La peste Marie Nadeau-Tremblay & Les Barocudas

• Johann Heinrich Schmelzer (1623 - 1680):
• 1 Sonatae unarum fidium seu (Excerpts): No. 3, — 07:53
• Dario Castello (1590 - 1631):
• 2 Sonate concertate in stil moderno, Book 2: No. 2, — (Arr. for Violin & Harpsichord) 06:52
• Giovanni Battista Fontana (1589 - 1630):
• 3 Violin Sonata No. 4 in G Major 05:35
• 4 Violin Sonata, Op. 4 No. 4 "La biancuccia" 07:58
• Salomone Rossi (1570 - 1630):
• 5 Sonata in dialogo "La Viena" 05:05
• Michelangelo Rossi (1601 - 1656):
• 6 Toccata No. 7 05:40
• Johann Heinrich Schmelzer:
• 7 Sonatae unarum fidium seu (Excerpts): No. 2, — 07:24
• Carlo Farina (1600 - 1639):
• 8 Sonata detta la desperata 10:24
• Johann Heinrich Schmelzer:
• 9 Sonatae unarum fidium seu (Excerpts): No. 4, — 09:14
• Total Runtime 01:06:05

Info zu La peste

Known for its daring and youthful performances, the ensemble Les Barocudas makes its ATMA Classique recording debut with La Peste, a musical journey that explores the theme of the plague. The members of the Montreal-based trio, Marie Nadeau-Tremblay (violin), Ryan Gallagher (viola da gamba), and Nathan Mondry (harpsichord), have compiled a program in which each piece corresponds with an episode or aspect of this 17th century pandemic. All of the composers selected for this album Schmelzer, Castello, Fontana, Pandolfi, Rossi, Farina were violinists, and all of them were affected by the plague, in some cases, fatally. "When Les Barocudas chose the theme of the plague for this album back in September 2019, we had no idea it would become so topical. A premonition? We'll never know, but it's clear that a plague-themed recording can't help but evoke parallels with the COVID-19 pandemic," said Marie Nadeau-Tremblay. Les Barocudas have established themselves as a bold and energetic ensemble whose presence on the early music scene is as formidable as it is eccentric. The trio has charmed North American audiences with their refreshingly unconventional approach to early music interpretation.

Les Barocudas

Les Barocudas
Marie, Nathan, and Ryan formed Les Barocudas while studying at McGill University. Eager to combine wit and creativity with their highcaliber performance skills, they bring a signature freshness to the Baroque repertoire— presented in sold-out concert halls as well as online in the form of music videos. Stay tuned: this young group will continue to surprise you.

Marie Nadeau-Tremblay
During the final session of her undergraduate degree in violin performance at McGill University, Marie Nadeau- Tremblay decided to try her hand at the Baroque. She joined the university’s Baroque orchestra and fell head over heels in love! Transported by the beauty of this music— and finding resonance with its mode of expression— she decided to plunge headfirst into the Baroque world. After obtaining a Licentiate Degree, she pursued further studies under the tutelage of Hank Knox, Lena Weman, and Olivier Brault, receiving a Master’s Degree in Early Music Performance. After being awarded numerous prizes and scholarships at McGill — including the prestigious Mary McLaughlin prize, which she won four years in a row — Marie Nadeau-Tremblay received an Early Music America grant in 2017. More recently, in 2019, she swept the honor roll of the Concours de musique ancienne Mathieu Duguay with an unprecedented four awards: First Prize, the People’s Choice Award, the Festival Montréal Baroque Prize, and the Été musical de Barachois Prize.

Ryan Gallagher
is a multi-facetted musician, equally at home playing the viola da gamba and the Baroque cello; making sweet sounds on the bouzouki on the terrasse of a Greek taverna; or, as a heavy metal bass player, channeling a thunderous Thor. Mr. Gallagher continues to showcase his versatility with Les Barocudas: by turns contributing a second melodic voice to complement the violin; at times reinforcing, supporting, or otherwise enriching the harmonic textures of the harpsichord accompaniment. Building on his past performance experience, Ryan’s eclectic role within the ensemble has helped him develop a distinctive voice that allows refinement, delicacy, and great precision to coalesce with an instinctive expressivity. After winning a Graduate Excellence Fellowship, Ryan Gallagher completed his Doctorate in Early Music at McGill University in the spring of 2019. The subject of his doctoral thesis was the bass violin— the ancestor of the modern cello — detailing its history, modes of construction and playing technique.

Nathan Mondry
After completing a Bachelor’s Degree in Piano Performance at the University of Michigan, Nathan Mondry obtained both a Master’s Degree in Harpsichord Performance and an Artist Diploma at McGill University, followed by a Master’s Degree in Historical Improvisation at the Schola Cantorum Basiliensis in Switzerland. He has performed in venues across North American and Europe. Nathan is the recipient of numerous prizes, including a Special Prize at the First International Competition for Basso Continuo and Partimento Realization at Katowice (2019), a First Prize (with Arnie Tanimoto) at the Bach-Abel Competition (2018), and a prize for composition at the International Competition for Composition in Pordenone (2019). Nathan Mondry is highly sought after as a rising improvisation specialist covering a range of styles from as early as the 15th and 16th centuries to the present day. As an improviser, he collaborates with various groups including La Cetra Barockorchester Basel (2018). Furthermore, he has been commissioned to compose original works for various musicians and organizations including the Projet Myrelingues of the Association Ephémère classique in France, as well as bassoonist Andrew Burn in Basel, Switzerland.

Booklet für La peste