Rock N Roll Jesus Kid Rock

• 1 Rock N Roll Jesus 04:30
• 2 Amen 04:41
• 3 All Summer Long 04:57
• 4 Roll On 06:12
• 5 So Hott 04:06
• 6 Sugar 03:45
• 7 When U Love Someone 05:41
• 8 New Orleans 06:37
• 9 Don't Tell Me U Love Me 04:21
• 10 Blue Jeans And A Rosary 04:35
• 11 Half Your Age 03:46
• 12 Lowlife [Living The Highlife] 04:05
• Total Runtime 57:16

Info for Rock N Roll Jesus

Once the straight country-rock of his single 'Cocky' struck a chord with the public, Kid Rock seemed more interested in filling the shoes of Southern rock pioneers Lynyrd Skynyrd than upholding his throne as hip-hop's white trash punk. His 2007 album ROCK N ROLL JESUS completes that transition. A big album that bowls straight up the middle, ROCK N ROLL JESUS is Kid's homage to the grits and gravy of classic rock, a 21st-century update of FM radio fare from the 1970s. Gone for most part is his hip-hop posturing and in-your-face putdowns; in their place are invocations of Skynyrd, Bob Seger, Steve Miller, and the like. 'All Summer Long,' a bouncy, sunny tune that bears a striking resemblance to 'Sweet Home Alabama,' is a case in point; while 'Roll On' has the smooth-rolling feel of the Eagles' early work. Rock cuts loose, to be sure, as on the head-banging 'So Hott,' but even these tracks are injected with a retro feel, summoning classic AC/DC more than anything from the '00's. Longtime Rock fans might miss the bad attitude, but fans of classic '70s rock should feel right at home.

'As its title suggests, this balls-to-the-wall album finds Kid Rock latching onto the verities of sex, drugs and rock & roll as a path to redemption — both his and the country's. He'd never admit it, but hurt over losing Pamela Anderson fuels his appetite for salvation. She's the target of the hilarious country romp 'Half Your Age,' which proclaims Rock's new girlfriend to be 'half your age and twice as hot.'

Rock shows his wistful side, too. 'All Summer Long' takes its inspiration from 'Night Moves,' by Bob Seger (Kid's Michigan idol), mashing up the piano lick from 'Werewolves of London' with bits of 'Sweet Home Alabama' for a story of sexual awakening. It's stirring stuff. And 'Amen' imports a gospel choir to denounce religious hypocrisy, racism and pointless soldiers' deaths in Iraq. There's straight country, hard-edged rock, big soul balladry and rhymes declaimed over metal guitar. Throughout, Kid Rock extends the Seger-Mellencamp tradition of heartland rock — its swagger as well as its vulnerability — into a new era.

Kid Rock is the first to admit that he's 'no saint' — his immortal couplet (from 'So Hott'), 'I don't want to be your friend/ I want to fuck you like I'm never gonna see you again,' amply makes that point. But his good-hearted faith in rock & roll delivers a powerful kick. As he well knows — and Rock N Roll Jesus proves — roaring guitars, truckloads of attitude and an unquenchable lust for life make up for a multitude of sins.' (Anthony Decurtis, Rolling Stone)

Kid Rock, guitars, keyboards, vocals
Marlon Young, guitars, acoustic guitar
Al Sutton, vocals
Kenny Tudrick, guitar and drums
Jason Krause, guitar
Bobby East, guitar
Jimmie Bones, harp, piano, keyboards, background vocals
Stefanie Eulinberg, drums, background vocals
Lawrence Fratangelo, drums, congas, timbales

Mixed by Kid Rock, Rob Cavallo and Al Sutton
Recorded at Blackbird Studios, Nashville, TN; East Iris Studios, Nashville, TN; The Allen Roadhouse.

One of the unlikeliest success stories in rock at the turn of the millennium, Detroit rap-rocker Kid Rock shot to superstardom with his fourth full-length album, 1998's Devil Without a Cause. What made it so shocking was that Rock had recorded his first demo a full decade before, been booted off major label Jive following his Beastie Boys-ish 1990 debut, Grits Sandwiches for Breakfast, and toiled for most of the decade in obscurity, releasing albums to a small, devoted, mostly local fan base while earning his fair share of ridicule around his home state. Nevertheless, Rock persevered, and by the time rap-metal had begun to attract a substantial audience, he had perfected the outlandish, over the top white-trash persona that gave Devil Without a Cause such a distinctive personality and made it such an infectious party record.

