Heart of Brazil Eddie Daniels & Harlem Quartet
- 2Baião Malandro05:51
- 3Água e Vinho06:07
- 8Tango Nova05:45
- 12Trem Noturno07:44
Info for Heart of Brazil
Off the heels of 2017’s acclaimed archival release Just Friends – Live at the Village Vanguard from 1988, jazz clarinet icon Eddie Daniels has a new, exceptional project.
"In Heart of Brazil", Eddie Daniels pays tribute to the world-renowned Brazilian composer and multi-instrumentalist, Egberto Gismonti, featureing Daniels with the top-shelf trio of pianist Josh Nelson, bassist Kevin Axt and drummer Mauricio Zottarelli, plus the Grammy Award-winning Harlem Quartet. With new arrangements by Ted Nash, Kuno Schmid and Josh Nelson, Heart of Brazil collects songs from Gismonti’s classic early 1970s albums on Odeon/EMI Records, such as his self-titled 1973 album, Água & Vinho (1972), Corações Futuristas(1976), Carmo (1977) and others. Gismonti says in his interview with acclaimed author James Gavin, “When I heard the record I felt immense joy…The repertoire spans a rich period of my composing. What a great present for my seventy years of life.”
Eddie Daniels, clarinet, tenor saxophone
Josh Nelson, piano
Kevin Axt, bass
Mauricio Zottarelli, drums
Ilmar Gavilán, violin
Melissa White, violin
Jamey Amador, viola
Felix Umansky, cello
Eddie first came to the attention of the jazz audience as a tenor saxophonist with the Thad Jones-Mel Lewis Orchestra. When Thad and Mel first organized their band in 1966 to play Monday nights at the Village Vanguard in New York (where it still plays), Eddie was one of the first musicians they called. Later that year, he sank $400 in a round-trip flight to Vienna to enter the International Competition for Modern Jazz, a contest organized by the pianist Fredrich Gulda and sponsored by the city of Vienna, and won first prize on saxophone. He continued working with Thad and Mel over the next several years and toured Europe extensively with them.
A single clarinet solo recorded with the Thad Jones-Mel Lewis orchestra, "Live at the Village Vanguard" garnered sufficient attention for him to win Downbeat Magazine's International Critics New Star on Clarinet Award. This conversion to clarinet was not new, for Eddie began clarinet at age 13 and received his Masters in Clarinet from Juilliard. Winning numerous Grammy awards and nominations, Eddie Daniels revolutionized the blend of jazz and classical.
Eddie Daniels is clearly a renaissance musician, a virtuoso in both jazz and classical music, recipient of unreserved accolades from his peers, from critics, and from the public. Eddie's overriding ambition is to reach as many people as possible with his music, to enlarge the audience for both jazz and classical music and at the same time to tear down the walls separating them. In Eddie's hands, the music of Mozart can be as engaging as that of Charlie Parker and a concert featuring both can be a uniquely rewarding experience for the audience.
Eddie Daniels is that rarest of rare musicians who is not only equally at home in both jazz and classical music, but excels at both with breathtaking virtuosity.
Expert testimony from the jazz world comes from the eminent jazz critic Leonard Feather, who said of Eddie, "It is a rare event in jazz where one man can all but reinvent an instrument bringing it to a new stage of revolution."
From the classical side, Leonard Bernstein said "Eddie Daniels combines elegance and virtuosity in a way that makes me remember Arthur Rubenstein. He is a thoroughly well-bred demon."