Fake Bach - A Journey into Bach Arrangements Luigi Palombi

• Charles Gounod (1818 - 1893):
• 1 Gounod: Méditation sur le 1er prélude de piano de J. S. Bach from the Prelude Bwv 846 of “das wohltemperierte Klavier I” 05:05
• Walter Rummel (1887 - 1953):
• 2 Rummel: Cembalo obbligato “chi in amore ha nemica la sorte” from the Cantata “amore traditore” Bwv 203 02:10
• Camille Saint-Saëns (1835 - 1921):
• 3 Saint-saëns: Largo from the Violin Sonata No. 3 Bwv 1005 03:57
• Leopold Godowsky (1870 - 1938):
• 4 Godowsky: Presto from the Violin Sonata No. 1 Bwv 1001 01:56
• Johann Sebastian Bach (1685 - 1750):
• 5 Bach: Concerto in D Minor Bwv 974 from Alessandro Marcello’s Oboe Concerto: (allegro) 02:09
• 6 Bach: Concerto in D Minor Bwv 974 from Alessandro Marcello’s Oboe Concerto: Adagio 05:03
• 7 Bach: Concerto in D Minor Bwv 974 from Alessandro Marcello’s Oboe Concerto: Presto 01:40
• Johannes Brahms (1833 - 1897):
• 8 Brahms: Presto - Studio No. 3 from the Violin Sonata No. 1 Bwv 1001 01:57
• Alexander Siloti (1863 - 1945):
• 9 Siloti: Prélude from the Prelude No. 5 Bwv 855a of the “klavierbüchlein für Wilhelm Friedemann Bach“ 02:03
• Leopold Godowsky:
• 10 Godowsky: Sarabande from the Partita No. 1 for solo violin Bwv 1002 05:19
• Camille Saint-Saëns:
• 11 Saint-saëns: Bourrée from the Partita No. 1 for solo violin Bwv 1002 01:48
• August Stradal (1860 - 1930):
• 12 Stradal: Concerto in A Minor from Bach’s organ transcription (Bwv 593) of a. Vivaldi’s Concerto Op. 3 No. 8 of L’estro Armonico: Allegro moderato e maestoso 06:30
• 13 Stradal: Concerto in A Minor from Bach’s organ transcription (Bwv 593) of a. Vivaldi’s Concerto Op. 3 No. 8 of L’estro Armonico: Adagio 07:36
• 14 Stradal: Concerto in A Minor from Bach’s organ transcription (Bwv 593) of a. Vivaldi’s Concerto Op. 3 No. 8 of L’estro Armonico: Allegro [nicht zu schnell] 06:27
• Giuseppe Martucci (1856 - 1909):
• 15 Martucci: Air from the Orchestral Suite No. 3 Bwv 1068 05:05
• Total Runtime 58:45

Info zu Fake Bach - A Journey into Bach Arrangements

The concept behind Fake Bach is to record a recital dedicated to Johann Sebastian Bach that focuses on piano transcriptions that are 'daring' and 'scandalous', providing a unique perspective on Bach's music. Encouraged by Franz Liszt and reflecting the progressive Bach Renaissance of the 1800s, these transcriptions date from 1850 to the First World War. The pianist-composer-virtuosos on this album researched the essence of Bach's genius and ended up expressing mostly themselves and their own personalities, dissolving the space between interpreter and their 'object of love' composer.

Luigi Palombi, piano

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