Dark Skies Memphis Kee

• 1 I'll Come Runnin' 04:07
• 2 Bewitched (feat. Jamie Lin WIlson) 03:25
• 3 Hummingbird 04:00
• 4 With None 04:25
• 5 All the Rest 04:04
• 6 Starting Over 04:21
• 7 Black Butterfly 02:51
• 8 Being a Kid 04:18
• 9 Pedro 04:52
• 10 Twenty Dollar Chain 03:17
• Total Runtime 39:40

Info zu Dark Skies

Dark Skies is the sophomore effort from Austin based Shred DIrt quintet, Memphis Kee. This album from the country leaning rockers is a tonal shift away from their acclaimed debut record, Wimberley as well as the previous I EP and their more light-hearted story songs, featuring a deep look at the full human experience - the good, the bad, and the ugly. The musical range is greatly expanded as well and they showcase some new instrumentation and three-part vocal harmonies. The highlight track is a co-written duet with the "Queen of Red DIrt" Jamie Lin Wilson on "Bewitched".

Memphis Kee knows exactly what they are — and what they’re not. They’re not trend-chasers or opportunists looking for a quick payoff. They’re veterans of a music scene that blends country grit with rock energy. Intricacy and force. Lyricism and feel. Oklahoma and Texas. As more rock-edged Red Dirt makes a resurgence, Memphis Kee has been firmly and confidently planted on the front lines, perfecting this sound — not adopting it. This powerhouse Austin-based quintet has spent the past several years building a loyal fanbase and touring on the strength of the overwhelmingly positive reception to their previous LP, Wimberley. Now, with the release of their highly anticipated sophomore album, they showcase Kee’s powerful vocals and sharply aware songwriting, backed by the band’s technical skill and sonic agility. Memphis Kee is poised to stand out in this compelling new generation of Red Dirt acts.

The band’s new album, Dark Skies, showcases the evolution of their sound and perspective. A follow-up to the band’s initial EP, 6th & San Jacinto, and their first full length effort, their widely acclaimed album Wimberley, it is a clear step forward from those releases that came before.

Recorded at Yellow DOG Studios in San Marcos Texas, Dark Skies was produced by Grammy Award-winner Adam Odor, engineered by Casey Johns and Ethan Lugbauer, mixed by Kevin Szymanski, and mastered by Eric Conn. The band’s line-up includes Memphis Kee (lead vocals, rhythm guitar), Spencer Carlson (lead guitar, harp, vocals), Paul Pinon (drums), Joey Sisk (bass), Chris Loyd (keys, guitar, vocals) and Jake Waylon (second guitar, keys, organ, harmonica, mandolin, and harmony vocals). Jamie Lin Wilson lends co-lead, background vocals and a co-write to the song “Bewitched.”

Kee explains that the The Dark Skies concept is essentially twofold — one negative and one positive. “Things are very ominous in the world lately, things seem uncertain, and it's been hard on a lot of people,” he continues. “So I think that's part of the shift in tone and the subject matter. But, there’s a brighter side. My seven-year-old daughter McKinley and I share a deep connection through our love of space.. If you listen to the record, you’ll see there's some sort of celestial or skyward reference in every song. Some are literal or figurative, and some are deeper, talking about time moving forward at different speeds.”

The music runs the gamut, from the steady strides of “I’ll Come Runnin,” “Pedro,” and “Starting Over,” to the decisive determination that drives “All the Rest,” the discontent that underscores “With None” and eventually, the raucous shredding and workingman’s worry of “Twenty Dollar Chain.” On the other hand, it offers the seductive strains that emanate from Kee and the immensely talented and respected Wilson on “Bewitched,” the meditative mood and hypnotizing harmonies of “Hummingbird,” the down home desire, depression and desperation shared with “Black Butterfly,” and ultimately, the sheer heartbreak expressed in “Being A Kid.”

Kee points to “Hummingbird” as a standout. “It’s a relationship song, really about the wreckage of forbidden love and infidelities,” he says. He also credits his daughter for helping on ‘Black Butterfly.’ She hears all my new songs first,” he says. “I was stuck on the bridge, and she suggested, ‘Daddy, why don’t you just sing fly away?’ I knew immediately it was the right choice. McKinley is now a credited songwriter on the record — and I don’t know who’s prouder, her or me.”

That brings him to the track titled “Being A Kid,” which was written in the aftermath of the horrific school shooting in Uvalde,Texas. The song describes his feelings as his daughter began her first day of school and the trepidation that any parent might feel given the terrible possibilities that impact even the youngest victims. The song evoked such raw emotions from everyone that heard it that Kee considered putting it out as a solo song until he was convinced by his bandmates that it belonged on Dark Skies.

