Brahms: Works for Solo Piano, Vol. 6 Barry Douglas

• Johannes Brahms (1833 - 1897):
• 1 Rákóczi March, Anh. III/10 04:44
• 2 6 Piano Pieces, Op. 118: No. 6 in E-Flat Minor 04:48
• 3 Canon in F Minor, Anh. III/2 00:43
• 2 Gigues, WoO Posth. 4:
• 4 2 Gigues, WoO Posth. 4: No. 1 in A Minor 02:10
• 5 2 Gigues, WoO Posth. 4: No. 2 in B Minor 02:00
• 8 Piano Pieces, Op. 76:
• 6 8 Piano Pieces, Op. 76: No. 5 in C-Sharp Minor 03:09
• 7 8 Piano Pieces, Op. 76: No. 7 in A Minor 02:47
• 8 8 Piano Pieces, Op. 76: No. 8 in C Major 03:45
• Gavotte in A Major:
• 9 Gavotte in A Major (After C.W. Gluck) 04:02
• 5 Studies for the Piano, Anh. Ia/1:
• 10 5 Studies for the Piano, Anh. Ia/1: No. 1, Study (After F. Chopin) 03:00
• 11 5 Studies for the Piano, Anh. Ia/1: No. 2, Rondo (After C.M. von Weber) 04:58
• 12 5 Studies for the Piano, Anh. Ia/1: No. 3, Presto (After J.S. Bach) 03:29
• 10 Hungarian Dances, WoO 1 (Arr. for Piano Solo):
• 13 10 Hungarian Dances, WoO 1 (Arr. for Piano Solo): No. 2 in D Minor 03:13
• 14 10 Hungarian Dances, WoO 1 (Arr. for Piano Solo): No. 4 in F-Sharp Minor 04:48
• 15 10 Hungarian Dances, WoO 1 (Arr. for Piano Solo): No. 6 in D-Flat Major 03:07
• 16 10 Hungarian Dances, WoO 1 (Arr. for Piano Solo): No. 7 in F Major 01:41
• 17 10 Hungarian Dances, WoO 1 (Arr. for Piano Solo): No. 8 in A Minor 02:47
• 18 10 Hungarian Dances, WoO 1 (Arr. for Piano Solo): No. 9 in E Minor 02:06
• 19 10 Hungarian Dances, WoO 1 (Arr. for Piano Solo): No. 10 in E Major 02:04
• 5 Studies for the Piano, Anh. Ia/1:
• 20 5 Studies for the Piano, Anh. Ia/1: No. 5, Chaconne (After J.S. Bach) 16:41
• Total Runtime 01:16:02

Info for Brahms: Works for Solo Piano, Vol. 6

This is the sixth and final volume in Barry Douglas’s survey of Brahms’s output for solo piano, which started four years ago. The recital completes a project that over 441 minutes has represented a ‘triumph of Brahmsian thoughts’ and in which ‘every sound is resonantly Brahmsian’. According to BBC Music, ‘Douglas’s tone is a deep velvet cushion, the legatos full of affection and the rhythms galvanised with great energy’.

The music recorded here spans the entirety of the composer’s creative career, from March 1852 (the Study after Weber) – eighteen months before the life-changing meeting between Brahms and Robert and Clara Schumann – to August 1893 (the Intermezzo, Op. 118 No. 6) – less than four years before his death, on 3 April 1897.

The selection of works offered here invites us to consider Brahms under many aspects – arranger, virtuoso, pedagogue, historicist, and above all pianist – which Barry Douglas embraces perfectly.

