Red Norvo Combo, The Second Time Around (Remastered) The Red Norvo Combo feat. Dave McKenna, Milt Hinton, Mousey Alexander, Kenny Davern
- 1Lover, Come Back to Me05:08
- 3Santa Monica Blues (a Long One for Santa Monica)04:39
- 5Rose Room05:15
- 6When You're Smiling04:50
- 7Exactly Like You05:10
Info for Red Norvo Combo, The Second Time Around (Remastered)
This album was the direct result of the Odessa Jazz Party in Texas in which vibraharpist Red Norvo participated, joined by saxophonist Kenny Davern, pianist Dave McKenna, bassist Milt Hinton and drummer Mousey Alexander. Spread over six days, the Odessa Jazz Party brings together twenty or so musicians to play in various contexts. Red brought down the house with assistance by Davern and McKenna, who realized he was tired of making solo records. So, Red invited his friends to the studio in New York in 1975 to record two sessions for this, his second "Famous Door" series album, and here we have evidence of the strongly swinging music heard by the guests at Odessa. Features four previously unissued alternate takes.
"After making only one recording as a leader between 1960-1973, vibraphonist Red Norvo cut three albums for Famous Door during 1975-1977, launching a bit of a comeback. This LP, his second Famous Door release, is an excellent effort. The veteran vibraphonist plays six veteran swing standards plus his own "Santa Monica Blues" with pianist Dave McKenna, bassist Milt Hinton, drummer Mousey Alexander, and (on four of the seven numbers) Kenny Davern on soprano. These small-group swing performances (which some would call "mainstream") are quite enjoyable." (Scott Yanow, AMG)
Red Norvo, vibraharp
Kenny Davern, soprano saxophone
Dave McKenna, piano
Milt Hinton, bass
Mousey Alexander, drums
Produced by Harry Lim
(March 31, 1908 – April 6, 1999) was one of jazz's early vibraphonists, known as "Mr. Swing". He helped establish the xylophone, marimba and later the vibraphone as viable jazz instruments.
He was born Kenneth Norville in Beardstown, Illinois. The story goes that he sold his pet pony to help pay for his first marimba. Norvo's career began in Chicago with a band called "The Collegians", in 1925. He played with many other bands, including an all-marimba band on the vaudeville circuit, and the bands of Paul Whiteman, Benny Goodman, Charlie Barnet, and Woody Herman. Norvo recorded with Mildred Bailey (his wife), Billie Holiday, Dinah Shore and Frank Sinatra, among others. Together, Red and Mildred were known as "Mr. and Mrs. Swing." He also appeared in the film Screaming Mimi (1958), playing himself, and in Ocean's 11, backing Dean Martin's "Ain't That a Kick in the Head?".
In 1933 he recorded two sessions for Brunswick under his own name. The first, "Knockin' on Wood" and "Hole in the Wall", pleased Brunswick's recording director Jack Kapp and he was booked for another session. This time, Kapp was out of town and Norvo went ahead and recorded two of the earliest, most modern pieces of chamber jazz yet recorded: Bix Beiderbecke's "In a Mist" and Norvo's own "Dance of the Octopus". Playing marimba instead of xylophone in the second session, he was accompanied by Benny Goodman in a rare performance playing a bass clarinet, Dick McDonough on guitar and Artie Bernstein on slap bass. Kapp was outraged when he heard the recordings and tore up Norvo's contract and threw him out. Nevertheless, this modern record remained in print all through the 1930s.
Starting in 1936 through 1942, Norvo formed a Swing Orchestra and recorded for ARC first on their Brunswick label, then Vocalion and finally Columbia, after CBS bought out the ARC company. Featuring the brilliant arrangements of Eddie Sauter and often featuring Mildred Bailey as vocalist, this series of recordings were among the more sophisticated and elegant swing records of the era.
In 1938, Red Norvo and His Orchestra reached number one with their recordings of "Please Be Kind", which was number one for two weeks, and "Says My Heart", with lead vocals by Mildred Bailey, which was number one for four weeks on the pop charts, reaching number one during the week of June 18, 1938.
In June 1945, while a member of the Benny Goodman Sextet, he recorded a session for Comet records using a sextet which featured members of the Goodman group and also Charlie Parker and Dizzy Gillespie. He said: "Bird and Diz were dirty words for musicians of my generation. But jazz had always gone through changes and in 1945 we were in the middle of another one.
In 1949, while trying to find work near home on the West Coast and running into difficulties with large groups, Norvo formed a trio with the novel combination of vibes, guitar, and bass. When the original guitarist and bassist quit (Mundell Lowe and Red Kelly), he brought in two previously little-known players. Tal Farlow became one of the most important of the post-War generation of guitarists, in part because the demands of the trio led him to explore new levels of both speed and harmonic richness on the instrument. Farlow left the group in 1953 and guitarist Jimmy Raney took his place. Charles Mingus's prominence as a bass player increased through this group, though its reportoire did not reflect the major career he would develop as a composer. Mingus left in 1951 and Red Mitchell replaced him. The Norvo, Farlow and Mingus trio recorded two LPs for Savoy.
In 1959 Norvo's group played concerts in Australia with Frank Sinatra; Blue Note released these recordings in 1997. Red Norvo and his group also made several appearances on The Dinah Shore Chevy Show in the late 1950s and early '60s. In 1960, Norvo played himself in the Rat Pack heist film Ocean's 11.
Norvo recorded and toured throughout his career until a stroke in the mid-1980s forced him into retirement (although he developed hearing problems long before his stroke). He died at a convalescent home in Santa Monica, California at the age of 91. (Source: southernpercussion.com)