Chausson: Concert & String Quartet Doric String Quartet, Jennifer Pike, Tom Poster

• Ernest Chausson (1855 - 1899): String Quartet, Op. 35:
• 1 Chausson: String Quartet, Op. 35: I. Grave 13:02
• 2 Chausson: String Quartet, Op. 35: II. Très calme 07:19
• 3 Chausson: String Quartet, Op. 35: III. Gaiement et pas trop vite 07:59
• Concert in D Major for Piano, Violin and String Quartet, Op. 21:
• 4 Chausson: Concert in D Major for Piano, Violin and String Quartet, Op. 21: I. Décidé 14:59
• 5 Chausson: Concert in D Major for Piano, Violin and String Quartet, Op. 21: II. Sicilienne 04:19
• 6 Chausson: Concert in D Major for Piano, Violin and String Quartet, Op. 21: III. Grave 10:26
• 7 Chausson: Concert in D Major for Piano, Violin and String Quartet, Op. 21: IV. Finale 10:05
• Total Runtime 01:08:09

Info for Chausson: Concert & String Quartet

This is the sixth recording by the Doric String Quartet for Chandos Records, and the discography is going from strength to strength. The album of Schumann’s String Quartets, Op. 41 was ‘Recording of the Month’ simultaneously in BBC Music and Gramophone, and nominated for a Gramophone Award in the Chamber Music category in 2012.

The Quartet here turns to the French composer Ernest Chausson. The work of this composer is deeply individual, but it does reflect some technical influences of Wagner too, and of César Franck, his other musical hero. In general, Chausson’s compositional style bridges the gap between the ripe romanticism of Massenet and Franck, and the more introverted impressionism of Debussy.

The String Quartet in C minor was the last piece on which Chausson would ever work. He had fully scored all but part of the third and last movement when in 1899, at the age of forty-four, he suffered a fatal bicycle accident – in fact, he was engaged in writing the last movement on the very day of his accident. Relying on the drafts left behind by the composer, Vincent d’Indy completed the final movement at the request of Chausson’s family.

‘Never have I had such a success! I can’t get over it. Everyone seems to love the Concert.’ These are the words that Chausson, clearly elated, wrote in his diary after the first performance, in 1892, of his Concert in D major for violin, piano, and string quartet. The work is a model of cohesion, with strong ideas and melodies of great impact. Indeed, the autograph manuscript is covered with alterations and crossings-out, a sign of the composer’s drive towards absolute perfection in this masterpiece of chamber music.

In the Concert, the Doric String Quartet shares the stage with another exclusive Chandos artist, Jennifer Pike, who in 2002, at the age of twelve, notably became the youngest-ever winner of the BBC Young Musician of the Year competition. She has given performances throughout the UK and abroad and, now aged just twenty-three, is widely regarded as one of the finest violinists in Britain. Tom Poster is internationally recognised as a pianist of outstanding artistry and versatility, equally in demand as a soloist and as a chamber musician across an unusually extensive repertoire.

“... The more I listen to this new Chandos release with the Doric Quartet joined by Poster and Pike, the more i like it. The piece is a strange hybrid, containing elements of concerto and chamber work, and leaving performers to figure out how best to approach it. A middle-ground approach seems to work best, and that’s the solution the current players adopt. That the Concert is coupled with a very satisfying performance of Chausson’s C-minor Quartet makes this new release a recommendation.” (Jerry Dubbins, Fanfare)

"Violinist Jennifer Pike, pianist Tom Poster and the Doric String Quartet have done much more than scratch the surface of this piece...it is their handling of the gradually building tension in the slow movement, from disquiet to impassioned pleading via reflection and agitation, that marks out as an especially fine performance." (BBC Music Magazine)

"There are plenty of opportunities for Jennifer Pike to display her sinuous, tender tone, while Tom Poster reminds us yet again why he's so highly regarded as a chamber musician...A real front-runner for the Concert, and the most convincing of advocates for the more problematic String Quartet." (Gramophone Magazine)

Tom Poster, piano
Jennifer Pike, violin
Doric String Quartet

Doric String Quartet
Firmly established as one of the leading quartets of its generation, the Doric String Quartet receives enthusiastic responses from audiences and critics across the globe. With repertoire ranging from Haydn through to Bartok, Ades and Brett Dean, the Quartet’s schedule takes them to the leading concert halls around the world including Amsterdam Concertgebouw, Vienna Konzerthaus, Berlin Konzerthaus, Hamburg Elbphilharmonie, Louvre, Carnegie Hall and Kioi Hall Tokyo as well as regular performances at Wigmore Hall.