Bob "Kid Rock" Ritchie (born Robert James Ritchie, January 17, 1971) grew up in Romeo, Michigan, a small rural town north of the Detroit metro area. Finding small-town life stiflingly dull, Ritchie immersed himself in rap music, learned to breakdance, and began making the talent-show rounds in Detroit. Inspired by the Beastie Boys' Licensed to Ill -- white performers fusing rap and hard guitar rock -- Kid Rock recorded his first demos in 1988, and eventually scored an opening slot at a Boogie Down Productions gig. That performance, in turn, led to a contract with Jive Records, which issued Kid Rock's debut album, Grits Sandwiches for Breakfast, in 1990. Produced by Kid Rock, Too Short, and D-Nice, the album was heavily derivative of Licensed to Ill. Rock briefly became notorious when a New York college radio station aired the album's profanity-laced ode to oral sex, "Yodelin' in the Valley," and was fined over $20,000 (a judgment later rescinded). However, despite a tour with Too Short and Ice Cube, Jive didn't see much of a future for Kid Rock and dropped him from their roster.

Moving to Brooklyn, Rock hooked up with the small Continuum label, and moved his brand of rap further into hard rock with The Polyfuze Method, released in 1993. Reviews were mixed, with some critics praising the record's humor and eclecticism while others dismissed it as awkward and forced. The EP Fire It Up followed in 1994, appearing on Rock's own Top Dog imprint (which was still distributed by Continuum). Rock eventually returned to the Detroit area and began work on another album; recorded on a shoestring budget, Early Mornin' Stoned Pimp was released in 1996. Although sometimes forced to sell bootleg dubs of his own records to pay the rent, Rock set about forming a full-fledged backing band, which he dubbed Twisted Brown Trucker. While its membership fluctuated early on, rapper Joe C. (born Joseph Calleja) was one of the first to join; a longtime fan and frequent concert attendee, Calleja caught Rock's eye in 1994, partly because of his diminutive stature (due to a digestive condition known as celiac disease, which required both dialysis and extensive medication) and partly because of his encyclopedic knowledge of Rock's song lyrics. The rest of the lineup settled around mostly Detroit-area musicians: guitarists Kenny Olson and Jason Krause, keyboardist Jimmy Bones (born Jimmy Trombly, he handles the basslines himself), drummer Stefanie Eulinberg, DJ/turntablist Uncle Kracker (born Matt Shafer, who had been with Rock since the early '90s), and backing vocalists Misty Love and Shirley Hayden.

As rap-metal acts like Korn, Limp Bizkit, and Rage Against the Machine began to dominate the hard rock landscape, Atlantic Records decided to take a chance on signing Rock. Devil Without a Cause didn't do much upon its initial release in August 1998, but a big promotional push from the label and MTV helped make the album's second single and video, "Bawitdaba," a nationwide smash. The follow-up, "Cowboy," achieved similar success, and suddenly, after a decade of trying, Kid Rock was a superstar with a Top Five, seven-times-platinum album and a gig at Woodstock '99. While pondering how to follow up Devil, Rock acquired the rights to his indie label recordings and remixed or re-recorded the best material for The History of Rock, which was released in the summer of 2000 and featured some new songs as well. Sadly, after being forced to take a break from touring a year earlier by his medical difficulties, Joe C. passed away in his sleep on November 16, 2000.

Even with a tragedy like this in his life, Rock continued work on his follow-up to Devil Without a Cause. The media focused more on his relationship with actress Pamela Anderson than his musical career, which many magazines were beginning to ridicule. His DJ, Uncle Kracker, had a successful solo career during the spring and summer of 2001, leaving Rock without one of his most frequent collaborators. Still, by the winter of that year he had completed work on Cocky and had released "Forever" to success on rock radio. In fall 2003, Kid Rock returned with a self-titled effort. A cover of Bad Company's "Feel Like Makin' Love" marked the first single. The cover art to his 2006 live album, Live Trucker, paid tribute to Bob Seger's Live Bullet. Just a year later the studio record Rock N Roll Jesus came out, landing at number one and selling 172,000 copies in its first week. Born Free, produced by Rick Rubin and featuring guest appearances by Martina McBride, Trace Adkins, Zac Brown, Sheryl Crow, Bob Seger, James Hetfield, and T.I., arrived in 2010. Born Free debuted at number five on the Billboard charts but it didn't generate any hit singles; the title track peaked at 31 on the Rock Songs chart and "Collide," featuring Crow and Seger, didn't fare much better on the Country and Adult Contemporary charts. Kid Rock toured in 2011, then set about recording his next album, Rebel Soul, which appeared late in 2012. (Steve Huey, Rovi)

This album contains no booklet.