In Heaven - Songs for a Trip to Space Jan Philip Schulze & Olivia Vermeulen

• David Bowie (1947 - 2016): Life on mars (Intro: First sounds from Mars-rover Perseverance 2021):
• 1 Bowie: Life on mars (Intro: First sounds from Mars-rover Perseverance 2021) 04:33
• George Crumb (1929 - 2022): Apparition:
• 2 Crumb: Apparition: The Night in Silence Under Many a Star 02:55
• Johannes Brahms (1833 - 1897): 6 Lieder, Op. 86:
• 3 Brahms: 6 Lieder, Op. 86: No. 2, Feldeinsamkeit 03:11
• Hugo Wolf (1860 - 1903): Mörike-Lieder:
• 4 Wolf: Mörike-Lieder: No. 13, Im Frühling 04:22
• Franz Schubert (1797 - 1828): Ganymed, D. 544 (Outro: Sound of Ganymede plasma waves GII G1):
• 5 Schubert: Ganymed, D. 544 (Outro: Sound of Ganymede plasma waves GII G1) 04:24
• Augusta Holmès (1847 - 1903): Les sept ivresses:
• 6 Holmès: Les sept ivresses: II. Le vin 03:12
• Rebecca Clarke (1886 - 1979): Lethe:
• 7 Clarke: Lethe 02:55
• Grace Slick (b. 1939): White Rabbit:
• 8 Slick: White Rabbit 02:31
• Claude Vivier (1948 - 1983): Hymnen an die Nacht:
• 9 Vivier: Hymnen an die Nacht 04:46
• Gustav Mahler (1860 - 1911): Um Mitternacht, GMW 42:
• 10 Mahler: Um Mitternacht, GMW 42 05:39
• Ana Sokolović (b. 1968): Tanzer Lieder:
• 11 Sokolović: Tanzer Lieder: I. Sur une étoile 02:52
• Camille Saint-Saëns (1835 - 1921): Mélodies persanes, Op. 26:
• 12 Saint-Saëns: Mélodies persanes, Op. 26: VI. Tournoiement (Songe d'opium) 02:35
• Shel Silverstein (1930 - 1999): The ballad of Lucy Jordan:
• 13 Silverstein: The ballad of Lucy Jordan 03:53
• Traditional: Auroral Kilometric Radiation:
• 14 Traditional: Auroral Kilometric Radiation 00:19
• Franz Schubert: Abendstern, D. 806:
• 15 Schubert: Abendstern, D. 806 02:07
• Der Wanderer an den Mond, D. 870:
• 16 Schubert: Der Wanderer an den Mond, D. 870 02:19
• Karlheinz Stockhausen (1928 - 2007): Tierkreis - 12 Melodien Der Sternzeichen:
• 17 Stockhausen: Tierkreis - 12 Melodien Der Sternzeichen: VI. Fische - Pisces 02:07
• 18 Stockhausen: Tierkreis - 12 Melodien Der Sternzeichen: XIV. Löwe - Lion 01:46
• Eric Idle (b. 1943), John Du Prez (b. 1946): Galaxy Song:
• 19 Idle, Du Prez: Galaxy Song 02:28
• Olivier Messiaen (1908 - 1992): Katchikatchi les étoiles:
• 20 Messiaen: Katchikatchi les étoiles 01:59
• China Forbes (b. 1970): Una notte a Napoli:
• 21 Forbes: Una notte a Napoli 03:52
• Traditional: Sound of solar wind, Parker solar probe:
• 22 Traditional: Sound of solar wind, Parker solar probe 00:26
• Robert Schumann (1810 - 1856): 6 Gesänge, Op. 107:
• 23 Schumann: 6 Gesänge, Op. 107: No. 6, Abendlied 02:22
• Total Runtime 01:07:33

Info for In Heaven - Songs for a Trip to Space

The third collaboration between mezzo-soprano Olivia Vermeulen and Jan Philip Schulze (piano/synthesizer), In Heaven follows their earlier themed albums Dirty Minds and Hello Darkness, albums which were highly rated and won for instance an Edison Award and a Preis der Deutschen Schallplattenkritik. While the first two albums explored earthly themes of eroticism and mortality, this programme turns upward toward the heavens. The concept imagines a cosmic odyssey, blending art song, contemporary music, pop, and psychedelic classics into a voyage through utopian visions, distant planets, and the eternal human fascination with space. Interspersed with NASA sound recordings, the album situates the listener between heaven and earth, fantasy and reality, intoxication and transcendence.

