidum is Fritch’s one search for connection and deepened empathy in a world where touch and closeness has been so cruelly taken away from our means of showing love.

"Fritch has always been a musical innovator, and Solidum continues this trend in fine fashion. It’s colder, sleeker, and feels more disciplined than anything else, thanks mostly to its reserved mood." (James Catchpole, FLUID RADIO)

William Ryan Fritch

William Ryan Fritch
is an award winning composer, multi-instrumentalist, and producer living in Petaluma, Califormia. Since 2008, he has scored and/or contributed original music to over a hundred documentary and narrative films, many of which that have been celebrated by festivals and organizations such as the Emmy nominated and Independent Spirit Award winning "The Waiting Room" and the 2016 Academy Award, Peabody and Emmy nominated documentary "4.1 Miles." His compositions and scores have been lauded as “ Achingly Beautiful and evocative” (The Hollywood Reporter ) and “Piquant, lively and Imaginative” (Variety) and have made multiple music journalist’s year end lists for favorite soundtracks. In 2019, A Closer Listen said, “Fritch is easily the best film composer who hasn’t yet landed a major motion picture; it’s only a matter of time.”

As a recording artist and songwriter he has released more than 30 albums of his unique amalgam of folk, contemporary classical, and experimental music both under his own name and under the moniker Vieo Abiungo through the respected independent record label Lost Tribe Sound. As Pop Matters said of one of his recent albums, “ it’s beauty will leave you fustigated, with raw emotion resonating from every sonic vibration in his expansive timbral arsenal….”

In addition to his recordings and commissioned film work, he has created music for dance companies (including MacArthur Grant winning Exit12), dozens of national ad campaigns and branded content films/videos, (including multiple Webby, D& AD, Music and Sound Award, Vimeo and Tribeca X award winning works for Square, Google and Dropbox) and numerous student films (Six of which that’ve gone on to win the Student Academy Award for documentary.

This album contains no booklet.