A recent highlight of the Quartet’s programming has been Brett Dean’s String Quartet No 3. Given its world premiere in June 2019, “Hidden Agendas” was co-commissioned for the Doric by the Berlin Konzerthaus, Carnegie Hall, Amsterdam String Quartet Biennale, Edinburgh International Festival, Musica Viva Australia and the West Cork Chamber Music Festival.

With a curiosity for repertoire and setting, the Quartet was delighted to take on John Adams’ “Absolute Jest” for String Quartet and Orchestra. The Quartet was invited to give the Austrian premiere at the Vienna Konzerthaus with John Adams conducting, the Dutch premiere with the Netherlands Radio Philharmonic at the Concertgebouw under Markus Stenz and performed the piece with the BBC Scottish Symphony and BBC Symphony Orchestras. Their recording of the piece with the Royal Scottish National Orchestra and Peter Oundjian, released on Chandos in 2018, was named Recording of the Month in BBC Music Magazine and praised for the “sumptuous sweetness and laser-like clarity” of its performance.

Alongside main season concerts the Quartet has a busy festival schedule and has performed at the Schwarzenberg Schubertiade, Grafenegg, Festspiele Mecklenburg-Vorpommern, Schwetzingen, Edinburgh, Aldeburgh, West Cork, Cheltenham, Delft, and Risør Festivals, collaborating with artists including Ian Bostridge, Mark Padmore, Alexander Melnikov, Pieter Wispelwey, Jonathan Biss, Chen Halevi, Elizabeth Leonskaja, Benjamin Grosvenor, Alina Ibragimova and Cédric Tiberghien.

Highlights of the current season include returns to Stockholm Concert Hall, Haydn String Quartet Festival and Festspiele Mecklenburg Vorpommern with other tours taking the Quartet to Belgium, the Netherlands, Denmark and Israel. The Doric will also perform John Adams’ Absolute Jest with the Philharmoniscshes Staastorchester Mainz as well as returning to the Wigmore Hall for performances including a two-concert cycle of the complete Bartok Quartets. The Quartet returns to the US for its annual tour, where they will revisit their partnership with Jonathan Biss for performances including Philadelphia, Boston and Dallas. In Europe, collaborations include performances in Germany and the Netherlands with Cuarteto Quiroga as well as rescheduled performances with Alina Ibragimova and Cedric Tiberghien at the Vienna Konzerthaus and Hamburg’s Elbphilharmonie.

Since 2010 the Doric Quartet has recorded exclusively for Chandos Records, with their releases covering repertoire ranging from Schumann through to Korngold and Walton as well as works with orchestra including Elgar’s Introduction and Allegro and John Adams’ Absolute Jest. The Quartet’s most recent release of the Mozart Prussian Quartets was awarded Editor’s Choice in Gramophone, as well as being praised in BBC Music Magazine for its “vivid and insightful interpretations”. 2019 saw the release of the Doric’s benchmark recording of the complete Britten String Quartets. Recorded at Snape Maltings Concert Hall in conjunction with a series of performances at the Britten Weekend celebrations, the disc was Album of the Week in The Sunday Times, Editor’s Choice in Gramophone and saw the Doric praised in BBC Music Magazine for its “extraordinary affinity” with Britten’s music. The Quartet’s ongoing commitment to Haydn has so far seen them record the complete Opus 20, Opus 76, Opus 64 and Opus 33 Quartets with the recordings attracting acclaim including Editor’s Choice in Gramophone, Choc du Mois in Classica Magazine and a shortlisting for a Gramophone Award. Future recording plans including quartets by Mendelssohn, Grieg and Sibelius.

Formed in 1998 the Doric String Quartet won first prize at the 2008 Osaka International Chamber Music Competition and 2nd prize at the Premio Paolo Borciani International String Quartet Competition. In 2015 the Quartet was appointed as Teaching Quartet in Association at the Royal Academy of Music in London and from 2018 the Quartet took over the Artistic Directorship of the Mendelssohn on Mull Festival, a position which sees them play a key role in implementing the Festival’s core mission of providing young chamber music professionals with a week of intensive mentoring, coaching and development.

The Quartet’s violist Hélène Clément plays a viola by Guissani from 1843, generously on loan from Britten-Pears Arts and previously owned by Frank Bridge and Benjamin Britten.

Booklet for Chausson: Concert & String Quartet