Le grand embrasement. Music for a Mad King Into the Winds

• Anonymous: Tuba gallicalis:
• 1 Anonymous: Tuba gallicalis 02:26
• Bobik Blasen:
• 2 Anonymous: Bobik Blasen 01:47
• Quiconques veut d’amours joïr:
• 3 Anonymous: Quiconques veut d’amours joïr 02:31
• Magister Grimace: Alarme, alarme:
• 4 Grimace: Alarme, alarme 01:16
• Anonymous: Ja Falla:
• 5 Anonymous: Ja Falla 02:12
• Or sus, vous dormés trop:
• 6 Anonymous: Or sus, vous dormés trop 02:13
• Johannes Haucourt: Je demande ma bienvenue:
• 7 Haucourt: Je demande ma bienvenue 01:22
• Anonymous: Ho, Ho, Ho:
• 8 Anonymous: Ho, Ho, Ho 01:55
• Richard de Bellengues: Pour une fois et pour toute ma vye:
• 9 Bellengues: Pour une fois et pour toute ma vye 02:18
• Johannes Cesaris: Je ris, je chante, je m’esbas:
• 10 Cesaris: Je ris, je chante, je m’esbas 02:52
• Bonté, bialté:
• 11 Cesaris: Bonté, bialté 01:28
• Baude Cordier (1380 - 1440): Tant ay de plaisir et de desplaisance:
• 12 Cordier: Tant ay de plaisir et de desplaisance 02:01
• Guillaume Le Grant: Pour l’amour de mon bel amy:
• 13 Grant: Pour l’amour de mon bel amy 02:06
• Mönch von Salzburg: Das haizt dy trumpet und ist gut zu blasen Mönch von Salzburg:
• 14 Salzburg: Das haizt dy trumpet und ist gut zu blasen Mönch von Salzburg 01:21
• Adam: A temps vendra celle journée:
• 15 Adam: A temps vendra celle journée 01:10
• Johannes Le Grant: Se liesse est de ma partie:
• 16 Grant: Se liesse est de ma partie 02:42
• Entre vous, nouviaux mariés:
• 17 Grant: Entre vous, nouviaux mariés 01:48
• Anonymous: Hail, Mary, Full of Grace:
• 18 Anonymous: Hail, Mary, Full of Grace 02:10
• Jacobus Coutreman: Vaylle que vaylle, il faut s’aseürer:
• 19 Coutreman: Vaylle que vaylle, il faut s’aseürer 02:07
• Anonymous: Deo gracia, Anglia:
• 20 Anonymous: Deo gracia, Anglia 02:18
• Johannes Tapissier (1370 - 1410): Sanctus:
• 21 Tapissier: Sanctus 01:26
• Franchois Lebertoul: Las, que me demanderoye:
• 22 Lebertoul: Las, que me demanderoye 01:27
• Baude Cordier: Je suis celuy qui veul toudis servir:
• 23 Cordier: Je suis celuy qui veul toudis servir 01:48
• Nicole Grenon (ca. 1380 - 1456): La plus belle et doulce figure:
• 24 Grenon: La plus belle et doulce figure 01:43
• Franchois Lebertoul: Depuis un peu un joyeux parlement:
• 25 Lebertoul: Depuis un peu un joyeux parlement 02:19
• Nicole Grenon: Nova vobis gaudia:
• 26 Grenon: Nova vobis gaudia 02:41
• Pierre Fontaine: J’ayme bien celui qui s’en va:
• 27 Fontaine: J’ayme bien celui qui s’en va 01:55
• Anonymous: A cheval, tout homme, a cheval:
• 28 Anonymous: A cheval, tout homme, a cheval 01:55
• Johannes Franchois De Gemblaco: Par ung regart des deux biaulx yeux:
• 29 Gemblaco: Par ung regart des deux biaulx yeux 02:46
• Hugo de Lantins: Grant ennuy m’est:
• 30 Lantins: Grant ennuy m’est 02:17
• Gilet Velut: Summe Summy, tu patris unice:
• 31 Velut: Summe Summy, tu patris unice 02:19
• Oswald von Wolkenstein (1377 - 1445): Wolauff wir wellen slaffen:
• 32 Wolkenstein: Wolauff wir wellen slaffen 02:45
• Total Runtime 01:05:24

Info for Le grand embrasement. Music for a Mad King

In 1392, King Charles VI of France was declared insane. In the midst of the Hundred Years’ War, his repeated absences left the field open to princes hungry for power and wealth. Thus began three dark decades for the kingdom of France, torn apart by civil war between Armagnacs and Burgundians, scarred by the bloody defeat at Agincourt, and ultimately handed over to the English crown in 1420. This is the epic tale Into the Winds brings to life, shedding light on a period as fascinating as it is overlooked, where the contours of a new musical art were already taking shape.

Into the Winds

Into the Winds Striking, rarefied and noble sonorities of instruments from the Middle Ages and the Renaissance allow Into the Winds to take the listener back in time, across bridges and through hidden passageways…. Founded in 2017, the ensemble consists primarily of five young multi-instrumentalists with a mission to introduce both sacred and secular music from the late Middle Ages to the early Renaissance to new audiences, via original programming and innovative concerts.

Winner of the 2019 Van Wassenaer competition organized by the Utrecht Early Music Festival and selected as a recipient of funding for new European ensembles by EEEMERGING+, Into the Winds has performed in numerous festivals across France and abroad such as Festival d’Ambronay, Festival de Saintes, Flâneries Musicales de Reims, Sinfonia en Périgord, Valloire Baroque, Baroque en Tarentaise, Musique Baroque du Jura, Promenades Musicales en Pays d’Auge, Les Intemporel-les, Musiques Anciennes de la Réole, Vochora, Oude Muziek (Utrecht), MA Festival (Bruges), Felix! Festival (Cologne), La Cité Bleue (Geneva), La Folia (Rougemont) and Innsbrucker Abendmusick, among others.

Into the Winds and their hautboys, sackbuts, trumpets, recorders, and various percussion instruments resound not only within famed concert halls but equally on the stages of current and contemporary programming, in the winding alleyways of medieval villages, the vestiges of ancient battlegrounds of old, and even upon the ramparts of fortified castles. While balancing their instrumental mastery with the energy and groove of a big band, the musicians are committed to sharing the joy of their music-making with others.

In 2023, Into the Winds released its first CD, Le Parfaict Danser, on the Ricercar label (RIC452). Comprised of the earliest notated dances from the 13th through the 15th centuries, the recording has been universally acclaimed by early-music reviewers and audiences alike.

Booklet for Le grand embrasement. Music for a Mad King