The repertoire is strikingly eclectic: David Bowie’s Life on Mars opens with real Martian storm sounds, while George Crumb, Brahms, Schubert, and Wolf provide lyrical reflections on stars, dreams, and transcendence. The programme flows seamlessly into Augusta Holmès’s exuberant drinking song Le vin, Rebecca Clarke’s opium-tinged Lethe, and Grace Slick’s psychedelic anthem White Rabbit. French and German masters like Saint-Saëns, Mahler, and Messiaen appear alongside Stockhausen’s Tierkreis, Monty Python’s satirical Galaxy Song, and Pink Martini’s Una notte a Napoli. The album closes with Robert Schumann’s radiant Abendlied, underscoring the dialogue between the infinite cosmos and human longing.

Together, Vermeulen and Schulze create a soundscape that is at once virtuosic, witty, and deeply imaginative. Supported by percussion and bass in selected tracks, their performances draw on colour, theatricality, and stylistic versatility to transform familiar works into cosmic meditations. In Heaven ultimately reflects on humanity’s dreams of escape, intoxication, and utopia while acknowledging the grounding reality of earthbound existence. The result is a kaleidoscopic journey—playful yet profound, rooted in classical artistry yet open to pop culture—that challenges boundaries and offers listeners a musical mission into space.

Olivia Vermeulen, mezzo-soprano
Jan Philip Schulze, piano, synthesizer

Olivia Vermeulen
Dutch mezzo-soprano Olivia Vermeulen has established herself in recent years as a versatile soloist of international standing. She made her much-acclaimed debut at the Berlin State Opera taking the lead role of Turno in Agostino Steffani's L’Amor vien dal Destino under René Jacobs. In addition, she has toured with the Budapest Festival Orchestra under Iván Fischer with Mozart's Die Zauberflöte to Budapest, Amsterdam, London and Berlin, further appearing in Schumann's Szenen aus Goethes Faust at Barbican Hall under Daniel Harding and the London Symphony Orchestra. She is equally in demand as a performer of contemporary music: in this capacity, she made her debut at the Ruhrtriennale in 2017 with the world premiere of Kein Licht by Philippe Manoury based on texts by Elfriede Jelinek. As part of the Musikfest Berlin, Olivia gave a guest performance with Musikfabrik Köln in the Berliner Philharmonie under Peter Eötvös, and is a regular guest at the renowned Kissinger Sommer where she has premiered songs by Wolfgang Rihm. Furthermore, she has been invited by the Bregenz Festival to perform the role of Saiko in the world premiere of Thomas Larcher’s The Hunting Gun.

Engagements of the past seasons comprise her role debut as Donna Elvira in Mozart’s Don Giovanni as well as Cherubino in Le Nozze di Figaro, both on tour with the Freiburg Baroque Orchestra under René Jacobs. She appeared as a soloist in the frame of Salzburg’s Mozart Week along with Jörg Widmann, and sang Mozart’s Great Mass in C Minor under Masaaki Suzuki at the Théâtre du Champs-Elysées as well as at Amsterdam’s Concertgebouw. With the same work, she also gave her debut with the Berlin Philharmonic under Daniel Harding. In addition, Olivia made her debut at Opéra National de Paris singing the role of Abel in Alessandro Scarlatti’s Il Primo Omicidio under René Jacobs, and appeared as Fjodor in a concert performance of Modest Mussorgsky’s Boris Godunov at the Concertgebouw Amsterdam under the baton of Pablo Heras-Casado.

Further highlights include Ramiro in Mozart’s La Finta Giardiniera with Andrew Parrott and the Munich Radio Orchestra, the title role in Handel’s Teseo under Federico Maria Sardelli in Moscow’s Tchaikovsky Hall, as well as the title role in Vivaldi’s Arsilda at the Grand Theatre Luxembourg, Opéra de Lille and Versailles’ Opéra Royal under Václav Luks. Olivia also sang Annio in Mozart’s La Clemenza di Tito under Stefano Montanari in Moscow, Cherubino in an Aix-en-Provence Festival production at the Opéra de Dijon under Jonathan Cohen, and gave a guest appearance in the same production under Andreas Spering in Bahrain.