"Douglas’s hefty, full-bodied sound, built from the bottom up, befits the mellow power of Brahms’s sound world…in the dark E flat minor Op 118 Intermezzo, most pianists focus attention on the right-hand melody and treat the rumbling left-hand lines as muted filigree. Douglas, however, does almost the exact opposite, and the effect is revelatory" (Gramophone Magazine)

"This final stage of Douglas’s Brahms survey offers an engaging, always surprising sequence of short (with one exception) and often fugitive pieces...at the end, as if a salutary chastening after the fun, his left-hand-only transcription of Bach’s great D minor violin Chaconne. But, of course, it proves the most engrossing item of all." (Sunday Times)

"This release, which is truly Douglas’s crowning glory, ends with his performance of the left-hand arrangement of the Bach Chaconne originally written for solo violin. Tenderness, rhythmic stability and idiomatic pedalling simply make this the best performance of this fine transcription to have ever come my way" (Pianist Magazine)

Barry Douglas, piano

Barry Douglas
has established a major international career since winning the Gold Medal at the 1986 Tchaikovsky International Piano Competition, Moscow. As Artistic Director of Camerata Ireland and the Clandeboye Festival, he continues to celebrate his Irish heritage whilst also maintaining a busy international touring schedule.

Barry Douglas Picture 2015Barry opened the 17/18 season performing Tchaikovsky with the Halle Orchestra, after which he began new collaborations with both the Endellion String Quartet and the Borodin Quartet. He toured in recital in the UK and USA and performed with orchestras across the globe from Canada to Europe to China to Russia. During the 16/17 season Barry performed two full Tchaikovsky Piano Concerto cycles in Ireland with the RTE Orchestra in Dublin and the Ulster Orchestra in Belfast. He also gave performances of Tchaikovsky’s first Piano Concerto with the London Symphony Orchestra, and opened the St. Petersburg Philharmonic’s concert season, all marking the 30th anniversary of his Tchaikovsky International Competition win.

Other recent and future highlights include performances at BBC Proms in the Park with the Ulster Orchestra, a UK tour with the Russian State Symphony Orchestra, and appearances with Orchestre de Auvergne, Barcelona Symphony, Bogota Philharmonic and Vancouver Symphony orchestras. He also recently gave the premiere of Kevin Volans’ fourth piano concerto with the Birmingham Contemporary Music Group, and performed in recital at the Verbier Festival.

He has previously given concerts with the BBC Scottish Symphony, London Symphony, Russian National, Cincinnati Symphony, Singapore Symphony, Berlin Radio Symphony, Staatskapelle, Halle, Orchestre National de France, Seattle Symphony, Melbourne Symphony, the Royal Liverpool Philharmonic and Hong Kong Philharmonic orchestras, among others. Barry regularly plays in recitals throughout the world, with recent performances in the UK, the Netherlands, Armenia, Mexico, China and the US.

Barry is an exclusive Chandos recording artist. He recently completed recording the full works for solo piano of Brahms, the six albums of which have received much critical praise. International Record Review wrote that “this is indeed Brahms playing of the utmost integrity and authority… this cycle looks set to become a benchmark version.” The interesting programming of each disc presents each album as a stand-alone recital, providing a varied and engaging listening experience. His current recording project focusses on the solo piano works of Schubert; the fourth and final disc will be released next season. Last season he also began a new series, recording Tchaikovsky solo piano music. Also with Chandos Barry is exploring Irish folk music through his own arrangements, working with ancient melodies through to pieces by contemporary song writers. The first in this series, Celtic Reflections, was released in September 2014 and was followed in 2016 by a second disc: Celtic Airs.

In 1999 Barry Douglas founded the chamber orchestra Camerata Ireland to celebrate and nurture the very best of young musicians from both Northern and the Republic of Ireland. In addition to striving for musical excellence, one of the orchestra’s aims is to further the peace process in Ireland by promoting dialogue and collaboration through its musical education programmes. Barry regularly tours with Camerata Ireland throughout the world and visited the US in the spring of 2018. Highlights of past seasons were Camerata Ireland’s debut at the BBC Proms in London and a world premiere of a new cantata commissioned by The Honourable The Irish Society, “At Sixes and Sevens”, alongside the London Symphony Orchestra to celebrate Derry-Londonderry becoming City of Culture 2013. Barry Douglas received the Order of the British Empire (OBE) in the 2002 New Year’s Honours List for services to music.

Booklet for Brahms: Works for Solo Piano, Vol. 6