Dear America Eric Bibb

Album Info

Album Veröffentlichung:
2021

HRA-Veröffentlichung:
10.09.2021

Label: Provogue Records

Genre: Blues

Subgenre: Electric Blues

Interpret: Eric Bibb

Das Album enthält Albumcover

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  • 1Whole Lotta Lovin' (feat. Ron Carter)03:33
  • 2Born Of A Woman (feat. Shaneeka Simon)03:47
  • 3Whole World's Got The Blues (feat. Eric Gales)05:33
  • 4Dear America03:47
  • 5Different Picture (feat. Chuck Campbell)05:36
  • 6Tell Yourself02:52
  • 7Emmett's Ghost (feat. Ron Carter)03:10
  • 8White & Black04:37
  • 9Along The Way02:40
  • 10Talkin' 'Bout A Train, Pt. 1 (feat. Billy Branch)04:08
  • 11Talkin' 'Bout A Train, Pt. 204:05
  • 12Love's Kingdom (feat. Tommy Sims & Glen Scott)04:54
  • 13One-ness Of Love (feat. Lisa Mills)03:16
  • Total Runtime51:58

Info zu Dear America

Aufgenommen, bevor die Pandemie die Aufnahmestudios der Welt lahmlegte, ist die Chemie auf “Dear America” spürbar, und jeder Musiker spielt mit dem emotionalen Engagement, das das Material verlangt. Im November 2019 begab sich Erig Bibb in das Studio G in Brooklyn, um das Album zusammen mit dem Produzenten und Co-Autor Glen Scott und einer Studioband, zu der der talentierte Schlagzeuger Steve Jordan und der Gitarrensensation Eric Gales aus Memphis gehörten, aufzunehmen. Das Ergebnis ist ein nachdenkliches Album, mit dem Bibb den Kreis schließt, den Puls dieser fiebrigen Zeit trifft und gleichzeitig zu seinen stolzen Wurzeln in New York zurückkehrt. “Meine Heimat ist jetzt Schweden”, sagt Bibb, “aber in New York City bin ich aufgewachsen. Dort zu sein und dieses Album aufzunehmen, das so viel mit meiner ganzen Reise zu tun hat – das war wirklich inspirierend.” Und so wie die Geschichte der Vereinigten Staaten Licht und Schatten hat, so hat auch ‘Dear America’ Licht und Schatten. Es ist ein Album, das seine Erkundung der giftigsten Probleme der Nation mit Hoffnung, Liebe und einem helleren Weg in die Zukunft verbindet. Es ist nicht alles verloren, betont Bibb, und wir sind es auch nicht. Bibb lässt keinen Zweifel daran, dass die Zukunft von uns geschrieben werden muss.

Eric Bibb, Gitarre, Gesang
Shaneeka Simon, Gesang
Lisa Mills, Gesang
Eric Gale, Solo-Gitarre
Steve Jordan, Schlagzeug
Tommy Sims, Bass
Ron Carter, Kontrabass
Chuck Campbell, Pedal Steel Gitarre
Billy Branch, Mundharmonika

Produced by Glen Scott




Eric Bibb
Like Josh White, Jr. — son of folk singer Josh White — singer, songwriter, and guitarist Eric Bibb was raised in the folk tradition, the son of folk singer Leon Bibb. Bibb's uncle was the world-famous jazz pianist and composer John Lewis, part of the Modern Jazz Quartet. Bibb was raised in a music-filled household, and family friends in the '50s and '60s included Pete Seeger, Odetta, Bob Dylan, and the late Paul Robeson, who was named Eric's godfather. Bibb got his first steel guitar at age seven, and some advice from Dylan that he never forgot: "keep it simple, forget all that fancy stuff." When he was 13, Bibb entered New York City's High School of Music and Art, where he studied double bass, vocals, classical guitar, and piano. When he was 16, his father asked him to play guitar in the house band for his TV talent show, Someone New.

In 1970, Bibb left New York City for Paris, where he met with guitarist Mickey Baker. There, he began to focus in on blues guitar, and, after moving to Stockholm, he became enamored with pre-war blues. He continued to write his own songs and perform during this time, and returned to New York in 1980 to pursue a career as a folk and blues singer. He moved back to Sweden five years later and continued performing, but also taught music in school. His debut, Spirit and the Blues, showcased the sounds of bouzouki, mandolin, accordion, and a gospel group, inspired by other recordings that married bluesmen like Leadbelly with gospel groups like the Golden Gate Quartet. He performed at the London Blues Festival in 1996, where he shared a set with Corey Harris and Keb' Mo', and he quickly followed up with 1997's Good Stuff. His third album, Me to You, featured performances and collaborations with some of his musical heroes, including Pops & Mavis Staples and Taj Mahal. He followed up the success of the album with tours of the U.K., U.S., Canada, France, Germany, and Sweden. He recorded and released Home to Me in 1999, Roadworks in 2000, Painting Signs and Just Like Love in 2001, and A Family Affair in 2001, which featured duets and solo tunes by Bibb and his father. Bibb joined Robert Cray on two U.S. tours in 2001 and 2002, and opened for Ray Charles in the summer of 2002. Bibb was nominated for a Grammy for "Shakin' a Tailfeather," and he has been nominated for many W.C. Handy Awards in a variety of categories.

Ever the prolific songwriter, forever brimming with new musical ideas and a freshness of appreciation with no dimming in his enthusiasm for performing, Bibb has kept up a hectic schedule of performing and recording since Home to Me and A Family Affair were released in 2001. He recorded Natural Light for Earthbeat in 2003, Roadworks and Sisters and Brothers in 2004, and Friends in 2004. His late-2000s recordings include A Ship Called Love, Diamond Days, and Twelve Gates to the City in 2006, and a collaboration with his father, Praising Peace: A Tribute to Paul Robeson. Not all of Bibb's releases are available in the U.S., but most can be found via the Internet. He released a live album in 2007, An Evening with Eric Bibb, for the Telarc Blues label. 2008's Get on Board on Telarc Blues features performances by Bonnie Raitt and Ruthie Foster. Bibb describes the sounds and songs on the album best when he says, it's "a further exploration into the place where blues meets gospel and soul." Troubadour Live, recorded at a December 9, 2010 concert in Stockholm, Sweden and featuring guest guitarist Staffan Astner, was released in 2011. Jericho Road, which found Bibb working once again with long-time collaborator, producer, engineer, and multi-instrumentalist Glen Scott, appeared in 2013.

Dieses Album enthält kein Booklet

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