Further central roles of her operatic repertoire include Ariodante (Ariodante), Sesto (Giulio Cesare), Idamante (Idomeneo), Zerlina (Don Giovanni), Angelina (La Cenerentola), Hänsel (Hänsel und Gretel) and L'Enfant (L’enfant et les sortilèges).

A passionate exponent of the Classical and Baroque repertoire, Olivia Vermeulen has performed in Bach’s St Matthew Passion and Mozart’s Great Mass in C minor under Masaaki Suzuki in Tokyo (the latter a Gramophone award-winning CD released by BIS Records), and has extensively toured with Bach’s Christmas Oratorio under Helmuth Rilling. In the frame of the Schleswig Holstein Musik Festival, Olivia appeared as a soloist in Mendelssohn’s version (1841) of Bach’s St Matthew Passion in Lübeck, with Masaaki Suzuki conducting the NDR Chor and NDR Elbphilharmonie Orchester. The collaboration with Masaaki Suzuki and his Bach Collegium Japan furthermore led her to Japan for a series of concerts with Handel’s Messiah.

A concert presenting excerpts from Strauss' Ariadne auf Naxos under Iván Fischer in Budapest and Vicenza was one of the last highlights of the past season before the worldwide spreading of Covid-19 resulted in a great number of cancellations, including a tour with the Belgian B'Rock Orchestra and, along with the Nederlandse Bachvereniging, several concerts with Bach's St. Matthew Passion under the direction of René Jacobs. Also on the opera stage, Olivia Vermeulen's house debut at the Zurich Opera as Idamante in Mozart's Idomeneo could not be realized as planned.

A particular focus of the current season lies on the concert and the Lied genre - the latter also as a continuation of her much-acclaimed solo album "Dirty Minds" which was awarded the Jahrespreis der Deutschen Schallplattenkritik and the Dutch Edison Klassiek Prize – with appearances at the Oxford Lieder Festival, the International Lied Festival Zeist, the Gesellschaftshaus Magdeburg, the International Art Center deSingel in Antwerp and the Brucknerhaus Linz. Olivia will furthermore appear as a soloist in Bach's St Matthew Passion with the Orchestra of the Eighteenth Century and the Residentie Orkest, whilst at the Internationale Barocktage Sift Melk she will explore “Nicolò Grimaldi's traces between South and North” along with flutist Max Volbers and his ensemble. In addition, after having toured as Cherubino in Le nozze di Figaro and Donna Elvira in Don Giovanni, she will complete her personal Mozart-Da Ponte trilogy with her debut as Dorabella in Così fan tutte with the Freiburg Baroque Orchestra under the direction of René Jacobs.

Olivia Vermeulen has appeared at festivals such as the Munich Opera Festival, the Rheingau Music Festival, the RheinVokal Festival, the Musikfest Stuttgart and the Handel Festival in Halle, working with conductors such as Philippe Herreweghe, René Jacobs, Iván Fischer, Markus Stenz, Marek Janowski, Andrea Marcon, Franz Brüggen, Reinhard Goebel, Michael Schønwandt, Alessandro de Marchi, Konrad Junghänel, Tomáš Netopil, Enoch zu Guttenberg and Lothar Zagrosek.

Olivia Vermeulen studied singing in Detmold with Mechtild Böhme and in Berlin with Julie Kaufmann. She took part in various Lieder classes given by Wolfram Rieger and Axel Bauni, and participated in masterclasses with Andreas Scholl, Thomas Quasthoff, Dietrich Fischer-Dieskau and Irwin Gage. She currently receives vocal coaching from Margreet Honig.

Numerous radio and CD recordings document the output of this versatile singer. Her first solo album entitled “Dirty Minds” has been released with the Dutch label Challenge Records in February 2020. On that occasion, Olivia Vermeulen also gave her highly-acclaimed recital debut at Amsterdam’s Concertgebouw.

Booklet for In Heaven - Songs for a Trip to Space