Parachutes (Remastered) Coldplay

• 1 Don't Panic 02:17
• 2 Shiver 04:59
• 3 Spies 05:18
• 4 Sparks 03:47
• 5 Yellow 04:29
• 6 Trouble 04:31
• 7 Parachutes 00:46
• 8 High Speed 04:14
• 9 We Never Change 04:09
• 10 Everything's Not Lost 07:15
• Total Runtime 41:45

Info for Parachutes (Remastered)

At first blush, this shy, introspective London-based quartet don't seem poised to be one of England's biggest sensations for 2K -- but they are. Parachutes, their first outing, entered the British charts at No. 1, ousting Eminem, and it vied for the prestigious Mercury Music Prize for Best British Album (losing to another hot debut, from Badly Drawn Boy). It's a little surprising that such a calm, albeit emotionally dense, album has caused such a stir. The young group's meditative rock often sounds like a cross between Travis, Jeff Buckley, and Bends-era Radiohead on mood stabilizers. But Coldplay never approach those bands' intensity or hysteria: Chris Martin's voice occasionally flips into a Buckely-esque falsetto, but his tone is always serene, and the tempos seldom step above a canter. On the first single, 'Yellow,' for example, over a slow drum beat and a shimmering mesh of acoustic and electric guitars, Martin's pleading vocals gently nudge the song forward to a dramatic, if restrained, conclusion. Although Parachutes isn't the sort of album to throw on at your next kegger, the songs have a melodic strength and quiet beauty that belies the group's youth and elevates Coldplay to 'one to watch' status.

„The London foursome Coldplay were early critics' darlings in their native U.K., showcasing melodic pop on a slew of EP releases and constant live shows just after the spark of the new millennium. Not as heavy as Radiohead or snobbish as Oasis, Coldplay were revealed on Parachutes as a band of young musicians still honing their sweet harmonies. Combining bits of distorted guitar riffs and swishing percussion, Parachutes was a delightful introduction and also quickly indicated the reason why this album earned Coldplay a Mercury Music Prize nomination in fall 2000. Frontman Chris Martin's lyrical wordplay is feminist in the manner of Geneva's Andrew Montgomery, but far more withered. The imagery captured on Parachutes is exquisitely dark and artistically abrasive, and the entire composition is tractable thanks to gauzy acoustics and airy percussion. Coldplay's indie rock inclinations are also obvious, especially on songs such as 'Don't Panic' and 'Shiver,' but it's the dream pop soundscapes captured on 'High Speed' and 'We Never Change' that illustrate the band's dynamic passion. This basic pop was surely a refreshing effort in the face of big productions like the Spice Girls and Westlife. Parachutes deserved the accolades it received because it followed the general rule when introducing decent pop songs: keep the emotion genuine and real. And Coldplay did that without hesitation.“ (MacKenzie Wilson, AMG)

Chris Martin, vocals, acoustic guitar, keyboards
Jonny Buckland, guitar, piano (on track 4), backing vocals
Guy Berryman, bass, acoustic bass (on track 7)
Will Champion, drums, harmony vocals, percussion


Recorded November 1999 – May 2000 at Matrix Studios, London; Wessex Studios, London; Parr Street Studios, Liverpool; Orinoco Studios, London; Rockfield Studios, Rockfield, Wales
Produced by Chris Allison, Coldplay, Ken Nelson

Digitally remastered

Coldplay
After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. The group's emergence was perfectly timed; Radiohead had just released the overly cerebral Kid A, while Oasis had ditched two founding members and embraced psychedelic experimentation on Standing on the Shoulder of Giants. U.K. audiences were hungry for a fresh-faced rock band with big aspirations and an even bigger sound, and Coldplay were more than happy to take the reins. Parachutes went multi-platinum in several countries and earned the band its first Grammy, but Coldplay continued to grow into the 2000s, topping their debut album's success with higher record sales and an increased public profile.

