Cifras Imaginarias: Música para Tañer a Dos Vihuelas Ariel Abramovich & Jacob Heringman

• 1 Illibata Dei virgo nutrix (arr. A. Abramovich and J. Heringman for alto and bass vihuelas) 07:36
• 2 Ricercar No. 7 (arr. A. Abramovich and J. Heringman for 2 vihuelas) 02:19
• 3 Mor me a prive (arr. A. Abramovich and J. Heringman for 2 vihuelas) 02:45
• 4 Ricercar (arr. A. Abramovich and J. Heringman for 2 vihuelas) 02:13
• 5 Un gay bergier (arr. A. Abramovich and J. Heringman for alto and bass vihuelas) 03:04
• 6 Italia mia (arr. A. Abramovich and J. Heringman for alto and bass vihuelas) 03:35
• 7 Pavana Italiana (arr. A. Abramovich and J. Heringman for alto and bass vihuelas) 03:22
• 8 Dulces exuviae (arr. A. Abramovich and J. Heringman for alto and bass vihuelas) 03:14
• 9 Fantasia No. 82 01:39
• 10 Passeavase el rey moro (arr. A. Abramovich and J. Heringman for alto and bass vihuelas) 01:01
• 11 Dont vient cela (arr. A. Abramovich and J. Heringman for alto and bass vihuelas) 03:02
• 12 Ultimi mei sospiri (arr. A. Abramovich and J. Heringman for alto and bass vihuelas) 02:36
• 13 Fantasia No. 22 01:56
• 14 Y con qué la lavaré (arr. A. Abramovich and J. Heringman for 2 vihuelas) 02:15
• 15 Dizen a mí que los amores he (arr. A. Abramovich and J. Heringman for 2 vihuelas) 02:29
• 16 De los álamos vengo, madre (arr. A. Abramovich and J. Heringman for 2 vihuelas) 01:57
• 17 Pater Noster (arr. A. Abramovich and J. Heringman for alto and bass vihuelas) 04:56
• 18 Ave Maria (arr. A. Abramovich and J. Heringman for alto and bass vihuelas) 03:22
• Total Runtime 53:21

Info zu Cifras Imaginarias: Música para Tañer a Dos Vihuelas

A leading vihuela specialist, the Argentinian virtuoso Ariel Abramovich has already devoted two albums to the favourite instrument of the Iberian Renaissance, the first on Arcana Esteban Daça, El Parnasso, A316, 2002) and the second on Carpe Diem (Diego Pisador, Si me llaman, 2009). For this third instalment he is joined by one of the world's most respected and innovative solo lutenists, Jacob Heringman, for a vihuela duo project which is the result of years of research and performing. While there is a significant number of publications for two lutes from the sixteenth century, only one of the seven collections for vihuela de mano includes duets, and it is precisely that collection that was the main source of inspiration for this project. The performers, both highly experienced with intabulations of sixteenth-century music, decided to recreate an imaginary book of vihuela duets, following the taste and practice of the ancient masters, who through a notation system of numbers used to arrange works by the composers they listened to and played. Cifras Imaginarias is the poetic name they have given to an imaginary music collection of vihuela duos of the kind that might have been published in the mid-sixteenth century.

Ariel Abramovich, alto vihuela in G
Jacob Heringman, alto vihuela in G, bass vihuela in D

Jacob Heringman
The American-born lutenist Jacob Heringman studied with Jakob Lindberg at the Royal College of Music in London, and later with Pat O'Brien in New York. Based in England since 1987, he has established himself as one of the world's most respected and most innovative solo lute players, and as a much sought-after ensemble player performing regularly throughout Europe and North and South America, and making many CD and radio recordings of medieval and renaissance music with leading English ensembles, including The Rose Consort of Viols, Fretwork, Musicians of the Globe, The Kings Singers, The New London Consort, Virelai and The Dufay Collective.

As a continuo player, Jacob Heringman performed and recorded with The King's Consort, The English Baroque Soloists, The Parley of Instruments and The Taverner Consort, among others. In 1993, he left the continuo circuit to focus on renaissance solo and ensemble projects.

Jacob's playing is also to be heard on the soundtracks of many Hollywood films (including Harry Potter III , Kingdom of Heaven and Ridley Scott's Robin Hood), and occasionally on pop albums (most recently, Joni Mitchell's Travelogue).

Jacob has given solo recitals throughout Europe and in North America. In recent years, he made numerous tours of the USA and Canada performing both the Josquin and Pickeringe programmes.

As an accompanist, Jacob Heringman has performed and recorded lute songs with Michael Chance and Barbara Bonney, among others. He is also half of a duo with the mezzo-soprano Catherine King, with whom he has toured extensively and recorded four lute song discs for ASV and Linn, all of which have been greeted with high praise from reviewers. One of these, entitled Airs de Cour, for which the duo was joined by the tenor Charles Daniels, was voted one of the top CDs of 1999 by both Gramophone and the BBC Music Magazine.

In 1990, Jacob founded the group Virelai with viol player Susanna Pell, singer Catherine King, and flute-player William Lyons. Virelai specialises in music of the late fifteenth and early sixteenth centuries, with occasional forays into modern music. Virelai has made three CDs for Virgin, and a BBC Music Magazine cover CD. A CD of specially commissioned modern settings of renaissance love poetry, entitled Sad Steps, was released by Riverrun Records late in 2002.

Jacob teaches the lute at Trinity College of Music, London, and at York University. He is increasingly in demand as a teacher at various Lute Society and other early music summer schools, including the American Lute Society's courses in Vancouver, Cleveland and Amherst, the UK Lute Society's course at Hengrave Hall, and Musica Antiqua's course at the Cambridge Early Music Summer Schools.

The Alexander Technique is another important strand of Jacob's life and work. A year ago, he finished the three-year full-time Alexander Technique teacher training course at The Alexander Technique Studio in London, run by Karen Wentworth, and is now a qualified teacher of the Alexander Technique certified by the Society of Teachers of the Alexander Technique (STAT). Increasingly, Jacob has found principles of the Technique to be indispensible in his music-making and teaching, and he is teaching the Alexander Technique to increasing numbers of musicians and non-musicians alike.

Jacob is married to Susanna Pell, of Fretwork and The Dufay Collective, and they live on the edge of the Yorkshire Dales with their young daughter, Edie.

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