Formed in 2020, Memphis Kee have always shown the ability to connect with their audiences. Early on, they honed their skills on the live circuit with propulsive performances that found them pulling from a diverse catalog of raucous barroom country, classic stories of love and loss and even gritty old-school murder ballads.

They’ve also earned critical praise along the way. Saving Country Music named Wimberley an Essential Album of 2022, noting Memphis’ “intensely personal stories” delivered with “a country rock wallop” and comparing his approach to Guy Clark and Townes Van Zandt. Whiskey Riff called him “the red dirt rocker [with] all of the tools to be a household name,” while Country Music France declared, “Wimberley is absolutely brilliant.”

Raised in Memphis, TN, Kee taught himself bass while attending the University of Memphis, where he co-founded the band Rambus. A 2002 South by Southwest performance brought him to Austin, now his home, and inspired his debut EP, 6th and San Jacinto.

With ten years as a detective and six as a PI, his work on cold cases and undercover ops gave him insights that now fuel his songwriting.

The lineup began in 2019 when Joey Sisk joined after his band opened for Kee, soon followed by Spencer Carlson, who clicked with Kee at an open mic. Paul Pinon came aboard in early 2021, and Chris Loyd joined in spring 2025. Multi-instrumentalist Jake Waylon contributed vocals, guitar, mandolin, harmonica, and keys from 2022 until spring 2025.

Momentum continues to surge with recent signings to Edgewater Music Group for major label distribution and Western Grunge Records for management, booking, and promotion, signaling high expectations for what’s ahead.

With Dark Skies, Memphis Kee shows they are more than just part of the Red Dirt and Americana scene - they are setting their own pace, forging their own path. The album puts their tenacious, unflinchingly honest, and hard-earned songwriting front and center, marking them as a band that belongs in the conversation about where the scene is going next.

“When you keep pushing forward, time has a way of honing things. And it has done that with us. For the first time, Memphis Kee is five musicians moving in the same direction at the same speed. We've passed the point of figuring out who we are. With this record, we hope that now is the time that everyone else finds that out as well.”

Memphis Kee

Memphis Kee
Formed in 2020, Austin-based Memphis Kee draws on the influence of songwriters like Hayes Carll, Robert Earl Keen and Evan Felker (Turnpike Troubadours) to spark visceral, relatable reactions from listeners.

Since the release of their debut EP ‘6th & Jacinto,’ Memphis Kee have been making a name for themselves on the live circuit with their propulsive performances in which they pull from a diverse catalog of raucous barroom country, classic stories of love and loss, and even gritty old-school murder ballads.

Memphis Kee keeps the crowd listening to every thoughtfully placed word sung over the groove of what they lovingly refer to as, “Shred Dirt” music – country rock that has been battered in the scarlet soil of the Red Dirt music scene pioneers (Jason Boland, Cody Canada, Reckless Kelly, etc.) bookended by the blues and soul hued influences from Kee’s hometown of Memphis, TN. Band members include Memphis Kee (lead vocals, rhythm guitar); Spencer Carlson (lead guitar, vocals); Paul Pinon (drums); Joey Sisk (bass), and Jake Waylon (mandolin, keys, guitar, vocals).

The release of their full-length record, “Wimberley” marked a turning point for the band. Recorded over 6 days at the renowned Yellow Dog Studios, they teamed up with Grammy award-winning producer, Adam Odor to create a record that ended up on many Best of the Year lists, in Texas, the United States, and internationally. Consisting of 9 originals and one cover, the record is a perfect collection of what Memphis Kee is about. They were joined by Texas music scene heavyweights, Mike Harmeier of Mike and The Moonpies and Cody Braun of Reckless Kelly and the results were the cover of Ryan Adams’ “Come Pick Me Up” bringing on accolades like being named the 13th Best Song of the Year by Country Music France.

Media outlets such as Saving County Music, Whiskey Riff, and The Amp penned glowing words about the album, with Saving County Music placing it on their “Essential Albums List” for 2022 and saying, “Memphis Kee out of Austin is looking to revitalize that approach of taking the robust songwriting of guys like Guy Clark and Townes Van Zandt, and applying it to music that’s just as much akin to grunge as country.” With Whiskey Riff stating that, “its only a matter of time before Memphis Kee is a household name.”

2023 is already shaping up to be another big year as they have some marquee names to share stages with and tours booked through Texas, Colorado, Arkansas, Tennessee, Missouri, Kentucky, and Illinois.

Dieses Album enthält kein Booklet