Pulchra es: Affetti in 17th-century Italian Instrumental Music Il Ricercar Continuo

• Dario Castello (1602 - 1631):
• 1 Sesta Sonata a doi, sopran e trombon overo violeta 04:31
• Giovanni Antonio Bertoli (1598 - 1645):
• 2 Sonata Prima 06:02
• Guiseppe Colombi (1635 - 1694):
• 3 Chiacona a basso solo 02:32
• Francesco Rognoni:
• 4 Pulchra es amica mea 04:41
• Giovanni Battista Fontana (1589 - 1630):
• 5 Sonata Seconda 06:41
• Andrea Falconieri (1585 - 1656):
• 6 Corrente dicha la Cuella 01:13
• 7 Il Spiritillo Brando 00:54
• 8 Brando dicho el Melo 01:10
• Giovanni Girolamo Kapsberger (1580 - 1645):
• 9 Canzone Prima 03:27
• Giovanni Battista Vitali (1632 - 1692):
• 10 Ruggiero 02:16
• Giovanni Antonio Pandolfi Mealli (1624 - 1687):
• 11 Sonata Quarta "La Biancuccia" 06:37
• Marco Uccellini (1603 - 1680):
• 12 Sonata Settima a violino e basso detta "La Prosperina" 02:48
• Bartolomé de Selma y Salaverde (1595 - 1638):
• 13 Vestiva i colli 04:07
• Andrea Falconieri:
• 14 La suave melodia 02:15
• Marco Uccellini:
• 15 Aria Sesta a violino solo 02:17
• 16 Corrente Decima Ottava a violino solo 00:50
• 17 Corrente Decima Terza a violino solo 00:46
• Bartolomé de Selma y Salaverde:
• 18 Canzon a 2 bassi 03:04
• Total Runtime 56:11

Info zu Pulchra es: Affetti in 17th-century Italian Instrumental Music

The Italian composers of the seventeenth century, living at the time of Galileo, were at the forefront of a musical revolution that offers some surprising analogies with the birth of the modern scientific method. Just as Galileo with his telescope was able to observe the sky and discover new celestial objects, so the musicians of the time strove to fathom the depths of the human soul with their wind and bowed or plucked string instruments. Each ‘affetto’ or emotion was made to correspond to a musical phrase constructed according to the ‘Stil Moderno’. This style was often somewhat unpredictable, which is why it is still so fascinating for today’s listeners. Instruments thus came to dominate the musical scene, eliciting as much excitement and wonder as singers thanks to the skill of virtuoso players and music that was written specifically for them: sonatas, canzonas, sinfonias, diminutions, ballets etc. Il Ricercar Continuo tackles this extraordinary repertory with an exemplary selection of pieces that demonstrate the remarkable creativity typical of Italian instrumental music during the seventeenth century. The three musicians are highly versatile, playing nine different instruments, including dulcians, recorders of different sizes, lute, archlute and cello. (Marco Bizzarini)

Il Ricercar Continuo

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