Chris Martin (vocals/piano), Jon Buckland (guitar), Will Champion (drums), and Guy Berryman (bass) were all born into musical households. Martin, the eldest of five, began playing the piano as a young child and later took solace in the work of Tom Waits. Buckland, on the other hand, grew up with the heavy guitar sounds of Eric Clapton and Jimi Hendrix. Scotland native Berryman preferred funk to indie rock, thereby leaving him to play bass, while multi-instrumentalist Champion didn't plan to be a drummer until he joined Coldplay's lineup. The bandmates came together in 1996 while attending the University College of London, and the Safety EP was issued shortly after their first gig at a Manchester festival for unsigned bands. The release only saw 500 pressings, as did the subsequent Brothers & Sisters EP. Nevertheless, it was enough to win the band a U.K. deal with Parlophone Records in April 1999, and the five-track Blue Room EP arrived that fall. With nods from the media, Coldplay were hailed as the next Travis, thanks to their simple acoustics and charming personas.

Parlophone ushered Coldplay into Parr St. Studios in Liverpool, where they recorded the bulk of their debut album. Parachutes was released in July 2000 and became a swift hit on the strength of four U.K. singles, several of which enjoyed popularity in America as well. With "Yellow" climbing the charts on both sides of the Atlantic, Parachutes was released in the U.S. in November, where its sales soon rivaled — and eventually surpassed — those in the U.K.

Riding on the strength of their universally popular debut, Coldplay headed back into the studio in fall 2001 to work on a sophomore album. They emerged with A Rush of Blood to the Head, releasing the album worldwide in August 2002 and embarking on a global concert tour soon after. "The Scientist" enjoyed regular radio rotation, while both "Clocks" and "In My Place" won Grammy Awards. The CD/DVD package Live 2003 was issued to highlight the group's popular tour, and Martin specifically earned a higher notch on the celebrity scale by marrying actress Gwyneth Paltrow in December 2003. Paltrow gave birth to the couple's daughter Apple the following April.

Fatherhood didn't stop Martin from working, as Coldplay began recording material for a third album within weeks. Previously recorded material with longtime producer Ken Nelson was scrapped early on, while Danton Supple (Morrissey, the Cure) joined Coldplay to complete the recording of X&Y. "Speed of Sound" marked Coldplay's first single from their long-awaited third effort in spring 2005; the album followed in June, topping charts around the world and selling more than eight million copies during its first year.

Such success put Coldplay on the same commercial level as U2, and Coldplay retreated to the studio in late 2006 to work with famed producer Brian Eno (who had teamed up with U2 several times in the past). Recording sessions with Eno were completed within one year, followed by several months of mixing and growing anticipation from the band's audience. Viva la Vida — also known by its extended name, Viva la Vida or Death and All His Friends — ultimately arrived in June 2008. Worldwide sales for the album had approached six million by November, when Coldplay released several new recordings (including a collaboration with hip-hop mogul Jay-Z) as part of the Prospekt's March EP.

Preceded by first single "Every Teardrop Is a Waterfall," Coldplay's fifth studio album, 2011's Mylo Xyloto, was produced by Markus Dravs, Daniel Green, and Rik Simpson (the official press release adds "with enoxification and additional composition by Brian Eno"). Live 2012, the band's second concert film/recording, followed in 2012 after a hugely successful world tour, which included a special performance at the London Paralympics closing ceremony. Work began on their sixth album in late 2012 at their Bakery and Beehive studios in North London, where longtime producers Paul Epworth, Daniel Green, and Rik Simpson joined them for sessions. As the recording progressed, other producers, including Avicii and Timbaland, were brought in, making the resulting Ghost Stories quite different from its predecessors in that there were many producers instead of a handful.

Coldplay began promoting Ghost Stories in March 2014, two months prior to its May release, playing a showcase concert at the iTunes Music Festival which was held during the 2014 South by Southwest Festival in Austin, Texas. Around the time of the concert, it was revealed that Martin was separating from his wife. This news was counterbalanced by the announcement Martin was going to act as an advisor on the U.S. series of singing competition The Voice. Additional television duties for the band included a concert called Coldplay: Ghost Stories on NBC — the same network that aired The Voice — aired on May 18, the Sunday prior to the release of Ghost Stories.

This album contains no booklet.