God's Balls (Deluxe Edition - Remastered) TAD

• 1 Behemoth 04:09
• 2 Pork Chop 04:21
• 3 Helot 02:56
• 4 Tuna Car 02:36
• 5 Sex God Missy (Lumberjack Mix) 04:26
• 6 Cyanide Bath 03:35
• 7 Boiler Room 04:49
• 8 Satan's Chainsaw 03:09
• 9 Hollow Man 04:04
• 10 Nipple Belt 03:14
• 11 Ritual Device 02:52
• 12 Daisy 02:58
• 13 Tuna Car 02:32
• Total Runtime 45:41

Info for God's Balls (Deluxe Edition - Remastered)

TAD was a mighty force in the late-‘80s/early-‘90s Seattle scene. Their heavy, churning rock/metal/punk buzz was a crucial part of Sub Pop’s early years, and, along with peers like Mudhoney, Nirvana, and Soundgarden, they defined the sound that reinvigorated the rock world in the early ‘90s. TAD was led by the physically imposing yet incredibly sweet singer/guitarist TAD Doyle, with bassist Kurt Danielson (ex-Bundle of Hiss), drummer Steve Wied, and guitarist Gary Thorstensen. With an image that sometimes cast the band as deranged lumberjacks, and influence from Head of David and Killdozer, TAD put a uniquely rain-and-fog-coated Northwest spin on ‘80s underground rock. The band released two albums and a few EPs on Sub Pop between 1988 and 1991, all of which are now lovingly remastered by the band’s friend and engineer Jack Endino (Soundgarden, Nirvana, Mudhoney, Screaming Trees) and repackaged with bonus tracks and expansive liner notes. God’s Balls, TAD’s punishing, noise-drenched debut album, was recorded with Jack Endino at Reciprocal Recording in Seattle in 1988, and released early the following year. In addition to their usual arsenal of guitars, bass, and drums, the band employed a variety of unusual instruments – an empty gas tank from a car, a hacksaw, a large brass tube from a microwave transmitter, CB radio mics, a cello bow used on cymbals to emulate guitar feedback – to thunderous effect, adding a Neubauten-esque clang to the band’s rock riffs. After releasing God’s Balls, TAD flew to Europe with Nirvana for both bands’ first European tour. The now-legendary, month-long tour took the bands to the UK, Ireland, Scotland, France, Belgium, Switzerland, Germany, Austria, Czechoslovakia, Hungary, Italy, Denmark and Sweden. This reissue of God’s Balls features CD/digital bonus tracks from TAD’s 1988 debut 7”, plus the previously unreleased “Tuna Car” from the 7” session. God’s Balls has been out of print on LP/CD for many years, and this is its first digital release.

Tad Doyle, vocals, guitar (1988–99)
Gary Thorstensen, guitar (1988–94)
Kurt Danielson, bass (1988–99)
Steve Wied, drums (1988–91)
Rey Washam, drums (1991)
Josh Sinder, drums (1992–96)
Mike Mongrain, drums (1996–99)

Digitally remastered

TAD
was a mighty force in the late-‘80s/early-‘90s Seattle scene. Their heavy, churning rock/metal/punk buzz was a crucial part of Sub Pop’s early years, and, along with peers like Mudhoney, Nirvana, and Soundgarden, they defined the sound that reinvigorated the rock world in the early ‘90s. TAD was led by the physically imposing yet incredibly sweet singer/guitarist TAD Doyle, with bassist Kurt Danielson (ex-Bundle of Hiss), drummer Steve Wied, and guitarist Gary Thorstensen. With an image that sometimes cast the band as deranged lumberjacks, and influence from Head of David and Killdozer, TAD put a uniquely rain-and-fog-coated Northwest spin on ‘80s underground rock. The band released two albums and a few EPs on Sub Pop between 1988 and 1991, all of which are now lovingly remastered by the band’s friend and engineer Jack Endino (Soundgarden, Nirvana, Mudhoney, Screaming Trees) and repackaged with bonus tracks and expansive liner notes.

In 1991, after tens of thousands of miles on the road in support of God’s Balls, and a run of powerful EPs/singles, TAD released their second full-length album, 8-Way Santa. Recorded at Smart Studios in Madison, Wisconsin with Butch Vig, whose work with Killdozer the band admired, 8-Way Santa finds TAD pushing their sound in new directions. Not a band to rest on its laurels, TAD began to add melodic touches to their sound, as evidenced by the lead single, “Jinx.” Many touring dates and shows followed the record, and a pair of copyright-infringement brouhahas occurred over the original album cover – which was quickly pulled from stores when the couple portrayed in the cover photo objected – and the corporate-beverage-offending art for a 1990 EP. 8-Way Santa was the last record with the original TAD lineup, and their last album for Sub Pop before jumping to a major label.

This album contains no booklet.